My system is not decent

Chapter 1863

Found the baby, although it is not authentic, but the collection value is still very high.

After all, it cannot be said that there is no such thing as the perfect rubbings of Chen Cang Shiguwen, but it is definitely rare, and it is not even known where it is hidden.

In this way, these ten imitation stone drums with well-preserved stone drum inscriptions are very precious.

If so, why not buy it?
Besides, maybe there are other imitation treasures here?
Chen Wenzhe did not rush to buy ten stone drums, but walked into this stone carving workshop.

As soon as he came in, he realized that there was actually a cave inside, because there are too many types of stone carvings here.

It was also at this time that he remembered that the ancient city of Yangluo was also an important place for the inheritance of stone carvings.

Chen Wenzhe knew that pure white jade could be crafted into exquisite and noble jade articles.

He can also shape unformed clay into strong and durable pottery.

I have also witnessed the grinding of different woods into a complete ship...

People's love for jade, porcelain, wood, copper, gold and other materials permeates all aspects of production and life.

It is more integrated into poetry and songs, and has never stopped since ancient times.

However, few people know that the ancients loved stone as much as other materials.

Heavy and simple stones are polished into exquisite and elegant stone carvings and stone carvings in the skillful hands of craftsmen.

No matter how many winds and rains they have experienced, they still stand firm in a century or a thousand years.

Today, some people still regard the cumbersome stone carvings in the eyes of others as treasures, and also as the greatest pleasure in their lives.

This ancient stone carving factory is filled with all kinds of ancient stone carving artworks.

Looking from a distance outside the gate, the factory seems to be guarded by ancient stone carvings, wrapped in layers.

From the inside to the outside, it exudes the thickness and sense of stability of history, which makes people feel at ease.

It was also at this time that Chen Wenzhe discovered that ancient stone carvings have a different charm. When you understand it, you will fall in love with it.

And as long as you understand it, you must know that there is "Yan Ruyu" in the stone.

One flower, one world, one leaf, one withered, this sentence is very suitable to describe this old stone carving factory.

Before entering the door, there are several tall and exquisite Chinese pillars at the door.

The stone carvings in the courtyard outside the door are arranged in a patchwork order, as if they were originally placed here.

It's like watching all the flowers bloom and bloom, people gather and people disperse, exuding a different kind of silence.

In fact, people who know how to appreciate stone carvings will feel a sense of energy in their hearts, be steady, down-to-earth, and confident in everything they do.

As long as you have the eyes to discover beauty, you can find your "Yan Ruyu" even in the stone.

We ordinary people can touch stone carvings, but not many real works of art.

The commonly used stone materials for stone carving are granite, marble, bluestone, sandstone and so on.

These are all stones used for carving. They are hard and weather-resistant, which is one of the conditions chosen by many craftsmen.

Here, Chen Wenzhe first saw two valuable ancient stone carvings - tea garden stone reliefs.

Relief is a form of carving, and these two stone carvings are made of tea garden stones.

The sculptor carves the image he wants on the tea garden stone.

Make it out of the plane of the original material to form a semi-stereoscopic sculpture.

Take a closer look at these two stone carvings, one is engraved with a sika deer, with a ganoderma lucidum in its mouth, and a pine tree standing above it, implying that everything goes well;
The other piece is engraved with a sheep with a fairy grass in its mouth. The sheep's head is facing the back, looking at the bright moon and auspicious clouds above, implying auspiciousness.

The combination of the two pieces means good luck and good luck. The ancients used them on both sides of the lintel to express their yearning for a better life.

Tea garden stone is the most popular stone in the eyes of Jiangsu and Zhejiang stone carving enthusiasts. Its color, material and gloss are of high quality, which can be called the top grade of stone carving.

If you look closely, you will find that these two stone carvings are a little bit blue.

Not only do they have exquisite carved patterns, but also the color of the stone is unique and attractive, and people who like it basically fall in love with each other.

This stone carving originated in the Ming Dynasty. Even after many dynasties and the baptism of wind and rain, it is still intact to this day. It is understandable that its value is considerable.

Of course, apart from this kind of precious stone carvings, the most common ones here are common ones, such as unexpected garden stone carvings.

In ancient times, the courtyard was deep, and the number of stone tools was originally small.

But now, walking in some old streets and alleys, you can still encounter stone tools in the courtyard unexpectedly.

Courtyard stone implements carry certain historical and cultural information.

The tranquility of the Song Dynasty, the simplicity of the Ming Dynasty, the practical function of the Qing Dynasty, and the differences in courtyard stone tools also reflect the different historical backgrounds of the times.

Courtyard stone tools are definitely one of the most important commodities of modern stone carving factories. Some of them are carved from stone, leaving exquisite patterns or characters carved by skilled craftsmen, usually auspicious patterns such as chilong, lotus, animal head, and cloud pattern.

In the eyes of stone carving lovers, garden stone tools include stone flower tables, stone benches, stone drums, stone basins, stone jars and other objects.

Just beside the main entrance of this factory, a heavy and huge stone flower table stands steadily.

The stone flower table is 2.7 meters long, 1.43 meters high and 0.41 meters wide.

Small stone flowers are more or less a pair, placed in the middle of the courtyard;
However, this stone flower table is relatively large, and the owner of this stone flower table must have placed it in the courtyard to stand against the wall on one side.

Looking closely at the stone flower table, it is exquisitely carved. There are two unicorns carved in the middle of the stone carving, with lotus flowers scattered on both sides, and a bat pattern under the unicorns as the background.

The supporting stones on both sides are not idle, they are chiseled with tigers, magpies and auspicious clouds.

There are also carved designs on the side, all of which imply good luck.

The stone carvings are rich in patterns and deep in chiseling skills. It can be called the focus of garden utensils and the "king of flowers" in stone flower tables.

The most important thing is that this is also an antique, at least hundreds of years old.

Chen Wenzhe checked it carefully, and based on the decorations on it, it can be roughly dated.

After all, no matter what age it is, it has the characteristics of the times.

For example, this flower table, judging from the exquisite texture and the shape of the vessel, this stone flower table came from the Jiaqing period of the Qing Dynasty, and it is still top-grade today.

Just looking at this courtyard stone tool, one can imagine how rich and powerful its former owner's family was.

This stone flower table is placed in the courtyard, and various large and small bonsai can also be placed on it. The stone carvings reveal greenness and vitality in this decoration and care.

In today's society, there are fewer and fewer houses with spacious courtyards, and the Chinese style is even rarer.

It may be difficult to reproduce the splendor and splendor of the courtyards of ancient large families in a courtyard with a spacious space and a matching style.

Of course, although there are many stone carvings, they are definitely not as many as stone lions.

Modern people are not ancient people. In ancient times, people needed status to place stone lions. Modern people can say that as long as they like it, they can put a pair at their gate, regardless of size or shape.

(End of this chapter)