My system is not decent

Chapter 1773 Bingwu God Hook
Also in Beihe, another large tomb was robbed and excavated a long time ago.

Until the 90s, it was patronized again.

What's more ironic is that the reason why this large tomb was targeted by tomb robbers was because someone found a map recording this large tomb in the local county annals, that is, a map.

This has been mentioned before, the reason why Chen Wenzhe knew about this matter is to thank the group of tomb robbers who studied hard.

This large tomb was known locally as the tomb of Cao Cao in the Qing Dynasty.

It's just that this big tomb was submerged in the long river of history again later.

Only one day, a tomb robber who was willing to study and worked very hard kept looking for the county annals to study, and finally rediscovered this tomb.

There are many cultural relics unearthed from this ancient tomb.

Although it was robbed and excavated many times before the Qing Dynasty, in the 90s, the group of tomb robbers still robbed about 970 cultural relics.

Among them, there are more than 250 intact, without any flaws.

However, only 250 or more of the unearthed Gaoling in Anyang can be recovered, which is incomparable.

As for the types, they are roughly similar to those unearthed from Gaoling in Anyang, but some items are more precious.

Among them, the types that can prove the noble status of the tomb owner include bluestone gui, bi and other ritual vessels;
There are other weapons such as iron armor, swords, arrowheads, and crossbow mechanism components;

Bronze-covered bow hats, umbrella hats, bells, and coal stone tiger carvings and other chariot and horse miscellaneous utensils;
Pottery inkstones, stone pillows, copper belt hooks, belt buckles, shop heads, hairpins, rings, cap nails, silver belt buckles, shop heads, ornaments, iron curtain components, mirrors, cutting tools, etc.;
Jade beads, crystal beads, agate beads, jade pendants and other decorations;
Stoves, ear cups, plates, pots, jars, trays, pots and other ceramics;

There are also 59 inscribed stone plaques, one type of inscribed stone plaque is Gui-shaped, and inscriptions such as "the tiger euphorbia often used by the king of Wei Wu" and "the short spear of the tiger often used by the king of Wei Wu" are also engraved on it;

The other type is hexagonal, and its inscription content is the name and quantity of the funerary objects.

For example, "Huang Ling Pao Brocade Leader One", "Danxiong Sheru One", "Mirror Stand One", "Book Case One", "Drain Pillow One" and so on.

Most of the fonts on the inscriptions are Han Li, commonly known as "octart", with regular, strong and powerful fonts.

According to the shape and scale of the tomb, the unearthed relics, the content and font of the inscription on the stone plaque, and the identification of the owner's skeleton, it is really hard to believe that this large tomb is not the tomb of Cao Cao.

Of course, whether it is true or not, all the treasures that Chen Wenzhe saw would not be fake.

It's just that these things don't look beautiful, they look like a picture with hooks.

This thing was even more common in ancient times, but if it was something from the Three Kingdoms period, it would be a bit precious.

There are still quite a few copper belt hooks unearthed from Cao Cao's tomb, but it is definitely not Cao Cao's things that attract Chen Wenzhe now.

Cao Cao has a complete set of things, no matter whether they are authentic or beautiful, if they are all found at once and exhibited, it will definitely cause a sensation.

These things will not run away if they are placed there, so now Chen Wenzhe is more interested in other things that cannot be seen.

For example, some things that are obviously different from the style of Cao Cao's tomb, like the copper belt hook just mentioned.

Three of them were hooked and obviously more valuable.

After taking a closer look, Chen Wenzhe discovered that these hooks really came from different celebrities.

Hesitation has some inscriptions on it, so Chen Wenzhe can still infer some origins.

These three belt hooks come from the three kingdoms of Wei, Shu and Wu respectively.

Among them, the gold-plated copper belt hook of Wei State and the gold-silver copper belt hook with inscriptions of Wu State are similar in shape and structure to the famous "Bingwu God Hook" in the Eastern Han Dynasty.

