My system is not decent

Chapter 1518 Palace Luxury

The base payment of porcelain is sometimes an important evidence to identify the authenticity of a work.

For example, porcelain in the Qing Dynasty, Kangxi, Yongzheng, and Qianlong dynasties, are very particular.

Especially the regular script, you should pay special attention when using it.

Because the regular script of the Qing Dynasty, which began in the Kangxi period, evolved in the Yongzheng Dynasty, and was basically replaced by seal script in the Qianlong period.

This holding pot in the Shenyang Palace Museum has a very beautiful shape, and the blue and white glaze is delicate and charming. It can be called a typical official vessel in the shape of the Qing Dynasty court holding pot.

Of course, since it is necessary to imitate, all the imitations are naturally classic models.

"Huh? Is there anyone who knows how to paint enamel?"

Finally, while walking, Chen Wenzhe saw some technical works.

It is an imitation of a small enamel flower and bird pot painted by Qianlong in the Qing Dynasty. The treasure of this thing seems to be hidden in the Shenshi Palace Museum now.

This Qianlong style painted enamel flower and bird pot is made of copper, with a total height of 8.7 cm and a diameter of 5.5 cm.

The teapot is in the shape of a short spout. The round knob on the top of the lid is made of red coral, and there are gilt copper decorations and lotus petal patterns on the top and bottom of the knob;
The gilt glaze is pure gold, and there are gilt flakes inlaid on the handle and the root of the mouth, which are cloud animal patterns;

The structure of its gold is very stable, and it will not dissociate harmful heavy metals under high temperature.

Therefore, the edge of the lid, the edge of the mouth and the edge of the bottom of the pot are all made of gold.

The lid, body, mouth and handle of this pot are all made of sky blue as the ground;
On both sides of the lid and in the center of the belly, there are green twigs and leaves, purple peonies, and two colorful birds dancing relative to each other, spreading their wings and soaring;

In the center of the pure white bottom of the pot, there is a four-character red two-line regular script "Qianlong Year System".

This teapot is a practical utensil in the Qing palace and a typical utensil of enamel wares in the middle Qing Dynasty.

"Who imitated it? Well done!"

"It must have been made by me. Let's take a look at our current mature products. These were the most popular products when you were here. Of course, the shipment volume is also the largest now. Wait a minute, let's go to the new workshop. "

Seeing Chen Xingchen's proud look, Chen Wenzhe could only nod his head.

However, apart from the works of the third Qing Dynasty, the things in the middle and late Qing Dynasty are not so good.

Of course, there are also some good things in the Jiadao period.

The teapots in the palace during the Jiadao period of the Qing Dynasty were mostly made of pastels, decorated with green ground, flower pictures, hundred son pictures, etc., with consecration, and imperial poems were written inside the consecration.

The practical teapot in the late Qing Dynasty has a long handle and an oval handle.

What Chen Wenzhe sees now is a blue-and-white holding pot with eight auspicious patterns on lotus supports imitating Jingzhen Kiln in Jiaqing, Qing Dynasty.

In the Capital Museum, there is a blue and white holding pot with eight auspicious patterns on lotus supports in the JDZ kiln of the Jiaqing period of the Qing Dynasty.

This teapot has a total height of 31, a bottom diameter of 9.3, and a caliber of 9 cm.

The cover button is circular, with a plate mouth, a thin neck, a sloping shoulder, a hanging belly, and a round foot that is turned outward. There is a long stream and a curved handle between the neck and the abdomen.

The shape of the pot is beautiful and stable, the lid is painted with tangled lotus, and the abdomen is decorated with tangled lotus and eight treasures.

The upper and lower sides are set off with lotus petal patterns, decorated with broken branches and flowers, and the handle is curly grass pattern.

This kind of pot evolved from the jade pot spring bottle, so it is also called "jade pot spring pot".

This pot imitates the Ming Dynasty Xuande holding pot, which is not as natural and vivid as the Xuande pattern.

The blue and white color is blue and gray, and the brushwork is slender and cautious, making the picture look dull.

This is a characteristic of the Jiaqing period, and it is also a typical shape of the Qing Dynasty court official holding pot.

There is also an imitation of Qing Jiaqing famille rose yellow-ground consecration imperial poetry teapot. The authenticity of this piece is hidden in the Shenshi Palace Museum.

