My system is not decent

Chapter 1341 Undersea Ceramics Museum

Plain three-color porcelain is a large category of porcelain, especially in the Qing Dynasty and the Republic of China, the firing of this kind of porcelain reached its peak.

Being able to prosper for a while is enough to explain the value of this kind of porcelain.

Don't say anything else, just talk about the color, it's not easy.

The ancients said: Those who paint green, yellow and purple flowers in black, white and other places are called plain three colors.

The black ground is the most expensive, and there are also light yellow, light green and other grounds, and those with deeper yellow-green flowers.

There are also those with white ground, eggplant and purple are almost rare, and some flowers are only green and yellow, and the ears are almost three colors.

Green is covered with green, and yellow is covered with yellow, in order of light and dark, so there are four real five colors, which are also called plain three colors.

Westerners are addicted to this sound and the price is extremely high. A bottle is worth ten thousand gold. Monsters are the most peculiar, followed by characters, and the price of flowers and birds is not cheap.

From the above, we can know the richness of the colors of plain tricolor.

It can also be seen that the reason why plain tricolor was fired more in the Qing Dynasty is mainly due to the high price.

Especially as a kind of porcelain that is popular with foreigners, it can still be sold at a high price, so it is naturally a big fire in China.

Just like the Su Sancai Jiaozhi Xianghe, it was most famous in the Kangxi Dynasty of the Qing Dynasty.

In other words, the plain three-color wares of the Kangxi period were extremely famous.

During this period, there were many inheritances of Chenghua, Zhengde three-color and Jiajing and Wanli color land overlapping techniques.

But it was also discovered that the plain tires were carved with decorative wheel lines, painted with pictures, and painted with glaze.

Its craftsmanship is unconventional, rich in variety, simple and elegant.

Not to mention the glaze color, there are plain three-color wares that are used repeatedly and alternately such as yellow ground, purple ground, beige ground, and tiger skin glaze.

These plain three-color wares are unpredictable and ingenious.

Everyone likes good things, but at this moment, Chen Wenzhe has a pile of broken porcelain in front of him.

Since he is familiar with various types of utensils and there are enough porcelain pieces here, Chen Wenzhe plans to try to restore them.

He picked out tiles brought by a submersible and pieced them together, and he easily put together a small bowl.

After all, it was salvaged from the same sea area, and the pieces were not too broken, so it was not difficult to put them together.

If you are looking for a piece of porcelain with a new fracture, it will be easier to piece together a complete vessel.

Putting them together one by one has the most fragrance, but small bowls are easier to put together.

Soon, a yellow-ground purple-green dragon pattern bowl appeared in front of Chen Wenzhe.

This kind of porcelain, just looking at the civil service, knows that it is an official product of the Qing Dynasty created by Wanli, and it must not be produced by South Vietnam.

"Not from the Ming Dynasty, but actually from the Qing Dynasty? No, there should be several sunken ships in the waters around here, from the Ming and Qing dynasties, and even from the Song and Yuan dynasties."

Just like the small bowl in front of me, it is obviously not a work of the Wanli period, but an official kiln of the Qing Dynasty with the characteristics of the Wanli period, and this kind of porcelain is the most exquisite made in Kangxi.

In particular, some Baidisu three-color peony and dark dragon bowls, and Baidisu three-color three-multi-pattern dark dragon platters were created during the Kangxi period.

Chen Wenzhe searched for it, and sure enough, among the piles of broken porcelain pieces, he pieced together an extremely large plate, all of which were plain tricolor.

This kind of porcelain has a solemn shape, a thin and clean body, engraved dragons and colors on the outer wall, gorgeous colors, distinct layers, and exquisite craftsmanship.

In addition, there is Modisu tricolor, and Chen Wenzhe pieced together a bottle.

It should be Tianyuandifang bottle, this kind of bottle is also the best of plain tricolor.

