My system is not decent
Chapter 1652
Chapter 1652
It is not difficult to identify porcelains such as Ge Kiln that have the phenomenon of gathering foam and pearls.
For example, the bubbles are very small and evenly distributed, which can basically be considered as an imitation.
Because wood and coal were used to fire kilns in ancient times, the temperature control is not as stable as electric kilns now.
Therefore, the bubbles cannot be very small and evenly distributed.
For another example, if the edges of the air bubbles are clear, and the inside of the cheongsam is clean and clear, it may be an imitation.
Because ancient ceramics are eroded by the years, the transparency of the bubbles will decrease.
Since the inside of the bubble is empty, the active elements in the plain glaze will accumulate in the bubble.
Therefore, the bubbles of ancient ceramics often have post-biological substances.
Of course, these can only be used as one aspect of reference in the process of imitating Ge Kiln.
There are various reasons for any famous ancient kiln to be able to spread to the present.
Simply imitating the characteristics of any aspect is not advisable.
For example, the characteristics of Ge Kiln porcelain handed down from generation to generation, in addition to the well-known ones, also have some small details.
Generally, Ge kiln porcelain handed down from generation to generation has a darker body color, firm body quality, and gray-blue glaze, pink-green beige and so on.
The glaze layer is as thick as fat pile, and the glaze surface is as moist as crisp, and basically have ice crack-like pieces of different angles and sizes.
When the official kiln was fired in ancient times, there was a kind of opening in it.
But it's not as deep as the slits we see in Geyao today, it's just a slit.
The official kiln porcelain in many museums is exactly the same as Ge kiln, so some museums will directly evaluate it as Ge kiln.
The so-called official brothers are indistinguishable, and this is the reason.
If you want to imitate Ge Kiln, then you have to look at the historical experience of the predecessors.
For example, in the Qing Dynasty, Tang Ying, the pottery supervisor, recorded a total of 13 kinds of antique and innovative porcelain fired by the imperial kiln factory in the 57th year of Yongzheng's "Taocheng Events".
Among them, "Tieguge glaze has two kinds of beige pink and green, both of which imitate the color of old utensils with internal hair".
The glaze color of the imitation products is divided into beige and pink blue, all imitated from the "Neifa Old Ware", that is, the Ge Kiln collected by the court at that time.
This is roughly consistent with the glaze color and classification of Ge kiln handed down today.
From the Ming Dynasty to the Qing Dynasty, it is still imitating in modern times.
And Geyao, many people like it.
After the imitation came out, it has been used as a good marketing tool in the market.
The more famous one is the Kangxi Year. In the Kangxi Year, not only the official kilns imitated, but also the folk kilns imitated, and the folk kilns imitated a large number of products.
The color of the thread written in the book after the film was opened was dyed by later generations.
This may refer to works after the Qing Dynasty, as it is especially a Qing imitation.
For example, the porcelain clay over there has no iron element.
Or the addition of iron is very little, very little.
Then it can't produce the effect of gold thread and iron thread like the Song Dynasty, that is, it must be dyed by later generations.
After Ge Kiln's "gold wire and iron wire" was produced, later generations continued to imitate the production, but they were still unable to completely imitate it.
Initially, the porcelain produced by Ge Kiln had a bright glaze, a crisp layer, and a rust-red base.
After oxidation, the color of the iron wire is black and blue, with outward diffusion.
But the two lines of gold wire and iron wire do their own thing and have nothing to do with each other.
During the Ming and Qing Dynasties, Ge Kiln was mainly imitated by Jingzhen, and the porcelain carcass produced by it was white in color.
There is a layer of natural air oxidized Baoguang on the glaze surface (called Runguang in academia), which is similar to the Baoguang on the glazed surface of Ming Dynasty single-color glazed porcelain.
Gold wires and iron wires are interwoven on the same mesh wire, and the color of the iron wires also appears black.
This is obviously different from the iron wire on the handed down Ge kiln porcelain, which is black and blue in color.
