My system is not decent

Chapter 1953 The Great Achievement of Ancient Color Glazed Porcelain

In addition to these special glaze colors, the rest are some common glaze colors.

For example, celadon glaze has the longest history, and it has been burning for more than 800 years since it was created in the Eastern Han Dynasty.

Song Qingci's achievements are already world-famous.

However, the green glaze with a truly stable color and no difference was finally completed in the Yongzheng period of the Qing Dynasty.

The green glaze color of Yongzheng official kiln can be divided into three categories: pink green, holly and bean green.

Of course, there are also antique green glazes in the blue glaze, as I said before.

From these three most authentic green glazes, several new color glazes such as sky blue, shrimp green, light green, Jiqing, olive green, and crab shell green are reproduced. The deepest crab shell green is almost dark green;

The lightest light blue, almost moon white.

The shape of the green glaze is very rich, and the antique shapes include the double sacrificial ear statue with a height of more than 60 centimeters, the bottle with a belt, the square bottle with pierced ears and other large utensils.

Then there are medium-sized elephant-ear statues, five-hole square statues, sheep-head statues, pomegranate statues, skimmer bottles, water containers, pen mounts, brush washers, paperweights, pen holders and other furnishings and stationery items.

Moderately sized furnishing porcelain, under the glaze, there are mostly finely carved printings and scratched decorations, which are extremely elegant and beautiful.

The deepest-colored crab shell green glaze is greenish-green with strong luster, shining red, orange, yellow, green, blue, and purple never-fading colorful halo. The bottom has a six-character seal seal stamp dated in the reign of Emperor Yongzheng of the Qing Dynasty.

The bottom marks of pink green and holly glazed utensils are mostly found in regular script marks with blue and white double circles and six characters made in the Yongzheng period of the Qing Dynasty.

Longquan celadon occupies a certain proportion in the Yongzheng Dynasty celadon. In addition to imitating the Song Dynasty, it also imitates the Ming Xuande blue and white lantern statue, beans with lids, etc., with clear and elegant printing decorations under the glaze.

White glaze White glaze is generally considered to be the easiest to control, but it is not.

The white glaze of the Yongzheng period was not the white opaque glaze referred to in modern craftsmanship.

It is a kind of transparent glaze with a glass texture, which completely depends on the whiteness of the fetal soil itself to appear white.

The requirements for the purity of the fetal soil are very high, and a little impurity will affect the purity of the glaze.

Yongzheng white glaze includes goblets, beans with lids, skimming bottles, three-legged stoves, teapots, wine cups, large plates, small bowls, etc.

These porcelains are thin and light, and there are many high-legged cups imitating Yongle Tianbai. The underglaze is engraved with double dragon patterns or entwined flowers, and the heart of the cup is engraved with double circles and six-character regular script inscribed in Yongzheng period of the Qing Dynasty. elegant.

This kind of white porcelain handle cup, (goblet cup) is a sacrificial article.

"Qing Files" records: On May [-]th in the fourth year of Yongzheng, according to the Yuanmingyuan, it was posted and called the eunuch Yatu, and handed over a white porcelain handle cup.

The use of white porcelain as a sacrificial vessel is mainly in the Xiyue Altar (Moon Altar).

The sacrificial utensils include three white porcelain bowls, twenty white porcelain plates of each size, two white porcelain wine vases, one white porcelain pot, and one white porcelain plate.

Check out the "Great Qing Huidian", whether it is the main green Temple of Heaven or the main red Sun Altar, the wine pots on the sacrificial table are all white glazed.

The white-glazed jugs with the same style should be used for sacrificial wine for all altars.

Yongzheng white-glazed jugs have the largest number, with an oval body, thin curves, high beams, elegant and beautiful, and are ideal utensils for sacrificial wine.

The high-temperature copper red glaze with copper as the colorant was very mature in the Yuan Dynasty. Ming Yongle used bright red as its treasure, and the ruby ​​red in the Xuande period was even better.

In order to restore the fine tradition of Xuande Ruby Red, the Yongzheng official kiln spared no expense in adding precious raw materials such as agate and pearls to the glaze, and fired it into sacrificial red glaze with stable and uniform color.

