My system is not decent

Chapter 1291

Let’s talk about this enamel vase with colorful baby playing patterns, it is an early work of Jin Tingbiao, and its style is based on folk painting.

The colors of the pictures are bright, the children's postures are vivid and diverse, and their movements are exaggerated.

Since it was not affected by Qianlong's personal likes and dislikes at that time, it has a higher artistic value than the usual gorgeousness and complexity in the middle and late Qianlong Dynasty!
This is the rarest work among similar enamel works in the Qing Dynasty.

Its collection value is naturally very high, because this is the original masterpiece of Qianlong's star painter, and it is also the first enamel baby play pattern that breaks away from the red tape and stands alone!
It should be clear to everyone here that one of the key reasons that can double the value of this work is the famous painter Jin Tingbiao.

And why can Jin Tingbiao's works become famous paintings?
Isn't it because many of his good works have been included in "Shiqu Baoji"?
One of the important reasons is that the fine calligraphy and paintings included in "Shiqu Baoji" were once collected by the court.

Of course, there are some historical reasons in it, which also make this book more important.

In other words, at the end of the Qing Dynasty and the early years of the Republic of China, Puyi lost some famous paintings and calligraphy in the name of rewards;
When leaving the palace, a large number of collections were also removed from the Forbidden City. During the end of the Puppet Manchukuo, some collections were lost among the people and even overseas.

Therefore, "Shiqu Baoji" has become the most important clue to save these lost national treasures.

At the same time, if it can be verified that it is a painting in the description of "Shiqu Baoji", its value will often be doubled and it will become the focus of the auction.

For example, at the autumn auction in 2005, five pieces of paintings and calligraphy described in "Shiqu Baoji" launched by Zhongmao Shengjia Company were all sold.

And the transaction price of each piece is more than 500 million yuan.

Tang Yin's "Songya Bieye Picture" recorded in "Shiqu Baoji" was held on the evening of the 3rd for the "Chinese Ancient Painting and Calligraphy Night Show" held in the spring auction of Poly's [-]th anniversary.

The auction started at RMB 2400 million, and after 40 bids inside and outside the venue, it was won by the buyer at the hammer price of RMB 6200 million.

After adding the commission, the transaction price reached 7130 million yuan, setting a new world record for Tang Yin's works.

From then on, we can also see some of the power of "Shiqu Baoji".

I have to say that during the Qianlong period, there were still many good things.

The next one is one that Chen Wenzhe is very familiar with, which is Qing Qianlong·Fancai Hundred Deer Pattern Double Ear Zun.

This piece of porcelain was mentioned before, and Chen Wenzhe also imitated it.

This pastel painting is superb in technique, with even glazed surfaces and elaborate decorations. The decorative effect is rich and luxurious, which fully reflects the style and technical level of Qianlong official kilns.

In the later years of Qianlong, the emperor ordered the Ministry of Internal Affairs to burn a piece of rare porcelain, the most precious porcelain in the world, and painted the "Hundred Deer and Hundred Cranes Picture" by court painter Shen Quan on the statue for birthday celebration.

Thousands of kiln workers from the Ministry of Internal Affairs and Jingzhen Royal Kiln Factory spent several years painstakingly firing.

During this period, the drawing has been redrawn hundreds of times, and the glaze has been adjusted thousands of times.

Finally, before Qianlong's [-]th birthday, the Bailu Zun, which was very popular for a while, was fired, which was known as "the first porcelain in the ages".

Not to mention the value of collection, the "No. [-] Porcelain through the ages" has dominated the three generations of Kang, Yong, and Qianlong, and the Hundred Deer Picture is exclusive to the emperor, and the meaning of longevity with the sky is extraordinary!
There are three pieces left, which is naturally not simple. Also, the remaining three pieces are all pastel porcelain, just like the Bailu Zun.

It's just that the shape of the vessel is different. The eighth piece is the famille rose nine peach sky ball vase.

Pastel porcelain, a kind of soft-color porcelain, is one of the four traditional famous porcelains of Jingzhen Kiln, and it is also a variety of overglaze color.

