My system is not decent
Chapter 1638
Throughout the official kilns of the Ming Dynasty, Xuande blue and white flowers and Chenghua doucai are among the best products produced by the official kilns of the Ming Dynasty.
The periods of Xuan and Cheng kilns were also the two most glorious periods among Ming official kilns.
Xuande's imitation of Ru and Jun kilns in the Northern Song Dynasty, and Chenghua's imitation of Southern Song official kiln wares indicate that the imperial factory had superb porcelain-making skills at that time.
Xuande official kilns imitated Song official kilns, not deliberately imitating them, but only imitating their general effect.
However, through imitation and extraction, the level of porcelain making technology has also been improved, and new porcelain varieties have been multiplied.
The imitation Song official kilns fired during the Yong and Qian Dynasties of the Qing Dynasty were obviously influenced by the Xuan and Cheng kilns.
For example, the Xuande official kiln uses a small amount of cobalt as a coloring agent to fire azure-colored imitation Ru wares.
Using low-temperature fritted lead glaze, the blue glaze was made to imitate Song Jun kiln wares.
Its azure glaze and sprinkle blue glaze are far from Ru glaze and Jun glaze.
But the former became the famous azure glaze during the Yongzheng period of the Qing Dynasty.
The latter evolved into Lujunhua glaze during the Qianlong period of the Qing Dynasty.
This is not simple, such as Yongzheng celadon glaze, which is a very important one in the very famous Yongzheng monochromatic glaze works.
There is no blue and white contrast of blue and white, and no complexity and variety of colored porcelain.
Even if it is only pure and one color, it is not inferior to "thick and light makeup". This is monochromatic glaze.
The beauty is simple, but it is not simple!
Monochromatic glaze is also called "one-color glaze", "pure-color glaze" or "one-color glaze".
Due to the different chemical components contained in the enamel, different types of single-color glazed porcelain will show different single colors after firing.
Monochromatic glazed porcelain, with its carcass with different textures and beautiful glaze colors, has created one after another brilliant achievements in the history of Chinese ceramic art.
Using glaze color as decoration is the earliest decoration method in porcelain craft, which appeared as early as the Eastern Han Dynasty.
In the Qing Dynasty, it became more comprehensive and formed a gorgeous and colorful single-color glaze variety, which became one of the four famous porcelains of Jingzhen official kiln.
The firing of single-color glazes in the Qing Dynasty, especially in the Yongzheng period, was the most prosperous, and its variety and high level reached the historical peak.
Yongzheng green glaze, with trace iron as coloring agent.
This is the oldest and most traditional color enamel in my country, which was once dominant.
This kind of glaze color, the green glaze wares fired by Longquan kiln in Song Dynasty, has reached a high level.
Later, it gradually declined, and the imitation Longquan celadon porcelain fired during the Kangxi period raised the status of celadon again.
On the basis of Kangxi, the quality of Yongzheng green glaze has been further improved.
The celadon porcelain of this period reached a fully mature stage.
The firing of its green glaze has achieved the same color and luster of the same utensils, and it has a high yield.
It can be said that its celadon porcelain production technology has reached the highest level of glaze color in history.
Its quality juice is fine and moist, and the glaze color is even and green.
According to the different shades, it can be divided into bean green, holly, and pink green bean green, which is the deepest and thickest;
The color of holly is slightly lighter, greenish-green;
Pale pinkish-green color, pinkish-white in the mid-blue.
The glaze surface is warm and dense, smooth and smooth.
The decoration is printed, engraved and scratched, and the decoration is delicate and clear.
The monochromatic glaze wares of the Yongzheng period can be roughly divided into several categories.
The red glaze is divided into copper red, golden red and iron red.
Copper red glaze, also known as Jihong, uses copper oxide as the coloring agent and is fired in a high-temperature reducing flame atmosphere at about 1300°C.
This kind of glaze color has extremely strict requirements on the control of firing temperature and kiln atmosphere.
All copper red glazes have always been the most difficult variety among monochromatic glazes to fire.
After Ming Xuande, the firing of copper red glaze was almost lost.
