My system is not decent
Chapter 1756 Lux Famous Brand
Chapter 1756 Lux Famous Brand
Wine order is a kind of wine culture unique to our country. In the "Analects of Confucius Yuzhu" wine order, it is written that there are Gong Lushi, Lv Lushi, Lushi and Yuzhulushi. These should be the deacons at the banquet.
The number of seats for the banquet is fixed, and everyone pushes the Gong recorder. The Gong recorder determines the order of raising money, and the law recorder, Lu Shi and Yuzhu recorder are appointed as the deacons of the banquet.
Gonglushi is in charge of the wine order flag and flag, and is responsible for deciding the punishment for violators.
This group of special utensils for banquet orders was discovered for the first time among unearthed cultural relics of the Tang Dynasty.
The records of the wine order system in the Tang Dynasty are not well documented. In Song Dynasty Hong Mai's "Rong Zhai Essays", there is a feeling that "people no longer understand the law".
There are special wine utensils, so naturally the wine glasses cannot be removed.
It looks like a silver goblet with plain noodles, 14.8 cm high, 14.5 cm in diameter, and 8.6 cm in circle foot.
Five-curved shape, deep abdomen, circle feet, engraved with the word "Wisdom" inside the feet.
The abdomen is decorated with ribs for a week.
According to some experts' textual research, this kind of cup is a "cup cup" used in conjunction with wine cups in wine vessels. Its unique shape is still an isolated case so far.
In addition to wine glasses, there are 3 silver basins in this cellar.
A gilt piece, 7.3 cm high, 34.5 cm in diameter, 24 cm in base diameter.
Two pieces of plain noodles, one is 7.5 cm high and the other is 6.8 cm high.
A gold-plated Capricorn Opera silver basin with bead patterns, and five curved abdomens.
The bottom surface is made of small ripples, and a pair of Capricornus with their tails up and wings open, their eyes open and their mouths open are chiseled. There is a flame orb in front of each mouth, lined with lotus flowers, lotus leaves and swimming fish.
Between the bottom belly and the edge of the belly, there are broken grass leaf patterns and curly grass pattern belts. Rare birds are engraved in the five curved sections of the belly, lined with turbine-shaped curly grass patterns and roe patterns.
The word "Wisdom" is engraved on the outsole, and the engravings are all gilded.
Plain surface silver basin, open mouth, flat bottom, engraved with the word "Lishi" on the rim, covered on the silver wine jar when it was unearthed.
The three silver basins are used as wine bottles, which are the ancient names for the vessels for holding wine at banquets.
Most of the vessels for holding wine at banquets in the Tang Dynasty were pots with a caliber of more than 30 centimeters.
There are basins and cups, and naturally there is no shortage of bowls.
A five-curved silver bowl with gilt parrot holding a branch pattern. The bowl is in the shape of a begonia. A pair of parrots are engraved on the inner bottom, with intertwined lotus and caviar patterns in between. Gilt carvings.
This vessel is larger than a wine bowl, and it should be a sea of wine. Bai Juyi has a poem "Just take the flower branch, move the sea of wine, if you don't get drunk today, you will regret it tomorrow."
Regardless of whether these are wine utensils or tableware, the whole set of banquet utensils will naturally not lack plates.
At this time, Chen Wenzhe also noticed that there were no gold wares in this cellar, only silver wares, and at most there were some gilt wares.
Among the plates, the best is a pair of gilt embossed double phoenix-shaped silver plates.
In addition, there are more than 20 other silver plates, but none of them are as good as the pair of gilt embossed double phoenix diamond plates.
This silver plate is 4.8 cm high, 21 cm long and 15.3 cm wide.
A flame orb is engraved on the center line of the bottom of the plate, and a pair of ostriches are decorated on both sides.
Eight flying birds are pressed out along the surface of the plate, and the substrate is covered with twine flowers and caviar patterns.
The flower and bird decorations and the raised edges are all gilt. Another plain silver plate has the same shape and is engraved with the word "Lishi".
Beside the plates, there was a stack of small plates, or saucers, also of silver.
For example, there are more than 60 such plain silver plates.
This small dish is 5 cm high, 15.2 cm in diameter and 8.2 cm in bottom diameter.
There are five lotus petals, and the word "Wisdom" is engraved inside the circle.
