My system is not decent

Chapter 1628 A Rare Good Thing
The Yuan Dynasty was a miraculous era. Don't think that this was a regime established by ethnic minorities, and that they would only destroy it.

Of course, the Yuan Dynasty had great destructive power on the production and technology in the Central Plains.

But one of the brilliant points that cannot be denied is the respect for craftsmen.

On the contrary, in the Ming Dynasty, the artisan household system was hesitant, and the persecution of artisans was even more serious.

Perhaps it is because of respect for craftsmen and willingness to give benefits to craftsmen, so some brand-new varieties of porcelain all came from the Yuan Dynasty.

Compared with the celadon and white porcelain that were mainly fired in Jingzhen in the Song Dynasty and Song Dynasty, Jingzhen in the Yuan Dynasty no matter in terms of the type of porcelain, the choice of glaze surface, the decoration and pattern design of the porcelain, or the porcelain made by the porcelain. There has been a great breakthrough in the firing temperature.

Therefore, although the Yuan Dynasty ruled in my country's ancient feudal dynasties for less than 100 years, he left a strong mark in the entire ceramic culture of our country.

His most outstanding contribution and significance of the times is the creation of cobalt material as a coloring agent.

Only in this way can we create and burn the two famous porcelain-making techniques of underglaze blue and white glaze and underglaze blue glaze.

At the same time, these two enamel technologies have also established the position of Jingzhen, the capital of porcelain, in the history of ceramic development in my country.

Chen Wenzhe could tell that a lot of porcelain in his cellar this time came from the Jun Kiln.

The bottle has a round lip, a curled mouth, a short neck, sloping shoulders, an oval belly, and a ring foot.

There is no glaze inside the ring foot, and there are three burnt nail marks on the outer bottom.

Mr. Xu Zhantang of Xiangjiang once proposed to buy this bottle with 3 million yuan.

In terms of decoration, there are mainly patterns of drawing gold on the blue ground and pasting dragons, flying phoenixes and seahorses with white clay.

Then there is the Jun Kiln moon white glaze purple red spot wash, 9.8cm high, 28.3cm in diameter, and 15cm in foot diameter.

Among them, the blue-glazed ware with white dragon pattern as the main pattern can only be seen on plum vases and porcelain plates.

The Yuan Dynasty porcelain is more suitable for this collection principle.

It's a pity that this type of porcelain may not be well received by the masters in the temple, so this one appeared.

Compared with the other two pieces of porcelain, this Yuan Dynasty blue-glazed white dragon plum vase collected in Yangshi is more exquisite and beautiful in its decorative design.

Chong ears are placed symmetrically on the edge of the mouth.

However, apart from these few pieces, Jun kiln porcelain seems to be gone.

The Cizhou kiln in the Yuan Dynasty mainly fired white-glazed black flower vessels, which were characterized by large, round and thick.

The glaze colors of Jun kiln porcelain in the Yuan Dynasty are mainly sky blue and moon white, with less rose-purple red spots.

The 4 series is placed on the shoulder, and the inner and lower half of the outer wall of the bottle are covered with black glaze.

Judging from the official data, there are only a dozen or so left in the world.

The disc is chrysanthemum-shaped, open, with a shallow arc abdomen and ring feet.

At the same time, it is vivid and majestic. It is the best of Chinese porcelain plum vases.

The other is a double-eared three-legged furnace with moon white glaze and lotus pattern on Jun kiln, with a total height of 24cm, a diameter of 14.5cm, and a foot distance of 10cm.

The furnace has a square lip, a short neck, a long round belly, a round (huán sound ring) bottom, and a concave navel under the bottom, supported by three breast-shaped feet, which are turned outward.

The first thing Chen Wenzhe saw was the four-series bottle with white ground and black flower cloud and phoenix pattern from the Cizhou kiln. It is 37cm high, 6cm in diameter, and 10.5cm in foot diameter.

The convex ribs and thin glaze are light brown.

Wash the edge of the opening, the arc wall, and the circle foot.

The upper half of the outer wall is decorated with black flowers on a white ground. The theme pattern is two groups of cloud and phoenix patterns, separated by mountain patterns.

Moon white glaze is applied inside and outside, and there are vertical glaze marks on the outer bottom.