When it arrived in Kangxi, it recovered and developed again.
It was not until Yongzheng that this precious and extremely difficult glaze color reached the most mature stage.
During the Yongzheng period, gorgeous and quiet, devitrified and deep, evenly colored Jihong wares were fired.
Chen Wenzhe had imitated all the red-glazed porcelains with his full name before, but his imitations were still incomplete.
This time, we studied Yongzheng monochrome glaze, and Chen Wenzhe simply completed it.
It is not as good as iron red glaze, also known as alum red and coral red glaze.
This kind of glaze color is a big category among porcelain, and Chen Wenzhe never let it go before.
Alum red is a kind of brick-red glaze with a slight orange yellow color, which is fired in a low-temperature oxidizing atmosphere with iron oxide as the coloring agent.
The coral red ware of Yongzheng period has a thin and uniform glaze layer, with obvious orange peel patterns, calm tone, smooth and exquisite, showing a magnificent, refined and elegant court atmosphere.
The most famous one is the coral red glaze dish produced by Jingzhen kiln during the Yongzheng period of the Qing Dynasty.
Yongzheng monochromatic glaze, in addition to blue glaze and red glaze are treasures, the most important one should be blue glaze porcelain.
The celadon glaze system includes high-temperature celadon ware fired with iron as the coloring agent.
Then there is the medium-temperature celadon fired with copper as the coloring agent.
The former is divided into pink green, holly and bean green, and the color is from light to dark.
The latter includes malachite green, melon rind green, emerald green and turquoise green, etc., especially the latter two are more expensive.
This Chen Wenzhe dabbled in firing green glazed porcelain and red glazed porcelain before.
High-temperature green-glazed porcelain is the oldest single-color glaze variety, and has been famous in all dynasties.
But it was only in Yongzheng that kiln masters really successfully mastered the firing technology of green glaze.
Yongzheng celadon has a fresh and soft tone, a texture as smooth as jade, a remote artistic conception, and a noble temperament.
And this was developed from the official kiln celadon porcelain of the Song Dynasty. Of course, the Qing Dynasty must have inherited the technology of the Ming Dynasty.
The technology of the Ming Dynasty must have come from the Yuan and Song Dynasties.
This is inheritance, like the blue glazed porcelain before.
The earliest and most famous one must be the blue glaze of the Yuan Dynasty, but the sapphire glaze of the Ming Dynasty is also very famous.
Then it will not work in the Qing Dynasty?It must be okay.
For example, among Yongzheng's single-color glaze works, there are blue glazes.
Among the blue glazes, there are ji blue, sky blue, and sky blue.
Jilan is a devitrified glaze containing about [-]% cobalt oxide.
Fired in a high-temperature reducing flame, the color is calm and solemn, evenly moistened, and the glaze has obvious orange peel patterns;
Sky blue glaze is a kind of high temperature glaze containing less than [-]% cobalt oxide.
This kind of glaze is fine and even without cracks, the glass texture is strong, the hair color is soft and elegant, fresh and timeless, just like the blue sky after the rain;
The sky blue glaze is lighter than the sky blue glaze, and the hue is light blue with slight turquoise, and the pink is tender and soft, which seems to be imitated from Song Ru glaze.
From the Song Dynasty to the Ming Dynasty, there were authors, and until Kang Yong collected his great achievements, which are both quiet, meaningful, light and eternal.
These are the most important monochromatic glazes in the Yongzheng period of the Qing Dynasty.
Of course, there are others, such as the yellow glaze system and imitation Song glaze system.
In particular, the imitation Song glaze system includes the imitation of the five famous kiln wares of the Song Dynasty and the imitation of Longquan wares.
Secondly, there is Lujun glaze, which was created and fired in Yongzheng Kiln, and it is a new variety of kiln-changing glaze that imitates Song Jun glaze.
It is called because it is baked twice in a low-temperature furnace.
The glaze surface is thick and bright, and the crystals in the glaze are red, purple, blue, green, moon white and other colors in different shades, flowing naturally and blending and agitating.
