My system is not decent

Chapter 1568
A piece of blue-and-white porcelain, from the body, glaze, decoration, and bottom to the bottom, if you master everything, you can start making it.

To imitate an ancient handicraft, it is necessary to understand the characteristics of this ancient porcelain.

Chen Wenzhe has mastered all of this.

Therefore, Chen Wenzhe can imitate all blue and white porcelains from the Tang Dynasty to the Song Dynasty, Yuan Dynasty, Ming and Qing Dynasties.

Among them, the most important one to him is Ma Cangtu.

Of course, even if kaolin was used in blue and white after the mid-Ming Dynasty, it was the highest quality kaolin used.

Now Chen Wenzhe has everything in his factory, and because he has researched the modern clay that can synthesize the effect of ancient porcelain, Li Jinli also specially built a clay factory.

Now it can be said that everything is ready and only Dongfeng is owed. What is Dongfeng now?It is a whole series of production lines.

Those who make yellow glazed porcelain have been imitated from ancient times to the present.

There were also people who made blue-glazed porcelain who opened a line and began to contact them based on the information provided by Chen Wenzhe.

For those who make red glaze, green glaze porcelain, green glaze porcelain, black glaze, colored glaze and other porcelain, there are special lines to start production.

And what Chen Wenzhe is making now is blue and white porcelain. Since he is making blue and white porcelain, he naturally chooses the best national treasure blue and white porcelain to imitate.

Blue and white porcelain, whether it is a vessel or a song, is a profound artistic conception of freehand brushwork of life and landscape splashed ink, with appropriate shades.

This kind of blue and white porcelain, even if you make a plate casually, as long as you are skilled, what you make is a treasure.

For example, a blue and white flower and bird pattern bearing plate with a diameter of more than [-] centimeters.

Another example is the blue and white lotus pattern bowl, and the blue and white jade pot spring vase!

The appearance of blue and white porcelain is an important symbol in the development stage from white porcelain to colored porcelain in the history of Chinese porcelain.

It is the most successful representative of underglaze color and the most prestigious "national porcelain" in my country.

Blue and white porcelain, according to the diamond ore containing cobalt oxide in the glaze, is fired at high temperature into different underglaze color porcelain.

The cobalt material is well configured, and it turns blue after firing.

The original blue and white porcelain was created in the Tang Dynasty, and the mature blue and white porcelain appeared in the Hutian kiln in Jingzhen in the Yuan Dynasty.

Blue and white porcelain became the mainstream of porcelain in the Ming Dynasty, and reached its peak in the Kangxi period of the Qing Dynasty.

All ceramic systems have their own advantages.

Now that everyone is imitating blue and white, the first thing that comes to mind must be the blue and white of the Yuan Dynasty.

"Yuan blue and white" is an elegant and quiet "treasure in the world" with green porcelain and green flowers.

Naturally, everyone likes it. Of course, the most important reason is that it is rare and expensive!

With suitable materials, it is really not difficult for Chen Wenzhe to imitate a piece of Yuan blue and white.

He now has Yuan Qinghua in his hand, even if he doesn't have it, he can go to the museum to have a look.

As long as he has seen it, he will know exactly what Yuan Qinghua did back then.

If modern materials are not suitable, he can even spend a lot of money to completely restore ancient craftsmanship.

There is no need to be so troublesome now, because he has already imitated it before.

And I have seen the top-level Yuan blue and white high-quality imitation device, and now let him imitate it, even if he does not use hemp warehouse soil, he can also imitate the effect of hemp warehouse soil.

On the contrary, it is Su Maliqing. For modern people, it is really not difficult to perfectly replicate the ancient Su materials.

I made a few large plates, a few small bowls, and a goblet.

After that, Chen Wenzhe started to make large vessels. The first piece was the hexagonal bottle with blue and white flowers and birds and waterfowl patterns in Yuan Dynasty.

After finishing this piece, Chen Wenzhe stopped copying Yuan Qinghua.

Before that, he had made Yuan blue and white Guiguzi descending large pots, as well as Yuan blue and white with themes such as chasing Han Xin under the moon and Sanying fighting Lu Bu.