Some utensils are glazed with sauce-colored glaze along the mouth and bottom feet, imitating the characteristics of the handed down Ge kiln's purple mouth and iron feet.
There are also utensils with no sauce-colored glaze on the edge of the mouth and bottom feet, but there is natural air oxidized pulp (old feeling) on the exposed tires at the bottom of the utensils.
Modern imitation Ge kiln porcelain, the imitation shape, the opening of the glaze, and the method of making it old are varied and varied.
However, compared with the authentic porcelain handed down from Ge kiln and Ming and Qing imitation Ge kiln porcelain, there is a big difference.
The characteristics of modern imitation Ge kiln porcelain are more obvious.
First of all, there is a layer of light on the glaze, which is called fire light in academia.
If it is old, there will be traces of old work, and the light on the glaze will be unnatural.
There is no crisp light on the glaze of Ge kiln handed down from generation to generation, nor the precious light of natural air oxidation on the glaze of imitated Ge kiln porcelain in Ming and Qing Dynasties (called run light in academia).
Second, modern high imitation products can imitate the characteristics of the two net patterns of gold wire and iron wire handed down from Ge kiln porcelain that are not related to each other.
However, it is still very different from the gold and iron wires of Song Ge kiln porcelain.
The gold and iron wires of Song Ge kiln porcelain, like a pen drawing a line on Yi paper, have a natural halo (diffusion).
The gold threads of modern high imitation Ge Kiln porcelain are like a line drawn by a ballpoint pen on Yi paper, relatively blunt and without natural smudges.
Hesitant Ge kiln wares are too famous, so there have been imitators in all dynasties.
Especially the official kilns of Ming and Qing Dynasties, there are more imitations.
The more famous ones are the imitation brother glaze leaf washing in the Qing Dynasty. This porcelain was imitated in the Qianlong period of the Qing Dynasty.
It is 2.4 cm high, 17.7 cm long and 12.8 cm wide.
Washed in the shape of leaves, the edges of the leaves are rolled up, like a leaf floating in the wind, with a strong sense of movement.
The whole body is covered with glaze color imitating Ge Kiln in Song Dynasty, and the glaze surface has irregular patterns.
There are six nail marks on the bottom, and the six-character three-line inscription "Qianlong Years of the Great Qing Dynasty" is signed in blue and white seal script.
This wash is unique in its ingenuity, combining the bionic shape with the characteristics of Song Ge kiln porcelain.
The polished and washed glazed surface is rich and moist, the glaze color is blue and gray, and the whole body has large patterns. The texture is gray and black, harmonious and natural, giving people a natural aesthetic enjoyment.
And there are still many fine imitations like this that have been handed down to the present.
Ge kiln in Song Dynasty was favored by people in later generations. There were many imitators in Yuan, Ming and Qing Dynasties, and each had its own style. It was called imitation Ge kiln or Ge glaze.
Although its production technology is no longer comparable to that of Ge kiln in Song Dynasty, each has its own characteristics.
Of course, compared with the imitation Ge kilns of Yuan, Ming and Qing Dynasties, a large part of the Ge kilns imitated by modern people are the worst.
However, Chen Wenzhe is the easiest to learn from this part of the technology.
As one of the five famous kilns, "Ge Kiln" has always been the favorite plate of collectors who play high ancient porcelain.
Because of its special appearance characteristics, it is highly recognizable among all kinds of porcelain.
The mystery of Ge kiln porcelain and its noble origin make collectors flock to it.
Therefore, the counterfeiting of Ge Kiln is also rampant, and there are quite a lot of "fake" Ge Kiln porcelain.
What's more, it mysteriously leads collectors into its own hut.
Then make up a magical story, with cadenced tones.
Ever since, "simple" collectors believed in this.
Some common Ge kiln imitations on the market are all low imitations.
And the ones that can deceive people are the most fake and low imitation works.
For example, gourd bottles on the market, no matter what kind of kiln comes out, many moldings are made by grouting.
