My system is not decent

Chapter 1578 White-glazed blue and white flowers are formed in one fire, and the flowers are transparent from the glaze

According to the characteristics of backflow pots in the Qianlong period of the Qing Dynasty, Chen Wenzhe can make many backflow pots in terms of their shape and craftsmanship.

What he is imitating now is a bean green glaze backflow pot, and its treasures are items from the Qianlong period.

Then, blue and white, five-color, pastel, black glaze, blue glaze, and yellow glaze were each made.

In fact, think about it, this kind of backflow pot was still very useful in ancient times, otherwise, it would be impossible for the past dynasties to pursue it just because of its strange skills and ingenuity.

So, why did the ancients make backflow pots?

There has always been speculation about this issue.

One of the most convincing answers is that the backflow pot should be a necessary item for the ancients to travel by horse-drawn carriage, especially when traveling far.

In ancient times, the wheels of the carriage were all wooden wheels, and the roads were mostly dirt roads, so the carriage was very bumpy when traveling.

Under such circumstances, it is impossible to carry an ordinary porcelain pot with a lid, because the water in the pot will overflow, and the lid is also very easy to break.

The backflow pot solved this problem very well, so it was loved by the ancients.

Various Qianlong backflow pots have been completed, and the production of this type of pot has reached the final stage.

However, as the last dynasty of flower growers, the ending has to be somewhat commemorative.

Therefore, Chen Wenzhe made another backflow pot from the Daoguang period.

This should be a very rare high-quality porcelain in the Daoguang period, and it is also a backflow pot.

After finishing, the exquisite shape of this backflow pot makes people unable to put it down.

This blue and white porcelain pot is exquisite in shape.

Porcelain pots have no lids, and the body of the pot is engraved with patterns such as flowers.

The inscription of "Shendetangzhi" was dropped, which shows that if this pot is genuine, then it was made between the 14th and 30th years of Daoguang in Qing Dynasty.

Shende Hall is a palace building in Yuanmingyuan, located in Qingyan Island, Jiuzhou, Yuanmingyuan.

This is the bedroom where Emperor Daoguang and Emperor Xianfeng lived in the Old Summer Palace.

When Shendetang was built, Emperor Daoguang created the article "Shendetang Ji", which explained the origin of the name "Shendetang".

"Advocating thrift and avoiding extravagance, prudently cultivating and thinking forever. The emperor has no relatives, but virtue is the auxiliary."

This also includes the education of children, telling the princes and grandchildren that it is not easy for the ancestors to start a business.

Out of his preference for Shendetang, Emperor Daoguang required that the daily necessities of Shendetang must bear the inscription of "Shendetang System".

After doing this, the blue and white porcelain of the Qing Dynasty has also reached the final stage.

The previous emperors had done it, and then came the last Qing Guangxu period.

With the emergence of "Tongguang Zhongxing", Jingzhen porcelain industry has shrunk obviously.

However, official kilns and private kilns continued to produce porcelain. Compared with the Xianfeng and Tongzhi dynasties, the number of products was larger, and there were also a few exquisite works among them.

Therefore, people often compare Guangxu porcelain to a stage of "returning to the light" of the porcelain industry in the Qing Dynasty.

Guangxu blue and white porcelain has completed a revival, and the variety and quantity of blue and white porcelain produced are the highest in the late Qing Dynasty.

The representative work of Guangxu blue and white should be the blue and white flower pattern Guanyin vase.

It is 26.5cm high and 11cm wide.

This utensil is open, neck tied, shoulders sloping, lower abdomen gradually retracted, the bottle body is slender, the shape of the utensil is regular, the proportion is coordinated, and the shape is beautiful.

The tire is thin and light, the enamel is smooth and flawless, the lines are smooth, gorgeous and beautiful.

The whole body of the bottle is decorated with blue and white flowers, and the abdomen is painted with flower patterns. The flowers are blooming brightly, beautifully and plumply.

The branches and leaves are stretched and light, the brushwork is free and easy, and the flowers are elegant.