For various reasons, the glaze wares of the famous kilns of the Song Dynasty have been highly respected by collectors since ancient times, and all dynasties and dynasties have tried their best to imitate them.
The periods of Xuan and Cheng kilns were also the two most glorious periods among Ming official kilns.
Xuande's imitation of Ru and Jun kilns in the Northern Song Dynasty, and Chenghua's imitation of Southern Song official kiln wares indicate that the imperial factory had superb porcelain-making skills at that time.
Xuande official kilns imitated Song official kilns, not deliberately imitating them, but only imitating their general effect.
However, through imitation and extraction, the level of porcelain making technology has also been improved, and new porcelain varieties have been multiplied.
The imitation Song official kilns fired during the Yong and Qian Dynasties of the Qing Dynasty were obviously influenced by the Xuan and Cheng kilns.
For example, the Xuande official kiln uses a small amount of cobalt as a coloring agent to fire azure-colored imitation Ru wares.
Using low-temperature fritted lead glaze, the blue glaze was made to imitate Song Jun kiln wares.
Its azure glaze and sprinkle blue glaze are far from Ru glaze and Jun glaze.
But the former became the famous azure glaze during the Yongzheng period of the Qing Dynasty.
The latter evolved into Lujunhua glaze during the Qianlong period of the Qing Dynasty.
This is not simple, such as Yongzheng celadon glaze, which is a very important one in the very famous Yongzheng monochromatic glaze works.
There is no blue and white contrast of blue and white, and no complexity and variety of colored porcelain.
Even if it is only pure and one color, it is not inferior to "thick and light makeup". This is monochromatic glaze.
The beauty is simple, but it is not simple!
Monochromatic glaze is also called "one-color glaze", "pure-color glaze" or "one-color glaze".
Due to the different chemical components contained in the enamel, different types of single-color glazed porcelain will show different single colors after firing.
Monochromatic glazed porcelain, with its carcass with different textures and beautiful glaze colors, has created one after another brilliant achievements in the history of Chinese ceramic art.
Using glaze color as decoration is the earliest decoration method in porcelain craft, which appeared as early as the Eastern Han Dynasty.
In the Qing Dynasty, it became more comprehensive and formed a gorgeous and colorful single-color glaze variety, which became one of the four famous porcelains of Jingzhen official kiln.
The firing of single-color glazes in the Qing Dynasty, especially in the Yongzheng period, was the most prosperous, and its variety and high level reached the historical peak.
Yongzheng green glaze, with trace iron as coloring agent.
This is the oldest and most traditional color enamel in my country, which was once dominant.
This kind of glaze color, the green glaze wares fired by Longquan kiln in Song Dynasty, has reached a high level.
Later, it gradually declined, and the imitation Longquan celadon porcelain fired during the Kangxi period raised the status of celadon again.
On the basis of Kangxi, the quality of Yongzheng green glaze has been further improved.
The celadon porcelain of this period reached a fully mature stage.
The firing of its green glaze has achieved the same color and luster of the same utensils, and it has a high yield.
It can be said that its celadon porcelain production technology has reached the highest level of glaze color in history.
Its quality juice is fine and moist, and the glaze color is even and green.
According to the different shades, it can be divided into bean green, holly, and pink green bean green, which is the deepest and thickest;
The color of holly is slightly lighter, greenish-green;
Pale pinkish-green color, pinkish-white in the mid-blue.
The glaze surface is warm and dense, smooth and smooth.
The decoration is printed, engraved and scratched, and the decoration is delicate and clear.
The monochromatic glaze wares of the Yongzheng period can be roughly divided into several categories.
The red glaze is divided into copper red, golden red and iron red.
Copper red glaze, also known as Jihong, uses copper oxide as the coloring agent and is fired in a high-temperature reducing flame atmosphere at about 1300°C.
This kind of glaze color has extremely strict requirements on the control of firing temperature and kiln atmosphere.
All copper red glazes have always been the most difficult variety among monochromatic glazes to fire.
After Ming Xuande, the firing of copper red glaze was almost lost.
When it arrived in Kangxi, it recovered and developed again.
It was not until Yongzheng that this precious and extremely difficult glaze color reached the most mature stage.