The sacrificial red glaze is deep red and does not flow, the surface is like orange peel without cracks, warm and bright, sacrificial red is sensitive to the firing atmosphere, and the yield is extremely low.

In the Yongzheng collection, there are sacrificial red plum vases, jade pot spring vases, skimming vases, olive vases, long-necked vases, garlic vases, flat vases, high-footed cups, high-footed plates, Shuanglu Zun, drum nail washers, small water bottles, etc. There are more than ten kinds of shapes, such as Cheng, small wine cup, and small cup.

Most of the sacrificial red vessels are white and red on the outside, and some are all red on the inside and outside. The inscriptions include blue and white double-circle regular script six-character inscriptions, and blue-and-white double-frame six-character regular script.

On July 13th, [-]th year of Yongzheng, doctor Su Hena and treasurer Chang Bao handed over a log sample of Jihong Gaozu tea.

The decree required that Xiyao, who was born in the new year, burn 130 pieces according to the wood sample and send them.

Yongzheng red glaze also has a carmine glaze with gold as the colorant, the lighter one is almost pink, commonly known as rouge water;

The darker one is close to rose red, commonly known as carmine.

There are small bottles, bowls and small high-footed wine cups, etc., the number is very small, and they are extremely rare.

The blue glaze Yongzheng sacrificial blue, formerly known as Jiqing.

Fired in imitation of Xuande sapphire blue glaze, this deep blue glaze, which is devitrified, uniform, and covered with orange peel and brown eyes, has the same characteristics as Jihong, which is quiet and solemn.

It is the same color as the glazed tiles on the Hall of Prayer for Good Harvests in the Temple of Heaven, and is very suitable for worship places where heaven and man meet.

The shapes of Yongzheng sacrificial blue glaze include jade pot spring vases, bile-shaped vases, wearing belt vases, folded-shoulder skimming vases, round washers, basins, teapots, covered bowls, tall beans, tall bowls, large bowls, plates, and saucers. wait.

The glaze is deep and quiet, thick and uniform, and there are two kinds of blue glaze inside and outside, and white inside and outside blue, and the bottom has blue and white six-character double-circle six-character regular script made in the Yongzheng period of the Qing Dynasty.

The royal family of the Qing Dynasty worshiped the altars of heaven, earth, sun, moon, Xiannong, Xiancan, and Sheji in the capital every year.

As well as the temples of wind, cloud, thunder, and rain, and worship the family temple Fengxian Hall set up in the palace;
Every New Year's Day, Winter Solstice, and Longevity Festival, Kunning Palace also holds grand sacrificial ceremonies.

During the sacrifice, it is necessary to hold ox heads, sheep heads, livestock fur and internal organs, and many huge plates and bowls are needed.

Yongzheng sacrificial blue glaze has some huge plates and bowls with thick body and weight, which are typical sacrificial porcelain.

In addition, the factory official glaze, beige glaze, eel yellow, okra green, West Lake water, parrot green, peacock blue, antique jade, imitation lacquer glaze, etc. of the Yongzheng Dynasty, and dozens of color glazes are also very good.

All in all, Yongzheng color glaze was loved by the emperor himself.

Nian Xiyao, Tang Ying and other Hanlin artists were used to manage the kiln industry, imitating antiques and innovating, and integrating the great achievements of ancient Chinese colored glaze porcelain.

That's why dozens of kinds of color glazed porcelain with court style can be created.

They are pure, elegant, extraordinary and refined, representing the highest level of Yongzheng official kilns, and have become a shining example and model for future generations to pursue.

It turns out that most of the Yongzheng porcelains in Chen Wenzhe's hands, or a few or two or three pieces, are all high imitations made by himself.

But it is different now. With the passage of time, with the support of his large amount of money, he has more and more genuine Yongzheng porcelain in his hands.

Some of them were purchased, and some were dug out from some cellars and tombs.

Of course, most of them were salvaged from shipwrecks during the Yongzheng period.

These porcelains are still part of his discovery. If he does not give another part of the country, there will be more Yongzheng porcelains in his hands.

Of course, it is not advisable to blindly pursue quantity. Now that Chen Wenzhe has unparalleled eyesight, he will naturally pick the best ones for collection.

In addition, there are some rare porcelains that will be displayed in museums.

(End of this chapter)