This must be from the same brand, which essentially represents the mainstream style with hooks in the Han Dynasty.

Gold and silver "Bingwu God Hook" copper belt hook, that is, gold and silver "Bingwu God Hook" copper belt hook.

This belt hook is a bronze casting of the Eastern Han Dynasty (AD 25-220). It is now one of the treasures of the Jilin Provincial Museum and belongs to the national first-class cultural relics.

This Eastern Han Dynasty gold and silver "Bingwu God Hook" copper belt hook is 15.7 cm long and has 11 gemstones embedded in it, namely ruby, sapphire and turquoise.

The front of the cultural relic is divided into three parts, the first part looks like an eagle, two black jade beads (ruby) are embedded in the eye sockets, a turquoise is embedded in the forehead, and the feathers are made of gold and silver threads.

The body of the hook is made of a bird's beak, the eye sockets are inlaid with blue gemstones, and the forehead is inlaid with a drop of water-shaped turquoise. The fish is held in both hands in the shape of pounding food.

The whole body of the fish is filled with gold wire to form scales, and two silver pieces are embedded on the side of the body, which looks like dripping water.

The fish is placed in the arms of the "God Man" and can move without falling out.

Its tail is like a flying bird, and it has a blue gemstone in its mouth;

The legs and wings are curled backwards to form a ring.

There is a raised round button in the middle of the back of the cultural relic. The surface of the button is inlaid with silver, which is shaped like a cirrus cloud, and a ruby ​​​​is embedded in the center.

The gold inscription on the upper abdomen is inscribed with the eight characters "Bingwu God's hook, the king must move high".

The lower part is decorated with a flying phoenix, the head and feet are in gold, and the wings, tail and body are in silver.

Beautiful shape, exquisite casting.

In addition, the whole body is staggered with gold and silver and inlaid with gems. It is a very rare and precious handicraft.

Such a complicated piece of copper belt hook requires a lot of craftsmanship.

Chen Wenzhe is more interested in crafts. Among them, the gold and silver crafts originated in the Shang and Zhou Dynasties and flourished in the middle and late Spring and Autumn Periods. Two craft techniques have been discovered.

Mosaic, for example, is one of them.

Some of the ancient gold and silver interlaced bronzes in my country that have been discovered are decorated with inlays, also known as engraved gold decorations.

In [-], Shi Shuqing, a well-known Chinese scholar, published an article "Golden Copper Craftsmanship in Ancient my country" in "Cultural Relics", mainly talking about this method.

Its production is divided into four steps. The first step is to make a pre-cut groove for the mother model, so that after the vessel is cast, gold and silver can be embedded in the groove.

The second step is to chisel the groove.

The third step is inlaying, that is, gold and silver threads or gold pieces are embedded in the groove.

The fourth step is to grind the wrong one.

Then there is the painting method, which is the main decorative method of gold and silver wrong in the Han Dynasty.

This can be seen from the Han people's interpretation of the word "cuo": "cuo, gold paint".

According to literature records and unearthed objects, there are several main processes of the "gold coating" method.

The first is the manufacture of "gold amalgam", followed by gold coating and gold baking. Now this method is usually called "gilt gold".

Although many "Bingwu Shenhook" copper belt hooks of similar shape have been unearthed across the country, only this one is the most complete and exquisite, unparalleled in the world.

The gold and silver "Bingwu Shenhook" copper belt hook was a reward given to the local regime in the Northeast - the King or nobles of the Fuyu Kingdom (Puyu) after the craftsmen ordered by the Eastern Han Dynasty finished making it.

This treasure is a typical embodiment of the court's gold and silver craftsmanship, and represents the jurisdiction and rule of the Central Plains Dynasty over the border areas.

Although the two pieces that Chen Wenzhe saw were not as exquisite as the Bingwu Shengou, they were the same in shape, and their preciousness can be seen from this.

Chen Wenzhe naturally recognized such a treasure at a glance.

Then he saw three special hooks, and obviously the third one was not simple.

(End of this chapter)