My system is not decent

Chapter 1616 The Real Kiln Transformation

The production process of any kind of porcelain is not simple.

Especially some official kiln porcelains are all striving for perfection.

Therefore, modern people can sum up only eight processes, but in the ancient times when they were striving for perfection, regardless of the cost, they needed 72 processes.

This is the difference, and this is also an important reason why modern handicrafts are almost always inferior to ancient ones.

It's not that it can't be done, but they don't want to do it for the sake of cost.

However, good porcelain often requires excellence.

For example, sculpture, in addition to molds, also needs carving, sculpture, hand-kneading, etc., all of which need to increase costs.

This is not the case in the firing process of modern Jun porcelain.

On the basis of inheriting the tradition, modern Jun porcelain has carried out bold reforms, added modern popular elements, and the most important thing is to save costs.

Because of its defectiveness, it has greatly increased the artistic value of this work.

Coupled with the position of the bubbles, the kiln change with just a few traces of carmine looks more vivid.

To talk about the characteristics of Jun kiln, the biggest characteristic is actually the glaze.

The prototype of this story is about the treasure of the town hall at the mouth of a certain Jun porcelain kiln, the "Boiled Dragon Vase".

The body of the Beaulieu bottle has several bulging bubbles.

This is an advantage, but at the same time it leads to a disadvantage, that is, the Jun kiln does not have high requirements for the tires, and loose or rough tires can be covered by glaze.

However, in the final analysis, these are still the use of copper red glaze.

The craftsmanship of Jun kiln is different from other famous kilns in that it is opaque glaze, a kind of opaque glaze.

We all know that the main contribution of Jun porcelain lies in the firing of gorgeous red-glazed Jun porcelain.

These shortcomings have now become the characteristics of identifying Jun kilns.

Whether it is processing or modeling, it becomes simple.

Jun kiln belongs to the kiln transformation system. Theoretically speaking, its color cannot be controlled before it enters the kiln.

Because of the special firing environment of the gas kiln, Jun Porcelain broke through the bottleneck and produced a lot of fine products.

Jun porcelain, apart from the good things produced by masters, in fact, the most important thing is to need accidents.

It is difficult to find exactly the same works, so many collectors are more tolerant of the firing of Jun porcelain.

Although the yield rate is extremely low, the effect of firing will change, and it will be relatively simple, and its colors and textures are quite unique.

The kiln changes are extremely rich, and there is no inscription on the bottom.

Stepping on the experience of the predecessors, it is naturally the smoothest.

The body material of Jun porcelain in this era is divided into incense gray body and gray white body.

Today, with the rapid development of society, the progress of the times marks the improvement of technology, and also means that there will be more and better Jun porcelain works of art, adding new colors to Jun porcelain!
After researching it, Chen Wenzhe still found that according to the technological progress in recent decades, refiring the Jun kiln step by step is actually the simplest.

The work styles, firing techniques and academic achievements of different masters will have a direct impact on the collection value of the works.

Accidents, that is, kiln changes, such situations are common in Jun porcelain.

Because this treasure of the exhibition hall is strictly speaking a defective product.

Most of the deposits are kiln mouth, or the author's own name as the deposit, there are seals and hand signatures.

The coal firing process from the 70s to the 80s was fired in Junmei No. [-] Factory, No. [-] Factory, State-owned Porcelain Factory and Shenhou Dongfeng Porcelain Factory.

Also because of its defectiveness, it has become a unique orphan.

However, everyone must distinguish between defects, flaws and slight flaws, because the focus of Jun porcelain is the change of the kiln.

The reason why Jun Kiln is famous is largely due to accidents.

A perfect Jun porcelain work, first of all, must have a dignified shape, and the glaze surface should be smooth and clean without defects.

This Beaulieu bottle is very beautiful, it is elegant carmine red, and the red rabbit hair is wrapped around the whole body of the Beaulieu bottle.

It is also because of the copper red glaze, which created a precedent for copper red glaze.

A few kiln workers came together to take a look, and they really looked alike.

In this way, the Beaulieu bottle was preserved.

No way, this is the experience of the predecessors.

Several kiln workers were very sorry to see it. When they were about to throw it aside, there was a customer who came from Shendu next to him, and he fell in love with this Panlong vase.

From the Jun kiln of the folk kiln, this phenomenon can be clearly seen.

And if Chen Wenzhe wants a good kiln transformation, he must control the kiln transformation, which requires extremely high technology, and the most important thing is experience.

Guan Kiln, Ge Kiln, and Ru Kiln all belong to transparent glass glaze, and the glaze is translucent;
Jun kiln is not a glass glaze, but an opaque glaze.

The firing raw material used is blue charcoal, because this is a relatively traditional firing process, so the yield of this firing process is relatively low.

For example, now, there is a story related to Junci.

At that time, after it was fired, it was supposed to be smashed, but later it was not sold for any money, and it was visited by many CCTV programs.

In the 50s, a bellows-type small kiln was used for firing, which was called furnace jun.

He said that the bubbles were very unique, and they happened to be on Panlong's body, which looked like a newborn baby dragon.

The ancients praised Jun kiln as "the purple green suddenly turns into haze in the setting sun", which means that the color suddenly changes.

In fact, if the bubble is under the glaze, it does not protrude, and the glaze bubble does not break. This is a normal phenomenon.

The kiln mouth of the Jun kiln is generally smashed when any defective products are encountered during the kiln opening, so as to prevent the defective products from flowing out to the market.

The advantage of opacified glaze is that it has strong covering power and can completely cover the fetal soil.

Because it has changed the previous high-temperature color glaze in our country, only black glaze and green glaze, and opened up a new artistic realm.

Kiln changes, still depends on the face.

According to the inspection standard of Jun porcelain, such a product should be smashed and thrown directly into the kiln soul pool.

However, it has a fatal flaw, which is the defective problem mentioned at the beginning.

In fact, this treasure of the town hall was almost smashed due to flaws when it first came out of the kiln.

Unfortunately, this glaze bubble happened to appear on the surface of the glaze, and it had an obvious sense of abruptness.

And often this kind of thing that is fired by accident cannot be copied, so it is even more precious.

In the 90s, the gas kiln firing process of Jun porcelain was born, and various Jun porcelain kilns began to fire gas kiln works.

This is the real transformation of the kiln. After entering the kiln, no one can guarantee what the final product will be.

I believe that everyone usually likes the works of masters the most, but the works of masters with collection value also require collectors to have a unique vision. It is difficult to come across works with real collection value.

The so-called "kiln change" refers to the changes that occur during firing after entering the kiln, which cannot be controlled by manpower.

The jargon saying "One color in the kiln, ten thousand colors in the kiln" is the essence of Jun kiln.

It is absolutely impossible to control the Jun kiln in the early stage of firing.

But after a long period of exploration by craftsmen, they can gradually be controlled within a certain limit.

(End of this chapter)