(End of this chapter)
It is not difficult to identify porcelains such as Ge Kiln that have the phenomenon of gathering foam and pearls.
For example, the bubbles are very small and evenly distributed, which can basically be considered as an imitation.
Because wood and coal were used to fire kilns in ancient times, the temperature control is not as stable as electric kilns now.
Therefore, the bubbles cannot be very small and evenly distributed.
For another example, if the edges of the air bubbles are clear, and the inside of the cheongsam is clean and clear, it may be an imitation.
Because ancient ceramics are eroded by the years, the transparency of the bubbles will decrease.
Since the inside of the bubble is empty, the active elements in the plain glaze will accumulate in the bubble.
Therefore, the bubbles of ancient ceramics often have post-biological substances.
Of course, these can only be used as one aspect of reference in the process of imitating Ge Kiln.
There are various reasons for any famous ancient kiln to be able to spread to the present.
Simply imitating the characteristics of any aspect is not advisable.
For example, the characteristics of Ge Kiln porcelain handed down from generation to generation, in addition to the well-known ones, also have some small details.
Generally, Ge kiln porcelain handed down from generation to generation has a darker body color, firm body quality, and gray-blue glaze, pink-green beige and so on.
The glaze layer is as thick as fat pile, and the glaze surface is as moist as crisp, and basically have ice crack-like pieces of different angles and sizes.
When the official kiln was fired in ancient times, there was a kind of opening in it.
But it's not as deep as the slits we see in Geyao today, it's just a slit.
The official kiln porcelain in many museums is exactly the same as Ge kiln, so some museums will directly evaluate it as Ge kiln.
The so-called official brothers are indistinguishable, and this is the reason.
If you want to imitate Ge Kiln, then you have to look at the historical experience of the predecessors.
For example, in the Qing Dynasty, Tang Ying, the pottery supervisor, recorded a total of 13 kinds of antique and innovative porcelain fired by the imperial kiln factory in the 57th year of Yongzheng's "Taocheng Events".
Among them, "Tieguge glaze has two kinds of beige pink and green, both of which imitate the color of old utensils with internal hair".
The glaze color of the imitation products is divided into beige and pink blue, all imitated from the "Neifa Old Ware", that is, the Ge Kiln collected by the court at that time.
This is roughly consistent with the glaze color and classification of Ge kiln handed down today.
From the Ming Dynasty to the Qing Dynasty, it is still imitating in modern times.
And Geyao, many people like it.
After the imitation came out, it has been used as a good marketing tool in the market.
The more famous one is the Kangxi Year. In the Kangxi Year, not only the official kilns imitated, but also the folk kilns imitated, and the folk kilns imitated a large number of products.
The color of the thread written in the book after the film was opened was dyed by later generations.
This may refer to works after the Qing Dynasty, as it is especially a Qing imitation.
For example, the porcelain clay over there has no iron element.
Or the addition of iron is very little, very little.
Then it can't produce the effect of gold thread and iron thread like the Song Dynasty, that is, it must be dyed by later generations.
After Ge Kiln's "gold wire and iron wire" was produced, later generations continued to imitate the production, but they were still unable to completely imitate it.
Initially, the porcelain produced by Ge Kiln had a bright glaze, a crisp layer, and a rust-red base.
After oxidation, the color of the iron wire is black and blue, with outward diffusion.
But the two lines of gold wire and iron wire do their own thing and have nothing to do with each other.
During the Ming and Qing Dynasties, Ge Kiln was mainly imitated by Jingzhen, and the porcelain carcass produced by it was white in color.
There is a layer of natural air oxidized Baoguang on the glaze surface (called Runguang in academia), which is similar to the Baoguang on the glazed surface of Ming Dynasty single-color glazed porcelain.
Gold wires and iron wires are interwoven on the same mesh wire, and the color of the iron wires also appears black.
This is obviously different from the iron wire on the handed down Ge kiln porcelain, which is black and blue in color.