There is no need to do it now, so it’s okay to do a practice hand.

When making blue and white porcelain, one cannot avoid the Ming Dynasty.

From the Ming Yongle Dynasty, Jingzhen blue-and-white porcelain regained its glory. Together with the Xuande Dynasty, it became the most brilliant golden age of blue-and-white porcelain.

Blue and white porcelain has a history of about 70 years from Yuan Dynasty to Yongle.

Blue and white porcelain, which is regarded as vulgar because of its complicated decoration, has gradually been accepted by Chinese people.

Of course, since Yongle, the blue and white decoration style has gradually moved closer to the sparse and simple direction that conforms to the Chinese tradition.

This made blue and white porcelain enter the mainstream of my country's porcelain, and became the most important variety produced in Jingzhen.

Yongle blue and white with plump enamel and thin fetal bone gives people a light and beautiful feeling.

Its pattern decoration is mainly flowers, birds, melons and fruits, most of which are sparse and beautiful, with natural brushstrokes, always looking so fresh and lively.

During the Wanli period, blue and white wares were the most abundant, and all kinds of porcelain boxes and stationery utensils were the most common. However, the production of utensils tended to be sloppy and deformed.

Decoration has gradually become densely arranged, the theme is unclear, the brush is simple and sloppy, some are as naive as children's paintings, the dragon pattern is dull and weak, and the figures are often out of proportion.

Wanli's blue-and-white representative works include blue-and-white figures and flower-patterned pots. This large pot has a straight mouth, a short neck, and a ring foot.

The whole body is covered with white glaze, and the enamel is fine and smooth.

The tire quality is tight, the carcass is thick, and the whole device is round and full.

The pots are decorated with figures and flower patterns, the figures are vivid and vivid, the picture is clear and comfortable, the colors are gorgeous, the blue and white are delicate and green, fresh and lively.

The characters and flower decorations in the picture are simple and grand, the brushwork is simple and sweet, and the image is vivid.

White glaze is applied inside the ring foot, without style.

In the late Wanli period, Zhejiang materials were used instead due to the exhaustion of Huiqing materials.

Works using Zhejiang materials include blue and white flower pattern Clark's flower mouth bowl, this small bowl has a skimming mouth, a curved belly, a ring foot, and a flower mouth.

The edge of the mouth is slightly turned outward, and the pattern decoration complements the cup.

This Huakou cup has a light and thin carcass and a delicate carcass.

The whole body is glazed, the glaze surface is smooth and moist, with flowers but not full.

The blue and white hair color is thick and gorgeous, the picture is fresh and elegant, and the brushwork is delicate and soft, which is lovable.

The shape of the whole device is handsome and light, the lines are smooth and free, the proportions are coordinated, beautiful and elegant, and it is really a rare collection.

At the end of the Ming Dynasty, due to political turmoil at the time of the apocalypse, all industries withered, and the ceramics industry was also depressed.

Nineteen years after the apocalypse, the imperial court did not order official kiln wares.

Therefore, there are very few relics made in the year of Tianqi, mainly the "Great Tomorrow Qi Year", and there are also "Apocalypse Years".

In folk kiln wares, various pictorial inscriptions, hall name inscriptions, auspicious language inscriptions, and eulogy inscriptions have increased.

Such as Yutang Jiaqi and Wanfuyou are the same;

There are many fake entrusted funds, including Yongle, Xuande, Chenghua, Tianshun, Zhengde, Jiajing and other dynasties, among which only Tianqi entrusted false entrusted funds.

The decorations are still dominated by traditional decorations, but the decorations with Taoist content are less than those of Wanli, and the pictures are rough.

Tianqi blue-and-white porcelain has sparser decorations and a heavier atmosphere of life.

Thick carcass, coarse and loose tire quality, irregular shape, sticky sand on the bottom, collapsed bottom, and jumping knife marks have become the characteristics of the times.

One of the representative works is the blue and white Wuzi Dengke Jar. This blue and white porcelain jar is not small. It is 18.5cm high and 16cm wide.

(End of this chapter)