My system is not decent

Chapter 289 Deliberately Deliberate and Unanimous Words (800 monthly ticket plus update, please subscribe, monthly ticket)
"The problem of taboo is also solved?" Fan Jiaxuan asked playfully.

The paper quality of this post is also hemp paper from the Tang Dynasty, and it is more like the Dunhuang scripture paper used.

This is also one of the reasons why some people think that the "Poster Mocking Wang Liyang Refuses to Drink" by Neon is a fake, because its vertical height is less than 27 centimeters.

Also, when a large number of scriptures were found in Dunhuang, the little devil went there immediately and got a lot. Some people suspected that the copybook was cut from those scriptures because the size was the same.

There is also taboo. The founding emperor of the Tang Dynasty was Li Yuan. Tang people would avoid taboos when they used the word Yuan, and Li Bai also had a precedent for avoiding taboos, that is, rewriting the word Yuan as spring.

Professor Mu Kairong did a good job at this point. Tao Yuanming's yuan character on his handwriting was directly changed to spring.

At this time, Professor Li Mingsheng said again: "The fiber, thickness, smoothness, tension, etc. of the paper used in this post are consistent with the paper used by the Tang people to write scriptures in the Dunhuang posthumous book, so it is no problem to determine that it is hemp paper of the Tang Dynasty;

Its characters are full of spirit and ancient style, quite like the brushwork of the Tang Dynasty. It seems to be written by the literati of the Tang Dynasty. Judging from the paper, ink and style of the characters, it is undoubtedly a relic of the Tang Dynasty, and it is truly a rare treasure. "

When he said this, everyone was stunned, and the certainty was too straightforward.

Especially Mu Kairong and Xiao Xiangqi looked at each other a little bit.

"This work has a unique calligraphy style, both form and spirit. It embodies the characteristics of the Tang Dynasty in all aspects. The characteristics of the era are obvious. It must be the wonderful ink of the Tang Dynasty. Whether it is written by Li Bai himself cannot be denied. Further research and research is needed. From the perspective of calligraphy art, it can be regarded as a very wonderful Tang Dynasty ink."

Fan Jiaxuan also reacted, and he directly copied the sentence that the predecessors praised Nihong's "Mocking Wang Liyang for Refusing to Drink".

A smile appeared on Professor Mu Kairong's face.

"Xiao Chen, what do you say?"

"I still need to say?" Chen Wenzhe smiled wryly, it's useless to ask him to endorse it!
"Tell me, learn from others' strengths!" Li Mingsheng said with a smile.

Chen Wenzhe nodded, and said: "Judging from the material of the paper, it should be hemp paper produced in Sichuan Province, which was more common in the Tang Dynasty. The deer brushes of the Tang Dynasty were used. The 'calendar, wind, flower' used in poems , Cup, Wu, Zai, He, You' and other characters were no longer used in the Song Dynasty.

The style of writing in this post clearly reveals the pen style of Ou, Chu, and Sui and Tang Dynasties in the early Tang Dynasty. This post conforms to the characteristics of the writing style of the prosperous Tang Dynasty. , the feeling of unconstrained style, and the faint flow of sword and wine in the brushwork, which is very consistent with the historical records that Li Bai is the sword fairy and wine fairy of the Tang Dynasty, so it should be Li Bai's authentic work. "

After a slight pause, Chen Wenzhe continued: "This copy of "Mocking Wang Liyang's Refusal to Drink" has a mellow and ancient paper color and a vigorous calligraphy style. It cannot be written without a Tang brush. It is undoubtedly a Tang ink, so it can be designated as Li Bai's work!"

After Chen Wenzhe finished speaking, the expressions of the professors became rather strange, because this was the opinion of the expert who finally appraised the neon work mentioned earlier.

It's just that that gentleman was talking about Nehong's "Mocking Wang Liyang for Refusing to Drink".

"Haha, you little cunning!"

The professors all laughed, and it was obvious that Chen Wenzhe understood what they meant.

Chen Wenzhe had to say that, because he was determined, and it was impossible not to continue doing it because of him.

Looking at the picture in front of him, Chen Wenzhe felt a little bit emotional, this is a high imitation!
To imitate a character, first of all, the same paper must be used. In this regard, the Dunhuang scripture writing paper provides convenience for Professor Mu Kairong.

The ink of the next Tang Dynasty is not difficult. There are not many high-quality inks handed down from the Tang Dynasty, but ordinary ink blocks are still easy to find.

The next thing is the pen. Although the chicken distance pen is said to be lost, it is really difficult to restore the craftsmanship?

The biggest difference between this kind of pen and the brushes we use today is that there is a hard core in the pen.

It is not difficult to imitate one, but the reason why it is lost is because this pen has a big flaw.

For example, if you apply a little force, the brush hair will be scattered.

Therefore, whether it is a post on the balcony or a post by Wang Liyang, it seems a bit sloppy, and the scattered strokes are the biggest feature of this pen.

With paper, pen, and ink, you can write.

Over the past dynasties in the country, capable people have emerged in large numbers, which generation will not have a few ghosts?
For example, Mr. Qi Baishi, the largest and most powerful imitator in modern times, or an expert in high imitation, has made at least a thousand high imitations, all of which are imitations of famous calligraphy and paintings.

Therefore, as long as you have self-confidence, it is not difficult to imitate a Wang Liyang sticker.

In the end, it is not difficult to reproduce a bell seal, that is, a seal.

This is not difficult in the face of modern technology.

Some of the current appraisal masters no longer value seals when appraising calligraphy and painting, but pay more attention to ink pads.

Because it is too easy to forge a seal with CNC equipment.

The machine can make the ancient seal exactly the same as the forged one, and now it can't be used as the basis for identification at all.

On the contrary, it is ink pad, because of the different formulas, it is not easy to fake.

As mentioned above, if everything is in place, it is really not difficult to make a high-quality imitation of Wang Liyang's stickers.

Of course, there is also the final mounting. For those who are interested, it is difficult to get a scroll of the Tang Dynasty?
At worst, it is not difficult to disassemble a calligraphy and painting of the Tang Dynasty and re-frame the calligraphy.

The most powerful thing is not these, but three small details.

Nehong's Wang Liyang stickers were rejected, mainly because they avoided Li Yuan's Yuan characters, and the paper was less than [-] centimeters in height, which was exactly the same width as the Dunhuang scripture paper that the Neon people brought back. payment.

The paper can be said to be a coincidence, and the taboo can be said to be careless. Although it violates the law, what if no one is held accountable?
These are all plausible, but retaining money is the biggest flaw.

You must know that the ancients in the Tang Dynasty did not leave their names, especially on formal occasions, such as notebooks, calligraphy and painting works, etc., they usually left their words.

For example, Li Bai, his surname is Li and his first name is Bai, but his character is Taibai.

Therefore, in the post on the balcony, Taibai was left, not Li Bai.

Such a mistake is difficult for an ancient literati, because his habit is to leave words, not names.

This is the biggest problem posted by Wang Liyang, and Professor Mu Kairong directly corrected these mistakes.

For this calligraphy, he reserved Taibai, and the taboo Yuan character was directly rewritten into Quan character.

This point is confirmed in other Li Bai's poems and essays.

It can be said that the calligraphy that Professor Mu Kairong created was deliberate. He wanted to kill the neon calligraphy all at once.

As long as domestic experts unanimously say that this one is authentic, the words on the neon side are really doubtful.

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(End of this chapter)