The shape of this bottle contains the ancients' comprehension of the theory of heaven and earth, and when it is manufactured, it is first painted with green glaze, and then ink is applied, which is the ink ground.

After that, I used a deep purple brush to draw flowers, birds, animals, lotuses, etc., and filled in yellow, green, purple and white colors in one way.

This kind of porcelain has extremely complicated craftsmanship, so later generations dare not imitate it.

During the period of the Republic of China, most of the modisu tricolor wares were seized by European and American countries, which is regrettable.

There were many plain three-color wares before Kangxi and Yongyang, but there were few firings in later dynasties. In the late Qing Dynasty and the Republic of China, there were many imitations, which could not be compared with the real ones.

But even so, Nanyue couldn't make it out.

Therefore, although there is Jiaozhi Xianghe in Neon, many people never believe that this exquisite Xianghe is produced by the South Vietnamese.

That is to say, after the excavation of the Jiaozhixianghe site in China, neon scholars soon determined that Pinghe's "plain three-color" porcelain was the same as the neon Jiaozhixianghe that became popular in the 17th century. , are identical.

This shows that the kiln site in Pinghe is the real origin of "Jiaozhi Porcelain".

Prior to this, the neon tea ceremony community believed that these "plain three-color" fired shapes and aromas were produced in South Vietnam, so they were called "Jiaozhi porcelain".

Therefore, the "plain three-color" Xianghe produced by Hu Jianping is mainly exported to Japan.

At present, hundreds of ancient folk kilns have been discovered in Pinghe, mainly in Nansheng and Wuzhai.

They are built on the hillside near the river, forming a "ten-mile long kiln".

The most famous one now is Wuzhai, which is already the hometown of the Ming Dynasty "blue and white porcelain" (Clark porcelain), which is famous both at home and abroad.

In that place, ancient kiln sites such as Dongkou Kiln and Pigou Kiln are still relatively well preserved.

Since the 80s of the [-]th century, county cultural relics workers have discovered large-scale ancient kiln sites of the Ming Dynasty in Nansheng, Wuzhai and other places.

The remains of the ancient kiln site over there are very rich, and the ancient kiln site has been identified as a key cultural relic protection unit.

In order to develop this profound cultural heritage and accept visitors from all directions to visit the ancient kiln site, Wuzhai started planning and development.

At present, the original appearance of the ancient kiln site is basically still there, and the local alpine soil is also very suitable for forging blue and white porcelain, which has the conditions for redevelopment and production.

They made full use of the advantage of "Clark" being famous at home and abroad, and implemented the policy of going out and bringing in, so as to develop Clark porcelain.

They have the "Clark" trademark, and in addition to providing site resources, raw material shares, etc., they have vigorously introduced capital and powerful enterprises to develop and set up factories in Wuzhai to produce "Clark" ceramics and other related products.

In the end, they invited experts to cooperate with the county and township cultural departments to carry out in-depth research on "Clark" archaeological culture, and finally formed an industry.

Chen Wenzhe doesn't value this industry, but he likes various crafts from the Ming and Qing Dynasties, and he even wants to build an underwater ceramics museum.

Therefore, Chen Wenzhe also sees that the water is complete, but he also likes the broken pieces of porcelain salvaged from underwater.

Since the boss liked it, Gao Qijing and the others naturally satisfied him.

In this way, while Chen Wenzhe was researching the broken porcelain pieces, batch after batch of porcelain pieces were continuously salvaged out of the water.

Afterwards, various tiles were enough for Chen Wenzhe to understand what was on board the boat.

And a complete Xianghe unexpectedly appeared, allowing him to see what happened to the ship back then.

Soon he was sure that this time he really found a shipwreck that was about the same age as the Wanli.

Because only when the age is similar, or even enter the same foreign trade port in China, can you get porcelain with little difference.

In the course of business and trade, how many people have counted the exquisite Chinese porcelain that sank to the bottom of the sea due to shipwreck?
(End of this chapter)