During the Yongzheng period, gorgeous and quiet, devitrified and deep, evenly colored Jihong wares were fired.
Chen Wenzhe had imitated all the red-glazed porcelains with his full name before, but his imitations were still incomplete.
This time, we studied Yongzheng monochrome glaze, and Chen Wenzhe simply completed it.
It is not as good as iron red glaze, also known as alum red and coral red glaze.
This kind of glaze color is a big category among porcelain, and Chen Wenzhe never let it go before.
Alum red is a kind of brick-red glaze with a slight orange yellow color, which is fired in a low-temperature oxidizing atmosphere with iron oxide as the coloring agent.
The coral red ware of Yongzheng period has a thin and uniform glaze layer, with obvious orange peel patterns, calm tone, smooth and exquisite, showing a magnificent, refined and elegant court atmosphere.
The most famous one is the coral red glaze dish produced by Jingzhen kiln during the Yongzheng period of the Qing Dynasty.
Yongzheng monochromatic glaze, in addition to blue glaze and red glaze are treasures, the most important one should be blue glaze porcelain.
The celadon glaze system includes high-temperature celadon ware fired with iron as the coloring agent.
Then there is the medium-temperature celadon fired with copper as the coloring agent.
The former is divided into pink green, holly and bean green, and the color is from light to dark.
The latter includes malachite green, melon rind green, emerald green and turquoise green, etc., especially the latter two are more expensive.
This Chen Wenzhe dabbled in firing green glazed porcelain and red glazed porcelain before.
High-temperature green-glazed porcelain is the oldest single-color glaze variety, and has been famous in all dynasties.
But it was only in Yongzheng that kiln masters really successfully mastered the firing technology of green glaze.
Yongzheng celadon has a fresh and soft tone, a texture as smooth as jade, a remote artistic conception, and a noble temperament.
And this was developed from the official kiln celadon porcelain of the Song Dynasty. Of course, the Qing Dynasty must have inherited the technology of the Ming Dynasty.
The technology of the Ming Dynasty must have come from the Yuan and Song Dynasties.
This is inheritance, like the blue glazed porcelain before.
The earliest and most famous one must be the blue glaze of the Yuan Dynasty, but the sapphire glaze of the Ming Dynasty is also very famous.
Then it will not work in the Qing Dynasty?It must be okay.
For example, among Yongzheng's single-color glaze works, there are blue glazes.
Among the blue glazes, there are ji blue, sky blue, and sky blue.
Jilan is a devitrified glaze containing about [-]% cobalt oxide.
Fired in a high-temperature reducing flame, the color is calm and solemn, evenly moistened, and the glaze has obvious orange peel patterns;
Sky blue glaze is a kind of high temperature glaze containing less than [-]% cobalt oxide.
This kind of glaze is fine and even without cracks, the glass texture is strong, the hair color is soft and elegant, fresh and timeless, just like the blue sky after the rain;
The sky blue glaze is lighter than the sky blue glaze, and the hue is light blue with slight turquoise, and the pink is tender and soft, which seems to be imitated from Song Ru glaze.
From the Song Dynasty to the Ming Dynasty, there were authors, and until Kang Yong collected his great achievements, which are both quiet, meaningful, light and eternal.
These are the most important monochromatic glazes in the Yongzheng period of the Qing Dynasty.
Of course, there are others, such as the yellow glaze system and imitation Song glaze system.
In particular, the imitation Song glaze system includes the imitation of the five famous kiln wares of the Song Dynasty and the imitation of Longquan wares.
Secondly, there is Lujun glaze, which was created and fired in Yongzheng Kiln, and it is a new variety of kiln-changing glaze that imitates Song Jun glaze.
It is called because it is baked twice in a low-temperature furnace.
The glaze surface is thick and bright, and the crystals in the glaze are red, purple, blue, green, moon white and other colors in different shades, flowing naturally and blending and agitating.
For various reasons, the glaze wares of the famous kilns of the Song Dynasty have been highly respected by collectors since ancient times, and all dynasties and dynasties have tried their best to imitate them.
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