My system is not decent

Chapter 1679 Celestial Flask

Since Chen Wenzhe wants to give full play to his advantages, Chen Wenzhe naturally has to choose the glazed objects he makes.

This is a great choice, such as a four-color glazed snuff bottle with carved flowers and vegetables in white.

A four-color glazed snuff bottle in a white set with carved flowers and vegetables from the Qing Dynasty is only 5 cm high and 3.2 cm wide.

This type of vessel is a translucent glazed body covered with four colored glazes of red, green, yellow and light blue.

One side of the snuff bottle is carved with flowers and butterflies, and the other side is carved with two peppers. The carving is delicate and exquisite.

Then there is the embossed green material flower set white smoke bottle, the size is 10 cm high.

This kind of smoking pot is a quadrangular pyramid with a narrow bottom and a wide bottom, with ring feet.

The lid is made of green material, the lid is inlaid with gold, and it is engraved with oblique lines.

On the white material are relief flowers and branches and leaves of colored green material.

A snuff bottle of this level is so beautifully made, it's no wonder that the snuff bottle back then was loved by so many people.

For snuff bottles of this level, it is natural to make a few more snuff bottles. After all, snuff bottles made with many modern techniques are more beautiful than those in the Qing Dynasty and the Republic of China.

Next, what Chen Wenzhe made was a snuff bottle with flower and bird patterns painted inside.

It is 7 centimeters high, and the inside of the snuff pot is painted with fine brushwork, with rocks, magnolia and peony on one side, and hollyhock on the other side.

This inside-painted snuff bottle is painted with gold lining as the background color, which is a more elegant method.

There are also more exquisite snuff bottles, such as a set of five-color glazed snuff bottles with carvings and patterns.

This kind of snuff bottle is even more refined than the first four-color snuff bottle made by Chen Wenzhe.

This kind of snuff bottle is a high-quality product from the Qing Dynasty.

The snuff bottle has a diameter of 1.2 cm, a bottom diameter of 2.1 cm and a height of 6.1 cm.

This pot is made of translucent glass, covered with five colors of red, yellow, blue, green and purple.

The pot is flat, with a long neck, sloping shoulders, and short circle feet.

It is covered with pink tourmaline, and the belly of the pot is carved with green lotus leaves.

There are also green vines extending up to the shoulders. On one side is a tall sycamore tree, and under the tree stands a crane with a ganoderma lucidum in its mouth.

Together with the deer holding fairy fruit in its mouth on the other side, it forms a pattern of crane and deer in the same spring.

Next to it is a mountain stone carved from blue glass, on which stands a small red four-corner pavilion.

A snuff bottle like this has reached the top level.

Of course, if there are better ones, there are also more distinctive ones, such as the openwork dragon pattern red sleeve snuff bottle.

This kind of snuff pot is made of red and white colored glass. The belly of the pot is carved with a combination of openwork and relief.

After finishing these three snuff bottles, Chen Wenzhe stopped.

No matter how good the snuff bottle is, it cannot be done too much.

So, next, Chen Wenzhe made a yellow glazed octagonal celestial vase.

This imitation Qing Dynasty glass celestial ball bottle is 22.5 cm high.

This bottle is made of yellow opaque glass. It is octagonal as a whole, with a straight mouth, a long neck, a bulging belly, and an octagonal straight circle foot.

The Tianqiu vase was originally a porcelain shape, created and fired in the JDZ kiln during the Yongle and Xuande years of the Ming Dynasty.

There are also many varieties, such as blue and white Tianqiu vases, pastel Tianqiu vases, purple glazed Tianqiu vases, Langyao red Tianqiu vases, and colorful Tianqiu vases.

The Yongle period began to become an ornamental bottle, and it was more popular in the Xuande period.

This kind of bottle has a small mouth, straight neck, full shoulders, false ring feet, and slightly concave sand bottom.

Because of the huge belly of the ball, it looks like it fell from the sky, hence the name.