In fact, many things from the court of the Qing Dynasty are hidden in this Palace Museum.

This imitation Jiaqing famille rose yellow ground consecration imperial poetry teapot is 15.5 cm high and 6.2 cm in diameter.

During the Jiaqing period, pastel ware was still the main variety, and it could maintain the style of the Qianlong period.

This is a yellow glazed teapot, very noble.

The lid and body of the pot are decorated with many flowers in different colors.

On the top of this pot, it also adopts the form of orbs, which are painted gold leaves.

On the side of the lid, neck, and bottom of the teapot, there are purple-red cloud patterns.

Ruyi head decoration on the lower part of the mouth and neck of the pot, and banana leaf decoration on the lower part of the ampulla;
There is a long diamond-shaped consecration on the belly of the ampulla, and inside the consecration are red-glazed seven-character poems made by Emperor Jiaqing.

His poem reads: "The head of the tea is a tribute, and the poem must be filled with moon balls; the bamboo stove is filled with live fire, and the stones are boiling and turbulent. The eyes of fish and crabs are raised slowly, and the shadows of flags and guns are finely gathered. An Ou is clear and full of joy, and the spring is full of shelter. light cold".

Department of payment: "Jiaqing Dingsi Xiaochunyue in the middle of the moon, imperial system".

Below it is the lianzhu seal: "Jia" and "Qing".

From some archives of the Qing Palace Building Office, it can be seen that some porcelains from the Qianlong Dynasty in the Qing Dynasty were characterized by writing imperial poems written by Emperor Gaozong Hongli of the Qing Dynasty.

These poems were all made by Tang Ying, the pottery supervisor at that time, under the emperor's will.

The decorations of imperial poems on porcelain were still seen during the Jiaqing period, and they mostly appeared on teapots and tea bowls, but they were far less than the most popular Qianlong Dynasty.

The bottom of this pot is made of bean green glaze, and the blank space in the middle is the red glaze seal script of "Made in the Jiaqing Year of the Qing Dynasty".

This kind of yellow-glazed ware should be a rare boutique in the later period.

There are some classic works like this, such as Qing Daoguang famille rose pink green ground consecrated Baizi flower holding pot.

Qing Daoguang famille rose pink and blue ground consecrated Baizi flower holding pot in the Shenyang Palace Museum, 30 in height and 6 cm in diameter.

The surface is based on powder blue glaze, decorated with pastel patterns.

The pot has a round belly, a curved flow, a curved handle, and a short round foot;

The cover button is ring-shaped, and the cover is painted with wishful cloud patterns and twig patterns;

The mouth and cover are painted with gold, and there are rouge and water twine patterns on the outside of the mouth;
There are golden longevity characters, red bats and tangled lotus patterns on the front and back sides of the neck;

The whole body of the pot is pink and blue, decorated with twining flowers, the front and back sides of the abdomen are consecrated with strings of lotus, and the inside is painted with the pattern of a hundred seeds;

The handle of the pot is in the shape of a flat ribbon, the inside is ochre-colored, the outside is curly grass pattern, and there is a red chilong ring on the top of the handle;
Both the handle and the outside of the pot are decorated with double happiness characters;
There are fretwork painted on the circle foot, and the square seal inscription "Daqing Daoguang Year System" in vermilion seal script on the bottom.

This pot is beautiful in shape and bright in color.

In addition, the theme is a rare picture of a hundred sons, and it is also used to trace gold and dragons.

This kind of pot shape, no matter who it is, it can be seen at a glance that it is for the imperial court.

Yellow glaze ware, dragon-shaped ware, and gold-painted ware are not accessible to ordinary people.

Then there is the enamelware, Chen Xingchen's example is endless.

Therefore, as long as you think you have the ability, you can challenge higher, bigger, and higher.

For example, make some rare and special luxury items.

For example, the enamelware among the royal articles must be a well-deserved luxury.

The one in front of Chen Wenzhe is making a painted enamel teapot on a bronze body.

"He is a master chef who came from the factory of the young boss in Chenghuang Temple. Don't look at him because he is young, his craftsmanship is really good."

There are many young bosses at Chenghuang Temple, but not many have cloisonne factories at home.

Chen Wenzhe laughed when he thought of the big cloisonné enamel treasure with cloud and dragon pattern that he bought.

(End of this chapter)