The difference between a plate and a plate is that the plate is large and the plate is small.
Plates are mostly used to hold all kinds of fruits or pastries, and are displayed on wine banquets;
The dish is mostly used to hold dried fruit and placed in front of the guests.
After reading these, the rest are all gilt utensils.
Among them are gilt silver boxes with butterfly patterns, gilt silver boxes with fish patterns, etc.
鎏金蝴蝶纹银盒高4.8厘米,口径5.8~8.9厘米,底径4.2~5.7厘米。
The entire silver box is a deformed butterfly with a slightly raised cover.
Zikou, circle foot.
The top of the box is hammered with a butterfly pattern, and the lid and bottom abdomen are decorated with continuous patterns.
鎏金鱼纹银盒高4厘米,口径5.2~7厘米,底径4~4.9厘米。
Begonia-shaped, slightly raised cover.
The device has a straight abdomen, a mouth, and a ring foot.
There are 4 small fish carved on the top of the box, which is exquisitely crafted and ingenious.
The main purpose of the box is to hold cosmetics, and the large one can also be used to hold tea cakes and tea powder.
Finally, there is the silver vase with gilt figures. This vase is also damaged, which is really a pity.
This gilt-figure silver vase has a residual height of 7 cm, a diameter of 3.8 cm, and a belly diameter of 6.6 cm.
This figure bottle should have three legs, but it was lost when it was unearthed.
The neck is engraved with Lianzhu pattern, folded belt pattern and creeper pattern belt respectively.
The abdomen is grounded with caviar patterns, separated by strings of flowers, and three lotus petal-shaped consecrations are formed with gorgeous curling leaf patterns.
The inside of the consecration is embellished with needle-shaped fan patterns and grass leaf patterns.
Depict three groups of figures: one is three boys performing Huxuan dance, one is two boys sitting opposite each other and fighting grass, and the other is three boys performing Zaju, and a twelve-petaled flower is engraved on the outside of the bottom.
The three-legged silver jar with gilt Spring and Autumn figures unearthed in Beiyin Village, Liulin, Yao County, Western Shaanxi, and the three-legged silver jar with plain surface unearthed from the Tang Dynasty cellar in Hejia Village, Western Shaanxi, are similar to this one.
A silver pomegranate jar was unearthed in the cellars of the Tang Dynasty in Hejia Village, Shaanxi Province, and a large amount of cinnabar was also unearthed.
From this, it is speculated that the silver vase with gilt figures may be a vessel for holding elixir.
There are many famous times in the Tang Dynasty, such as the "Anshi Rebellion". After this turmoil, the south became the center of gold and silverware production.
At this time, the number of utensils increased, with superb craftsmanship, gorgeous patterns, and strong national colors.
Among them, Zhenjiang (known as Runzhou at that time) was the most famous.
According to current archaeological discoveries, the total number of Tang Dynasty gold and silver wares unearthed in the whole south reaches more than 1100 pieces, and Zhenjiang accounts for about [-]%.
Runzhou's proficient gold and silverware production technology makes it the central production area in the south.
Most of the products are dedicated to the royal family, and the famous brand trademark of "Lishi" is engraved.
It has a profound influence on the production process of gold and silver wares in Song and Yuan Dynasties.
Therefore, Chen Wenzhe knew that it was not uncommon for utensils with the famous brand of "Wisdom" to appear in large quantities.
However, a large number does not mean that they are not precious. After all, these products are mostly dedicated to the royal family, that is to say, these things are also considered royal objects, and naturally have high collection value and economic value.
The total number of gold and silver wares unearthed from Tang Dynasty cellars that Chen Wenzhe knows is only more than 1000 pieces.
And in the cellar hidden by the tomb robbers, there are more than 700 pieces of silverware.
Is this just silverware, or is it just a cellar from the Tang Dynasty? Since there was a cellar in the Tang Dynasty, what about the Song Dynasty?It can only be more!
Most of the cellars left now are from the Song Dynasty, especially in some war-torn areas during the Southern Song Dynasty.
For example, the formation of the cellars in Jinyu Village in Suining was not unrelated to the war in Sichuan at the end of the Southern Song Dynasty.
It's just that this cellar mainly stores porcelain, but the owners of these gold, silver and ceramics all hid their treasures underground in order to avoid the war between Song and Mongolia.