Some utensils are glazed with sauce-colored glaze along the mouth and bottom feet, imitating the characteristics of the handed down Ge kiln's purple mouth and iron feet.
There are also utensils with no sauce-colored glaze on the edge of the mouth and bottom feet, but there is natural air oxidized pulp (old feeling) on the exposed tires at the bottom of the utensils.
Modern imitation Ge kiln porcelain, the imitation shape, the opening of the glaze, and the method of making it old are varied and varied.
However, compared with the authentic porcelain handed down from Ge kiln and Ming and Qing imitation Ge kiln porcelain, there is a big difference.
The characteristics of modern imitation Ge kiln porcelain are more obvious.
First of all, there is a layer of light on the glaze, which is called fire light in academia.
If it is old, there will be traces of old work, and the light on the glaze will be unnatural.
There is no crisp light on the glaze of Ge kiln handed down from generation to generation, nor the precious light of natural air oxidation on the glaze of imitated Ge kiln porcelain in Ming and Qing Dynasties (called run light in academia).
Second, modern high imitation products can imitate the characteristics of the two net patterns of gold wire and iron wire handed down from Ge kiln porcelain that are not related to each other.
However, it is still very different from the gold and iron wires of Song Ge kiln porcelain.
The gold and iron wires of Song Ge kiln porcelain, like a pen drawing a line on Yi paper, have a natural halo (diffusion).
The gold threads of modern high imitation Ge Kiln porcelain are like a line drawn by a ballpoint pen on Yi paper, relatively blunt and without natural smudges.
Hesitant Ge kiln wares are too famous, so there have been imitators in all dynasties.
Especially the official kilns of Ming and Qing Dynasties, there are more imitations.
The more famous ones are the imitation brother glaze leaf washing in the Qing Dynasty. This porcelain was imitated in the Qianlong period of the Qing Dynasty.
It is 2.4 cm high, 17.7 cm long and 12.8 cm wide.
Washed in the shape of leaves, the edges of the leaves are rolled up, like a leaf floating in the wind, with a strong sense of movement.
The whole body is covered with glaze color imitating Ge Kiln in Song Dynasty, and the glaze surface has irregular patterns.
There are six nail marks on the bottom, and the six-character three-line inscription "Qianlong Years of the Great Qing Dynasty" is signed in blue and white seal script.
This wash is unique in its ingenuity, combining the bionic shape with the characteristics of Song Ge kiln porcelain.
The polished and washed glazed surface is rich and moist, the glaze color is blue and gray, and the whole body has large patterns. The texture is gray and black, harmonious and natural, giving people a natural aesthetic enjoyment.
And there are still many fine imitations like this that have been handed down to the present.
Ge kiln in Song Dynasty was favored by people in later generations. There were many imitators in Yuan, Ming and Qing Dynasties, and each had its own style. It was called imitation Ge kiln or Ge glaze.
Although its production technology is no longer comparable to that of Ge kiln in Song Dynasty, each has its own characteristics.
Of course, compared with the imitation Ge kilns of Yuan, Ming and Qing Dynasties, a large part of the Ge kilns imitated by modern people are the worst.
However, Chen Wenzhe is the easiest to learn from this part of the technology.
As one of the five famous kilns, "Ge Kiln" has always been the favorite plate of collectors who play high ancient porcelain.
Because of its special appearance characteristics, it is highly recognizable among all kinds of porcelain.
The mystery of Ge kiln porcelain and its noble origin make collectors flock to it.
Therefore, the counterfeiting of Ge Kiln is also rampant, and there are quite a lot of "fake" Ge Kiln porcelain.
What's more, it mysteriously leads collectors into its own hut.
Then make up a magical story, with cadenced tones.
Ever since, "simple" collectors believed in this.
Some common Ge kiln imitations on the market are all low imitations.
And the ones that can deceive people are the most fake and low imitation works.
For example, gourd bottles on the market, no matter what kind of kiln comes out, many moldings are made by grouting.
(End of this chapter)
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