My system is not decent

Chapter 1804 The mirror goes away with everyone, but the mirror returns to the person but has not returned

The "Wang Tian System" promoted by Wang Mang is to nationalize the land in the whole country, and merchants are not allowed to buy and sell each other.

Then it is to redistribute the land to the common people, so that the tillers can have their fields. Isn't this the nationalization of the land?

Does this system feel very familiar?Because this is what our country has done in modern times.

This is just one of the changes. He also ordered the country to mint coins uniformly.

In the past, local tyrants could mint coins by themselves.

For example, the family of Zhuo Wenjun, whom Sima Xiangru proposed to marry in the Western Han Dynasty, was a powerful man in Shu, and her family made money by making iron.

After Wang Mang came to power, he was not allowed, and the minting of coins can only be minted by the country.

There are also wine, iron, salt and other industries, some of which are nationalized. Have we all used these systems?

The next thing that is closer to our modern people is the hatred of the Huns and the Goguryeo people.

After the superior unified the world, Wang Mang led troops to attack the Huns many times, trying to drive the Huns away from the northern grasslands.

He changed the name of the Xiongnu Shanyu to "surrender the slaves to Yu", and also changed "Gaoguli" to "Xiaguli".

He attaches great importance to productivity, and Wang Mang attaches great importance to productivity. Unemployed people who work every day must be fined a piece of cloth every year, or do hard labor.

The vagrant is an unstable element in society, and his doing so helps to protect social order and stability.

Then there are financial-related policies, he proposed borrowing.

The loan can be said to be a kind of ultra-vanguard move. The loan appeared in such an early age, which made many people doubt his true origin, and he probably passed through time travel.

The next step is to regulate prices. Wang Mang implemented the "five equals" policy in order to eliminate the gap between the rich and the poor.

The meaning of "five averages" means that the imperial court has the right to interfere with the rise of private prices.

In this way, businessmen from all walks of life will not be able to make a fortune against their conscience.

Merchants make less money and common people spend less, which narrows the gap between rich and poor to a certain extent.

There are also policies that are closer to modern times, that is, low-cost housing and renting housing.

It is said that Wang Mang also implemented the policy of low-rent housing, and invested in the construction of 200 low-rent housing in Chang'an City to provide housing for the poor.

This kind of behavior was also a super avant-garde approach at the time.

The last is to change the name of the country to the "Xin" Dynasty. After taking office, Wang Mang changed the established country to the "Xin" Dynasty.

This makes many people think that he is probably the modern game space, because in the game "Three Kingdoms", many people like to hold the banner of the new dynasty.

These are policies, real technology, legends that Wang Mang invented the short skirt, and the so-called "airplane".

First of all, in such a feudal society, there are great restrictions on women's clothing.

Women would wrap themselves tightly, but Wang Mang invented short skirts and let his concubines wear knee-length skirts.

So people at that time were very puzzled and did not understand such an approach at all.

Of course, the "airplane" was invented, similar to the current folded-wing aircraft.

At that time, Wang Mang also encouraged invention and creation. During Wang Mang's reign, he rewarded the inventors of "extraordinary tricks" many times.

Therefore, regarding Wang Mang's political measures and system reforms, coupled with his own inventions, we can't help but feel that thinking was too advanced in that era?

Also, are these ideas too open?

So many people think that he is time-traveled, and there must be a reason for this.

Knowing these knowledge points, Chen Wenzhe naturally attached great importance to Wang Mang.

Therefore, if he could see some antiques from the mangxin period, he would naturally be happy to see them.

The imitation of the Western Han gilt "Huaxia Daning" bronze mirror in front of us is 18.6cm in diameter and 1.3cm thick.

The real one was unearthed in Wujialing, Husha in 1952, and it is now hidden in the National Museum.

This bronze mirror is a typical Han Dynasty Liubo bureau pattern mirror style.

Liubo was a very popular board game from the court to the folk at that time, so the board was often used as a decorative pattern on the mirror.

The most precious thing about this mirror is its exquisite gilt craftsmanship, and the second is a poem cast between the edge of the mirror.

The poem has a total of 52 characters: "The sage's work is a mirror, which draws energy from the five elements. Born in Dao Kangxi, there are articles. The light is like the sun and the moon, and its quality is pure and strong. Look at the jade, and get rid of the ominous. China Daning, son and grandson Yichang. Huang Chang Yuanji, You Ji Gang."

The content of the poem contains the thoughts of yin and yang and the five elements, as well as blessings and prayers for the country and descendants.

Among them, the four characters "Da Ning of China" can arouse profound resonance in the hearts of Chinese descendants.

It's a pity that the side in front of me is an imitation, and there are many such famous and commemorative ancient bronze mirrors in this bronze mirror museum.

Like the Buddha mirror of the Three Kingdoms in the late Han Dynasty, the real one is hidden in the Shenzhen Museum.

This is the first time that a Buddha mirror in the early period of the late Han Dynasty and the Three Kingdoms has been discovered. After preliminary research, this bronze mirror is currently the only early Buddha mirror in the collection of museums at home and abroad that uses the Queen Mother of the West as a dragon and tiger seat.

This is completely different from the double lion Buddha statues in the Jin Dynasty, which provides important physical evidence for the study of the early Buddhist art transmission and the integration of Han nationality culture.

"The mirror goes away with people, and the mirror returns to people but never returns; the shadow of Heng'e does not return, and the bright moonlight remains in vain."

This poem is a five-character quatrain handed down from the allusion of "Reunion after a Broken Mirror".

It can be seen that in the volume of "Poems of Benshi" in the Tang Dynasty, the stories in ancient prose are very interesting to read, and can be used as a reference for human affairs in today's society.

Bronze mirrors have run through the history of China for thousands of years, and they can be called the witnesses of the development of the times.

Because of its high artistic value, it has become one of the hot spots for folk collections.

In a few years, its value has increased magically, and genuine treasures are even harder to find.

There are still many unsolved mysteries about the implication and configuration of the decorations on the ancient bronze mirrors.

For example, mirrors with mountain characters in the Warring States Period, rule mirrors in the Han Dynasty, and sea animal grape mirrors in the Tang Dynasty.

Bronze mirrors are common burial objects in ancient Chinese tombs.

Since the bronze mirrors in each historical period have their own characteristics, they have become one of the standard devices for the interruption of ancient tombs.

The inscriptions on the bronze mirror and the style characteristics of different eras are important references and basis for judging the unearthed artifacts.

Through the study of the shape, patterns and inscriptions of the bronze mirror, one can learn about the casting technology, arts and crafts, worker-official system, business relations, ideology and cultural exchanges with foreign countries in various eras.

Due to the small size of the back of the mirror, the themes chosen for the decoration are more representative and typical, providing us with reliable material materials for understanding and studying ancient society.

For example, in 1975, the bronze mirror unearthed from the Qijiaping Tomb in Guanghe, Su Province announced that the Qijia culture already had a bronze mirror.

In other words, the casting and use of bronze mirrors can be traced back at least 4000 years ago.

Due to the popularity of bronze mirrors in the Spring and Autumn Period, Warring States Period, and Qin Dynasty, many styles of different places and periods were produced.

There are many decorative patterns in this period, which are deeply related to the silk fabrics and bronze wares of this period.

(End of this chapter)