(End of this chapter)
Wine order is a kind of wine culture unique to our country. In the "Analects of Confucius Yuzhu" wine order, it is written that there are Gong Lushi, Lv Lushi, Lushi and Yuzhulushi. These should be the deacons at the banquet.
The number of seats for the banquet is fixed, and everyone pushes the Gong recorder. The Gong recorder determines the order of raising money, and the law recorder, Lu Shi and Yuzhu recorder are appointed as the deacons of the banquet.
Gonglushi is in charge of the wine order flag and flag, and is responsible for deciding the punishment for violators.
This group of special utensils for banquet orders was discovered for the first time among unearthed cultural relics of the Tang Dynasty.
The records of the wine order system in the Tang Dynasty are not well documented. In Song Dynasty Hong Mai's "Rong Zhai Essays", there is a feeling that "people no longer understand the law".
There are special wine utensils, so naturally the wine glasses cannot be removed.
It looks like a silver goblet with plain noodles, 14.8 cm high, 14.5 cm in diameter, and 8.6 cm in circle foot.
Five-curved shape, deep abdomen, circle feet, engraved with the word "Wisdom" inside the feet.
The abdomen is decorated with ribs for a week.
According to some experts' textual research, this kind of cup is a "cup cup" used in conjunction with wine cups in wine vessels. Its unique shape is still an isolated case so far.
In addition to wine glasses, there are 3 silver basins in this cellar.
A gilt piece, 7.3 cm high, 34.5 cm in diameter, 24 cm in base diameter.
Two pieces of plain noodles, one is 7.5 cm high and the other is 6.8 cm high.
A gold-plated Capricorn Opera silver basin with bead patterns, and five curved abdomens.
The bottom surface is made of small ripples, and a pair of Capricornus with their tails up and wings open, their eyes open and their mouths open are chiseled. There is a flame orb in front of each mouth, lined with lotus flowers, lotus leaves and swimming fish.
Between the bottom belly and the edge of the belly, there are broken grass leaf patterns and curly grass pattern belts. Rare birds are engraved in the five curved sections of the belly, lined with turbine-shaped curly grass patterns and roe patterns.
The word "Wisdom" is engraved on the outsole, and the engravings are all gilded.
Plain surface silver basin, open mouth, flat bottom, engraved with the word "Lishi" on the rim, covered on the silver wine jar when it was unearthed.
The three silver basins are used as wine bottles, which are the ancient names for the vessels for holding wine at banquets.
Most of the vessels for holding wine at banquets in the Tang Dynasty were pots with a caliber of more than 30 centimeters.
There are basins and cups, and naturally there is no shortage of bowls.
A five-curved silver bowl with gilt parrot holding a branch pattern. The bowl is in the shape of a begonia. A pair of parrots are engraved on the inner bottom, with intertwined lotus and caviar patterns in between. Gilt carvings.
This vessel is larger than a wine bowl, and it should be a sea of wine. Bai Juyi has a poem "Just take the flower branch, move the sea of wine, if you don't get drunk today, you will regret it tomorrow."
Regardless of whether these are wine utensils or tableware, the whole set of banquet utensils will naturally not lack plates.
At this time, Chen Wenzhe also noticed that there were no gold wares in this cellar, only silver wares, and at most there were some gilt wares.
Among the plates, the best is a pair of gilt embossed double phoenix-shaped silver plates.
In addition, there are more than 20 other silver plates, but none of them are as good as the pair of gilt embossed double phoenix diamond plates.
This silver plate is 4.8 cm high, 21 cm long and 15.3 cm wide.
A flame orb is engraved on the center line of the bottom of the plate, and a pair of ostriches are decorated on both sides.
Eight flying birds are pressed out along the surface of the plate, and the substrate is covered with twine flowers and caviar patterns.
The flower and bird decorations and the raised edges are all gilt. Another plain silver plate has the same shape and is engraved with the word "Lishi".
Beside the plates, there was a stack of small plates, or saucers, also of silver.
For example, there are more than 60 such plain silver plates.
This small dish is 5 cm high, 15.2 cm in diameter and 8.2 cm in bottom diameter.
There are five lotus petals, and the word "Wisdom" is engraved inside the circle.
The difference between a plate and a plate is that the plate is large and the plate is small.