The Yongzheng and Qianlong dynasties of the Qing Dynasty were in their heyday, and the style of antiques prevailed.

The counterfeit celestial vase is even a large-scale display porcelain for the palace.

In addition to the traditional blue-and-white varieties, painted tianqiu vases such as Wucai and pastel colors have also begun to appear, but the most precious doucai is rarely used on tianqiu vases.

The most important reason is that there is no big weapon in fighting color.

During the Qianlong Dynasty, the national power was strong, and Hongli loved precious porcelain and elegant wares very much, so the Tianqiu Vase, a large bucket of color, was fired by Jingzhen Royal Kiln Factory by order.

Many of the craftsmanship on the porcelain celestial vase can be used on glazed products.

Especially the colors, such as blue glazed celestial vases, yellow glazed celestial vases and so on.

These are different colors, and some decorations can also be used, such as Baizitu Tianqiu vase, cloud and dragon pattern Tianqiu vase, Chinese red Tianqiu vase, etc.

Therefore, various patterns, patterns, and decorations can be used on glazed products.

Among them, the classic one is the octagonal celestial ball bottle made of red material. The size of this bottle is 23.5 cm high and 8.8 cm wide.

This bottle is a red transparent feeder, which is octagonal as a whole, with a straight mouth, a long neck, and a bulging belly.

There is an octagonal straight foot at the bottom. The shape of the bottle is beautiful, the color is uniform, and the shape is elegant.

After making several celestial vases, Chen Wenzhe changed the shape again.

The next thing he did was a consecrated colored glass bottle with floral patterns.

The bottle has a caliber of 5.3 cm, a bottom diameter of 6.5 cm, and a height of 15.3 cm.

This bottle imitates the style of Qianlong, with colorless glass as the base, white and blue two-color glass on the top, short neck, bulging belly, and ring feet.

The neck is decorated with banana leaf patterns and flower patterns alternately, and the abdomen is triple-opened.

The flower shape is carved out of white glass in the consecration, and then the flowers are dyed in color.

Outside the consecration is a cloud bat pattern, a circle of lotus petals is decorated at the junction of the feet and the abdomen, and there is a four-character seal script inscription made in the Qianlong period on the bottom.

If you want to make a shape like a glass bottle, just change the color and you can make a lot.

Now that red is done, the classic blue is also essential.

Therefore, what Chen Wenzhe made next was the sky blue glazed melon edged flask.

This long-necked bottle is 14 cm high, is sky blue, opaque, has a long neck, flat belly, and ring feet.

The whole body is milled with ten ridges protruding from the mouth to the bottom. The lines are accurate and smooth, and the intervals are straight and even, which is very beautiful.

A long-necked bottle, as the name suggests, is a bottle with a relatively long neck.

This kind of bottle, as long as it is made into that kind of streamlined shape, is still very beautiful.

Therefore, this is also a long-lasting utensil type, especially porcelain, which has been made in many official kilns throughout the ages.

Among porcelain wares, there are not a few first-class long-necked bottles, and the price of some high-quality goods can easily cost millions.

Among the many popular porcelains today, the long-necked bottle is still the main one.

In fact, the long-necked bottle was fired quite maturely during the Yongzheng period.

However, the background of each era is different, and the blue and white porcelain or other types of porcelain fired will be quite different.

For example, the most classic long-necked bottle in the Yongzheng period is a work called "Picture Long-necked Bottle with Pastel and Qin Visiting Friends".

This work, at first glance, gives people the impression that it is relatively delicate and very elegant.

Porcelain that can reflect elegant characters is good porcelain, especially the long-necked bottle of the Yongzheng official kiln at that time was considered a special existence.

Like this treasure, there is one hidden in England.

It was a flask of figure pictures, which was stored in the David David Foundation in the United Kingdom.

It is a quasi-type treasure, and the glaze is abundant.

It is clear that it is a treasure, and it must have flowed out of the country through some official channel. Ordinary people are not lucky to have it.

(End of this chapter)