This plate is beautiful in shape, bright in glaze color, sky blue and rose purple complement each other, gorgeous and elegant, it is worthy of the fine workmanship of Jun porcelain in Yuan Dynasty.

This is a Jun kiln sky blue glazed plate with a folded edge, 3.5cm high, 12cm in diameter and 5.5cm in foot diameter.

Folded edge, shallow arc abdomen, circle foot.

The most famous of them all.It is the "Yuan Dynasty blue-glazed white dragon plum vase" that was first hidden in the Yangshi Museum.

Flipping through it, Chen Wenzhe unexpectedly found another blue-glazed plate.

The ears are placed symmetrically on the shoulders, the glaze color is blue-gray, decorated with purple-red spots.

Moon white glaze is applied on the inside and outside, the outer wall is not glazed to the bottom, the inner bottom is dotted with purple-red plaques, and the inner plain body of the ring foot has no glaze.

Since Yuan Dynasty porcelain is so famous, what valuable Yuan Dynasty porcelain is there in my country's current market?
Among the Yuan Dynasty porcelain surviving in the current market in our country, the most famous and representative Yuan Dynasty porcelain is the blue glaze porcelain.

The inside and outside are covered with sky blue glaze, and the inside of the plate is decorated with four rose-purple plaques.

According to historical records, the number of blue-glazed porcelain handed down and unearthed by the world in the Yuan Dynasty is rare.

But there is no transaction, and from its price, we can see the preciousness of this porcelain.

The blue-glazed white dragon plate is another valuable porcelain among the Yuan Dynasty porcelains.

This is a purple-red spot chrysanthemum petal plate with sky blue glaze in Jun kiln, 4.7cm high, 21cm in diameter, and 9.9cm in foot diameter.

In my country's antique art collection market, it is the collection principle that has been established since ancient times that rare things are valuable.

Compared with the Palace Museum and the Seguimet Museum in Paris, this piece of Yuan Dynasty porcelain now stored in the Yangshi Museum is not only the largest, but also the most beautiful in shape, with a purer and warmer glaze.

The most conspicuous ones are the two incense burners, one of which is a Junyao moon white glazed binaural tripod burner, which is 25.2cm high, 11.5cm in diameter, and 12cm apart.

The glaze layer on the inner wall is more open, and the glass texture is stronger.

Large basins, large jars, and pillows are the main products, and Yunlong, Yunfeng, Yunyan, and fish and algae are common decorations.

Up to now, there are only four published blue-glazed and white-dragon-pattern plates of the Yuan Dynasty that have been recorded and traceable.

In addition to this blue-glazed porcelain, there are other purple-glazed, black-glazed, and white-glazed porcelains.

The reason why Chen Wenzhe mentioned this must be because he also harvested blue glazed porcelain this time.

The sky blue glaze is applied inside and outside, and the glaze layer is thinner at the edge of the mouth, reflecting the sauce yellow carcass.

The furnace has a flat mouth, a deep belly, and a concave ring foot, with three legs underneath.

Glaze drooping phenomenon and "earthworm slime" pattern are more obvious, and there are more bubbles bursting in the glaze layer.

However, porcelain from Cizhou kiln appeared next, and the black glazed porcelain at the mouth of this kiln is very famous.

There are only three extant pieces of this Yuan Dynasty porcelain, and the other two are in the Palace Museum and the Musée Guimet in Paris.

Except for one piece collected by the Palace Museum of my country, the other three pieces are collected in the Neon Idemitsu Art Museum, the Lidongyang Ceramics Museum in Osaka, and the David Foundation in London.

The outer wall and the ear surface are decorated with folded branches and flower patterns.

The ring foot is unglazed, iron-brown tire, and the tire quality is fine and firm.

Next came some porcelains of poor quality, and at the end, Chen Wenzhe discovered blue and white porcelains from Yuxi Kiln.

This Yuxi kiln blue and white jade pot and spring vase is a rare and good thing.

Blue and white porcelain is not uncommon, and jade pot spring vases are not uncommon in the Yuan Dynasty, but they are generally blue and white from Jingzhen.

And this one is a blue-and-white jade pot and spring vase from Yuxi Kiln, which is the first time Chen Wenzhe has seen it.

(End of this chapter)