Plates are mostly used to hold all kinds of fruits or pastries, and are displayed on wine banquets;
The dish is mostly used to hold dried fruit and placed in front of the guests.
After reading these, the rest are all gilt utensils.
Among them are gilt silver boxes with butterfly patterns, gilt silver boxes with fish patterns, etc.
鎏金蝴蝶纹银盒高4.8厘米,口径5.8~8.9厘米,底径4.2~5.7厘米。
The entire silver box is a deformed butterfly with a slightly raised cover.
Zikou, circle foot.
The top of the box is hammered with a butterfly pattern, and the lid and bottom abdomen are decorated with continuous patterns.
鎏金鱼纹银盒高4厘米,口径5.2~7厘米,底径4~4.9厘米。
Begonia-shaped, slightly raised cover.
The device has a straight abdomen, a mouth, and a ring foot.
There are 4 small fish carved on the top of the box, which is exquisitely crafted and ingenious.
The main purpose of the box is to hold cosmetics, and the large one can also be used to hold tea cakes and tea powder.
Finally, there is the silver vase with gilt figures. This vase is also damaged, which is really a pity.
This gilt-figure silver vase has a residual height of 7 cm, a diameter of 3.8 cm, and a belly diameter of 6.6 cm.
This figure bottle should have three legs, but it was lost when it was unearthed.
The neck is engraved with Lianzhu pattern, folded belt pattern and creeper pattern belt respectively.
The abdomen is grounded with caviar patterns, separated by strings of flowers, and three lotus petal-shaped consecrations are formed with gorgeous curling leaf patterns.
The inside of the consecration is embellished with needle-shaped fan patterns and grass leaf patterns.
Depict three groups of figures: one is three boys performing Huxuan dance, one is two boys sitting opposite each other and fighting grass, and the other is three boys performing Zaju, and a twelve-petaled flower is engraved on the outside of the bottom.
The three-legged silver jar with gilt Spring and Autumn figures unearthed in Beiyin Village, Liulin, Yao County, Western Shaanxi, and the three-legged silver jar with plain surface unearthed from the Tang Dynasty cellar in Hejia Village, Western Shaanxi, are similar to this one.
A silver pomegranate jar was unearthed in the cellars of the Tang Dynasty in Hejia Village, Shaanxi Province, and a large amount of cinnabar was also unearthed.
From this, it is speculated that the silver vase with gilt figures may be a vessel for holding elixir.
There are many famous times in the Tang Dynasty, such as the "Anshi Rebellion". After this turmoil, the south became the center of gold and silverware production.
At this time, the number of utensils increased, with superb craftsmanship, gorgeous patterns, and strong national colors.
Among them, Zhenjiang (known as Runzhou at that time) was the most famous.
According to current archaeological discoveries, the total number of Tang Dynasty gold and silver wares unearthed in the whole south reaches more than 1100 pieces, and Zhenjiang accounts for about [-]%.
Runzhou's proficient gold and silverware production technology makes it the central production area in the south.
Most of the products are dedicated to the royal family, and the famous brand trademark of "Lishi" is engraved.
It has a profound influence on the production process of gold and silver wares in Song and Yuan Dynasties.
Therefore, Chen Wenzhe knew that it was not uncommon for utensils with the famous brand of "Wisdom" to appear in large quantities.
However, a large number does not mean that they are not precious. After all, these products are mostly dedicated to the royal family, that is to say, these things are also considered royal objects, and naturally have high collection value and economic value.
The total number of gold and silver wares unearthed from Tang Dynasty cellars that Chen Wenzhe knows is only more than 1000 pieces.
And in the cellar hidden by the tomb robbers, there are more than 700 pieces of silverware.
Is this just silverware, or is it just a cellar from the Tang Dynasty? Since there was a cellar in the Tang Dynasty, what about the Song Dynasty?It can only be more!
Most of the cellars left now are from the Song Dynasty, especially in some war-torn areas during the Southern Song Dynasty.
For example, the formation of the cellars in Jinyu Village in Suining was not unrelated to the war in Sichuan at the end of the Southern Song Dynasty.
It's just that this cellar mainly stores porcelain, but the owners of these gold, silver and ceramics all hid their treasures underground in order to avoid the war between Song and Mongolia.
(End of this chapter)
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