My system is not decent

Chapter 1423 Cloud Pattern Copper Forbidden

The acceptance expert group believes that the restored Wuniu scroll has no traces of full color and brush strokes in the supplementary parts, and is consistent with the original painting.

The watch is excellent in workmanship, and the watch parts are flat and beautiful, reaching a high level of watch repair.

This is where the value of the painting in front of Chen Wenzhe lies. It was copied by a group of experts who restored the painting of five bulls back then.

Although this is an imitation, it can be restored to the level of "full color at the supplementary part and no trace of brush strokes, maintaining unity with the original painting". The reproduced Wuniu picture is Can it be worse?

You must know that the real picture of five bulls will not be publicly exhibited until 2021. Even so, not everyone can see it at any time.

How lucky is Chen Wenzhe to get such an imitation and put it on display in his private museum?
Zhang Yijie definitely put his heart into it, otherwise it would not be so easy to get such an imitation picture of five bulls, even if you have money, you can't buy it!

There is a saying in "Theory of Horses" written by Han Yu, a poet of the Tang Dynasty: "There are always thousands of li horses, but Bole does not often have them."

This sentence is also applicable in the field of culture and museums: "Treasures are often found, but people who know treasures do not often have them." Not every treasure will have Bole to find it.

There are many precious cultural relics in our country that are collected in major museums; buried underground; scattered in various corners of the people; or lost overseas;
Some of them were mistaken for ordinary utensils or even damaged due to people's weak awareness of cultural relics protection, which became a major tragedy in the history of archaeology.

Of course, there are also treasures that are protected and restored after being excavated.

For example, the picture of five bulls is just such a piece, which was restored by the top experts in China.

During the restoration process, a copy was also made.

Zhang Yijie, Cao Qingchun and Zheng Yu all presented a treasure, so what about Li Jinli?

The three of them are Chen Wenzhe's roommates, but Li Jinli is different.

However, now that they are all successful, they can also be regarded as successful people with small achievements, so naturally they will not deal with Chen Wenzhe casually.

Li Jinli was no exception, so he also carefully prepared a gift.

Coincidentally, the thing he gave was also a replica.

"Brother, you can do it!"

Chen Wenzhe was still very surprised when he saw the long hollow bronze vessel.

Li Jinli laughed: "This is still your credit. If it weren't for you, others would give me face? You must know that even if this thing is a replica, it is also a national treasure. If it is placed in any museum in China, it can be used as a treasure exhibition out."

While looking at it, Chen Wenzhe nodded. This is a bronze ban, to be precise, it should be a bronze ban with spring and autumn cloud patterns.

When the national treasure cloud pattern copper ban was first discovered, it was damaged in a bad way, and it was finally repaired.

The spring and autumn cloud pattern copper ban is cast by the lost wax method as a whole, with exquisite and complicated craftsmanship.

In 2002, it was listed by the State Administration of Cultural Heritage as one of the first batch of 64 cultural relics prohibited from going abroad (territory) for exhibition.

This reproduced copper ban with spring and autumn cloud patterns is also 103 centimeters long.

这就是一米多,而它通长124厘米、禁宽47.3厘米、通宽68.3厘米、禁高14.5厘米、通高29.5厘米。

...

The whole copper ban weighs 95.5 kg and is rectangular.

What is the shape of such a large bronze vessel?
Twelve dragon-shaped appendages hold their heads high, their bellies bulging, and their tails up; the crowns on the top of their heads and the corner ornaments on both sides are all floating and withered cloud patterns, and tail flowers are inserted in the tails of the beasts.

The animal head opened its mouth and stuck out its tongue facing the forbidden surface, and the tongue rolled up to the top of the forbidden surface, as if its eyes were staring at the fine wine on the forbidden surface, salivating.

There are 12 dragon-shaped beasts at the bottom of the ban, supporting the body of the ban, with a straight chest and a concave waist.

