My system is not decent

Chapter 1301 Japanese Antique Porcelain

Walking into another large cabin, Chen Wenzhe immediately saw a lot of bronze wares, as well as other gold wares, precious stones, and porcelain wares. Of course, bronze wares were the most numerous.

This may be the goods received from the tomb of the Nanyue King, and the porcelain seems to be Haidao porcelain.

In a cabin, Chen Wenzhe casually looked at the blue and white porcelain in his hands, all made by Nanyue.

"Huh? Something's wrong, why does it look like a little devil's craft?"

The blue and white porcelain in front of me feels very classic. Although it is not a top-notch antique, it is rare in the market. After all, Chen Wenzhe has collected one of each kind.

Such as blue and white pictographic water injection, blue and white lotus plate, blue and white flower box, etc.

In addition to Chen Wenzhe's collection of this kind of thing, there are also collections in other neon and curved museums.

These are classic blue and white porcelain from South Vietnam. Others include blue and white and colorful flower pots with more complicated craftsmanship, blue and white and colorful lion opera platters, and blue and white hollow flower and bird holding pots.

This kind of craftsmanship must have been lost in South Vietnam.

So just by looking at it, Chen Wenzhe could see that it was imitated by the little devil later.

Although these are considered antiques, they are not very old, at most more than a hundred years.

Why do you say it was imitated by the little devil?Because they like the porcelain of the Tang and Song Dynasties too much.

Therefore, above these porcelains, there are inevitably some styles of Tang and Song porcelains.

These blue and white porcelains look like blue and white porcelain at first glance, but if you look closely, they are actually made with celadon craftsmanship.

It can be said that among the collectors all over the world, several Nihong people cherish Huaxia porcelain the most, and the most important thing is Ru Kiln.

Why?Because the Shintoism of the neon people is similar to the early Taoism in China.

In history, the era when Neon admired China the most was also the Tang and Song Dynasties.

Now the porcelain used in the tea ceremony, flower ceremony, and incense ceremony of the Neon people are all "celadon" in the style of Tang and Song Dynasties instead of "blue and white".

Even in the turmoil since the end of Qing Dynasty, Neon people have always had little interest in China's Ming and Qing porcelains.

The bulk of their collections are mainly celadon, ticking red, calligraphy and painting.

On the contrary, after the Yuan Dynasty destroyed the Song Dynasty, the Chinese people gradually removed the taste of their ancestors from the depths of their memory, and fell in love with the complicated patterns from the Middle East.

"This time the porcelain is still worth collecting. After all, it is made by Neon Porcelain Man. If you bring these things to Neon, you may be able to exchange them for some antiques in our country. However, the maintenance is too poor and you need to take good care of it. Otherwise, Definitely not getting anything good."

Although it was made by the little devil's ancestors, it was still an antique.

As long as they are antiques, Chen Wenzhe can't see them continuing to be dilapidated.

You know, the appearance of porcelain is completely different between maintenance and non-maintenance.

Even if you want to sell it, you have to sell a piece of skin!
Therefore, Chen Wenzhe couldn't help but do it, wanting to take care of it.

In his opinion, although the value of these porcelains is not very high, if you meet the Ming Lord (taken advantage of), there may be unexpected gains.

If porcelain is not maintained properly, it will be seriously damaged, which is not conducive to the long-term preservation of porcelain.

In particular, handed down and unearthed fine works should be carefully maintained.

The maintenance of porcelain must follow the principles of handling with care and being careful.

At the same time, the maintenance of porcelain should not be too much, so as not to cause protective damage.

Maintaining porcelain requires attention in many aspects.

For example, porcelain is fragile and should be protected from shock, extrusion, and collision during storage.

When appreciating collections, be careful not to collide or drop them, and try not to touch them with sweaty hands.

It is best to wear gloves when looking at the collection, and use a flannel cloth to cover the table. These are not to prevent sweat from corroding the porcelain, but to imitate slippery hands.

In particular, do not pass each other when watching. After one person watches, they should be reset on the table, and others will hold and watch.

Therefore, the identification of porcelain also needs to be careful.

If it is porcelain such as bottles, jars, and statues, it is generally made of two pieces from the bottom to the top. When moving, you cannot hold the upper neck of the object with one hand.

The correct way is to hold the neck with one hand and the bottom with the other.

Some bottles, cans, and statues are decorated with two ears, so you should not only lift the ears when taking them out, so as not to break or damage them.

Thin-bodied utensils are thin, light, and delicate, so be careful when moving and placing them.

Remember to hold the bottom with both hands, avoid using one hand.

Especially the bottle, which has a small base and a long body, and needs to be protected from wind blowing.

Just bought high-temperature glaze or underglaze color porcelain should be soaked in clean water for [-] hour, and then wash off the oil stains on the surface with detergent.

Be sure to dry the water with a towel and put it in a box. There should be foam padding in the box, and the diameter after adding foam should not exceed 0.5 cm of the collection.

The collection should be properly tight in the box, and extrusion should be avoided to prevent damage to the collection.

If it is unearthed low-temperature glaze and glaze color, a lot of sundries will seep into the glaze color, and even the phenomenon of deglazing and color loss will occur.

When encountering this kind of porcelain, you should first add a small amount of adhesive between the glazes, and then apply a softer adhesive on the color to prevent the color glaze from falling off in a large area.

If it is a high-temperature glaze or underglaze color buried underground for a long time, a lot of calcium and silicon compounds, that is, soil rust, will be produced on the surface of the porcelain.

It can be washed once with clean water first, soaked in 3% hydrogen peroxide for about 3 hours, then soaked in clean water for more than 30 hours, and cleaned with a clean white cloth, which can generally remove soil rust.

If it cannot be removed completely, you can use a brush to dip it in acetic acid and brush it on the soil rust. After 5 hours, use a medical scalpel to cut off the soil rust. The blade can only be cut in one direction.

After most of the rust is removed, clean it with a white cloth and toothpaste until the rust is completely removed. This method is only suitable for high-temperature glaze and underglaze color.

When cleaning oil stains and other dirt, you should master some skills and methods.

General stains can be cleaned with alkaline water, soap, washing powder, and then rinsed with clean water.

When washing thin-bodied porcelain in winter, the water temperature should be controlled to prevent the porcelain from bursting due to the alternation of cold and hot water.

Some colored porcelain, because there are many lead components in the color, have lead phenomenon, you can use a cotton swab dipped in white vinegar to scrub, and then wash it with water.

If the porcelain has cracks or cracks in the mouth, stains are easy to "ooze" into it, and you can use a toothbrush dipped in some acidic liquid to scrub.

However, this method cannot be used for glazed objects, because acid and alkaline substances can easily damage the glaze.

If it is gold-painted porcelain, do not use a feather duster to clean it, because the feather duster is easy to damage the gold-painted porcelain.

You know, such tragedies have happened many times before.

Therefore, when precious porcelain is collected, it should be equipped with a wooden box or wooden box with corresponding size and guts for preservation and collection.

Walking into this huge inheritance, the first thing you see is that there are all kinds of blue and white porcelain piled up everywhere on the ground.

There are piles and piles, some are porcelain pieces, some are complete vessels, and some are "Zhaozi".

Zhaozi is rare overseas because it is a blue and white test sample.

It can be seen that this group of people who make porcelain are very serious in making porcelain.

"Huh? Here are a batch of high imitations?"

(End of this chapter)