The blue and white hair color is rich and pure, and the painter is elegant and free, with high artistic value. It is a rare and good tool for collection and display.

According to the "Inventory of the Ministry of Internal Affairs of the Qing Dynasty", in the first year of Guangxu (1875) and the second year, Jingzhen Royal Kiln Factory successively fired a large number of blue and white porcelain, pastel porcelain and various colored glaze vats for the imperial court.

Among them, the porcelain specially used for the inner palace is inscribed with inscriptions such as "Made in Changchun Palace", "Made in Chuxiu Palace" and "Made in Kunning Palace".

In addition, in the tenth year of Guangxu, it cost 15000 taels of silver to make a reward for Cixi's fiftieth birthday.

In the 20th year of Guangxu, two batches of porcelain were fired for Cixi's 12.84th birthday, costing a total of [-] taels of silver.

In the 30th year of Guangxu, for the "Longevity Celebration" of Cixi's 70th birthday, the porcelain fired cost 3.85 taels of silver.

There are many kinds of porcelain produced in these times, including tableware, western tableware, stationery, display porcelain, reward porcelain and other types.

The porcelains of the "Heaven and Earth Family Spring", "Changchun Celebration", "Auspicious Ruyi" and "Yongle Changchun" are the most exquisite.

The exquisiteness of this batch of porcelain can be seen from a small bowl.

Therefore, Chen Wenzhe made a blue and white bowl with tangled branches and lotus patterns.

This small bowl is 8cm high and 19cm wide.

Open mouth, deep abdomen, ring feet, neatly trimmed feet, beautiful shape, and beautiful tire quality.

The inside and outside of the bowl is covered with white glaze, the glaze juice is moist and slightly bright blue, and the clear charm is pervasive.

The outer wall of the bowl is painted with twining lotus patterns, the branches and leaves are twined like silk, and blue flowers bloom one after another suddenly between the intersections of vines.

The petals of the lotus pattern on the bottom of the bowl are connected, and the composition is sparse.

The bottom book "Great Qing Guangxu Year System" six-character double-line blue and white regular script.

The blue and white porcelain is simple in brush strokes, but it has a kind of luxury from the inside out, and the color is simple, but it has a kind of indescribable splendor.

The antique porcelain is at hand, even if you don't touch it, you can already feel the color and fragrance.

The white-glazed blue and white flowers are formed in one fire, and the flowers are transparent from the glaze.

It can be seen that good fortune is congenital and wonderful, and Wuji has come to Taiji.

In the last small bowl, Chen Wenzhe put up this blue and white porcelain poem from the Qing Dynasty.

At this point, Chen Wenzhe's imitation of the blue and white official kilns of the past dynasties is considered to be over.

And at this moment, Li Jinli came to him with a few utensils.

"What?" Looking at the small wooden box, Chen Wenzhe asked curiously.

"This one is a small jar of Kangxi ice plums!" Li Jinli said with a smile.

"Did you really find it? It's only been a few days?"

Chen Wenzhe opened the box curiously, and sure enough, there was a small blue and white jar with ice plum pattern inside.

"Wu Er gave it to you. You should know what kind of virtue he is." Li Jinli said with a smile.

Chen Wenzhe admired this piece of porcelain while nodding. Kangxi's small ice plum jar is a classic.

Therefore, there is nothing to fault about this porcelain.

It is not only beautiful in blue and white, but also impeccable in shape, decoration and glaze.

This is definitely a genuine Kangxi official kiln!
"What does he want this time?"

I can't put it down and play with this porcelain. This is not an ordinary Kangxi official kiln, but a boutique among them.

This is really the first time for Chen Wenzhe to get started with this kind of porcelain.

However, the things are so good, the price that Wuer offered should not be low!
"This time it's Yuanqinghua. I heard that with your help, they opened up the high-end channels on Neon's side, but there are not many high-end products. I heard that you want Kangxi Bingmei, so you tried your best to get it from I found one from Neon."

Li Jinli looked at Chen Wenzhe with a strange expression, he never imagined that Chen Wenzhe could still mix with Wu Er.

(End of this chapter)