The cloud pattern copper ban is composed of three parts: the forbidden body, 12 dragon-shaped beasts, and 12 dragon-shaped seat beasts.

The forbidden body is composed of the forbidden surface and the surrounding side walls, the wall thickness is less than 5 cm, and it is hollow.

In the thickness of the copper bar less than 5 cm, there are five layers of structure.

The fifth layer is composed of extra-thick straight copper stalks in the shape of a mouth;
The fourth layer of thin copper stalks, one end is attached to the fifth layer of mouth-shaped copper stalks, bent upwards or upwards after stretching flat, and support the third layer of copper stalks after bifurcating;
The third layer of copper stalks are thinner straight stalks; the second layer stands on the third layer of copper stalks, which are small round columns that gradually become thinner or herringbone columns that fork below.

These four layers of copper stalks are interspersed and connected to form a rectangular frame, which supports the moiré pattern and plays a role of stability and load-bearing.

The first and outermost layer is cloud patterns, mostly composed of c-shaped patterns, deformed herringbone patterns and x-shaped patterns. They are interlaced but not intersected to form a transparent cloud pattern plane.

The forbidden surface is composed of a rectangular flat copper plate in the middle, and there is a reinforcing beam on the back of the copper plate.

There are 12 gates at the four corners of the base and the lower end of the ban, above the buttocks of the 12 beasts supporting the copper ban, and there are residual pillars at the gates.

On the bottom edge of the forbidden side, there are 12 riser traces at the middle point of every two beasts.

There are 12 dragon-shaped monsters clinging around the forbidden area, four at the front and back, and two at the left and right sides.

There are 12 mortises on the forbidden body, and each of the 12 attached beasts has a mortise on its stomach.

The same is true for the foot beast. There are 12 protruding columns at the bottom of the forbidden area, and there is a hole in the waist of the foot beast, which can be inserted into it.

It is such a large bronze vessel with complicated shape and fine workmanship. When it was discovered at the time, it looked like a bunch of residue!

It was the late summer of 1977, and the water level of the Danjiang Reservoir in southwestern Nanhe Province was dropping.

A thousand-year-old tomb hidden deep under the reservoir was washed away, and a large number of bronzes and jades were washed out of the Danjiang River and exposed on both sides of the Danjiang River.

After receiving the report, the local cultural relics management department rushed to the scene immediately and started collecting scattered cultural relics and on-site exploration.

After some exploration, archaeologists found that this is a group of ancient tombs with dense burials.

However, due to the onset of the rainy season at that time, the water level of the Danjiang River rose, and the excavation work was forced to be interrupted.

In the second year, the cultural relics department immediately carried out a salvage excavation on this cemetery.

At that time, a total of 24 Chu tombs from the Spring and Autumn Period and some Han tombs were unearthed, and many valuable cultural relics were unearthed.

Among them, a complete set of bronze sacrificial vessels was unearthed from Tomb No. 2. Among the many fine works unearthed, the cloud pattern copper ban is one of them.

The tombs of the Spring and Autumn Period at Xiasi Temple in Xichuan, Nanyang, can have such a size, and there can be so many ancient tombs, which must have something to do with the geographical location.

Nanyang Xichuan County is located in the southwest of Hen Province, bordering Xishan on the west and Beihu Lake on the south.

It connects the Funiu Mountains to the north and east, and the Danjiang River and Xishui River run through the whole area.

The Sichuan land where the Danjiang River meets the Xishui River, and Shunyang in the lower reaches of the Danjiang River are flat and fertile, and they are the main living places of ancient humans in this area.

Xiasi is located at the foot of Longshan Mountain on the west bank of Danjiang River, [-] kilometers south of Xichuan County, and six kilometers east of the west bank of Danjiang River.

Here is a Buddhist temple with strong incense, which echoes the upper temple in the northwest.

Unfortunately, since the Danjiang Reservoir was built to store water, most of Xiasi and Longshan were submerged.

My system is not decent

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