The so-called overglaze color is painted on the glaze of the fired plain ware, and then baked in a kiln at a temperature of 600 to 900 degrees Celsius.

Pastel porcelain is a new variety of overglaze color created on the basis of Kangxi five colors and influenced by the production process of enamel color.

After the advent of Kangxi in the late period, after the development of Yongzheng Dynasty, it reached a very high level in Qianlong period.

During the Qianlong period, in addition to the "white ground" pastels, there were also varieties of "color ground" pastels, or sedi consecrated medium painting pastels.

The innovative variety of pastels in the Qianlong Dynasty was to use extremely fine tools to roll out continuous patterns such as tangled honeysuckle or tangled vines on yellow, green, red, pink, blue and other colors, and it was mostly used together with consecration. , This is the consecration of the road.

The emergence of this craft pushed famille rose to a more luxurious and elaborate peak, which lasted until the period of the Republic of China.

Let’s talk about the Nine-Peach Celestial Ball Vase. It is a piece of porcelain with a nine-peach pattern, and the nine-peach pattern porcelain was created in the Yongzheng Dynasty, and it was still imitated in the Guangxu Dynasty.

Among all the famille rose nine-peach porcelain imitated by Yongzheng, Qianlong and later generations, the patterns of Yongzheng period are the most colorful and eye-catching, and the painting level is also the highest.

This kind of porcelain is naturally of high collection value, so this imitation has become the latest scientific research achievement of the Forbidden City in the past 30 years.
Porcelain that can be used as a national gift is certainly not simple, let alone this is a pastel nine peach vase.

As long as such porcelain is authentic, it must be the imperial porcelain of the Qing court during the Qianlong period.

The shape of this bottle is also beautiful. It has a straight mouth, a straight neck, a plump and round belly, and a round foot.

The whole body is painted with a peach tree with a strong trunk and 9 flat peaches on the branches, and a cluster of roses next to the peach tree.

The blue and white "Qianlong year system of the Qing Dynasty" six-character seal script inscribed on the bottom foot.

Among the famille rose porcelains of the Qianlong period, there are a large number of decorations with auspicious themes.

Most of these themes use natural scenery to imply auspiciousness.

Fine workmanship, clear layers, and complicated content are the characteristics of its era.

This bottle uses the technique of rendering to paint the peach fruit, and the peach fruit is decorated with strong color, successfully showing the delicate and beautiful color of ripe peach fruit.

The whole composition is dense and dense, forming the effect that the leaves have yin and yang facing the back, and the trees have old branches and new buds.

All these effects make this bottle a representative work of Qianlong famille rose large utensils.

Therefore, during the Qianlong period, famille rose porcelain reached its peak, which is definitely not a boast.

For example, the ninth imitation national treasure is a jade pot and spring bottle with famille rose peony pattern in Qianlong period of Qing Dynasty.

The painting method of this work adopts the techniques of dot dyeing and color registration. No matter the mountains, rocks, flowers, birds and insects have a strong texture, clear light and shade, and distinct layers.

It adopts the combination of meticulous and subtle meticulous painting and freehand painting, as well as exaggerated and deformed decorative painting style.

The most important thing is that Qianlong personally participated in the creation of this piece of porcelain.

Therefore, this jade pot spring bottle has become a representative of the royal artistic taste, and it also shows the extremely high artistic accomplishment of Emperor Qianlong.

This piece of work can be said to be the perfect presentation of the style of palace painting in the Qianlong period, and has irreplaceable artistic value in the history of Chinese ceramic art.

This is a concentrated expression of Qianlong's artistic taste, and it is a landmark work of the era of porcelain painting art, with a very high collection value!
And the last one is the lantern vase with five-color eight immortals birthday celebration pattern in Qianlong period of Qing Dynasty.

This bottle is a masterpiece of porcelain painting that Qianlong personally participated in the design of in his middle age.

Qianlong specially appointed Xiang-level court painters to hand-paint more than ten drafts, and finally the emperor personally selected this draft for firing.

(End of this chapter)