My system is not decent

Chapter 440 Twists and Legends

In this world, there is no such thing as an either-or statement.

If these two things are not from the Yuan Dynasty, they must not be from the Ming Dynasty.

And as long as it is not from the Ming Dynasty, it must be a modern imitation, not an imitation from the Qing Dynasty or the Republic of China.

This is the special feature of Yuan Qinghua, which I am afraid they all know.

Blue and white was created and fired in the Tang Dynasty, and it was also fired in the Song Dynasty.

The blue and white porcelain of the Song Dynasty was widely spread in the world, which led to the rapid development of Jingzhen porcelain, which promoted the germination of blue and white porcelain, and reached its maturity in the Yuan Dynasty.

Beginning in the Yuan Dynasty, through the Ming and Qing Dynasties, regardless of official kilns and private kilns, they have been flourishing and unabated.

Of course, this is the perception of people now, and things were not like this fifty or sixty years ago.

Although Jingzhen had successfully fired blue and white porcelain in the Yuan Dynasty, due to the lack of historical records and the lack of physical evidence with a clear date, people's knowledge and understanding of Yuan blue and white porcelain has a history of hundreds of years.

For a long time, people have wondered whether there is blue and white porcelain from the Yuan Dynasty in China?
Can the horse nation in the Yuan Dynasty make blue and white porcelain?
There must be some prejudice in it, which is why later generations have doubts about Yuan Qinghua!

Among some people's prejudices, naturally there is no.

If so, what artistic features does it have?
It can be said that no one can tell clearly.

Because of this, when people reveal this historical mystery, there are some twists and turns and legends.

Since Yuan blue and white porcelain was mostly used for foreign trade and export, a considerable part of it was left abroad.

According to incomplete statistics, there are more than 110 pieces of Yuan blue and white that have been lost overseas, and they are mainly collected in countries such as Turkey and Iraq in the Middle East.

Most of the domestic collections were unearthed from archaeological excavations in various places after the founding of the People's Republic of China.

At present, it is mainly collected in cultural institutions such as the Palace Museum, the Capital Museum, and Jingzhen.

Yuan blue and white are rare, and no one thought that Yuan blue and white did exist before.

During the blank period in between, many interesting things will happen.

For example, now, when the blue and white porcelain of the Yuan Dynasty is identified as an imitation, some people often ask: When is it an imitation?Could it be Ming imitation?Or imitation?
The intention is obvious: even if the Yuan blue and white flowers that I paid a lot of money for were not genuine products from the Yuan Dynasty, if they were imitations from the Ming and Qing Dynasties, wouldn’t they still be of considerable value?

Just like the previous chicken bowl cup, even if it was imitated by Kangxi Dynasty, it is still very valuable.

He has already falsified it just now, but he just doesn't know how much he can buy that thing for?

Low price, don't know how low it can be?It would be even better if the pair of porcelain in front of me could be added.

If you want to buy at a low price, you have to play a decisive role in the appraisal, otherwise, Chen Wenzhe really doesn't want to say anything more.

Therefore, Chen Wenzhe would not do it if Qian Qiansheng wanted to identify an imitation of his offspring.

Because the imitation of Yuan blue and white porcelain is indeed an exception.

The world's knowledge and understanding of Yuan Qinghua is only about fifty or sixty years old at best.

Generally speaking, if you don't know something, there will be no imitations.

And because there is no understanding, its value is not easily recognized by others, and it is difficult to enter the field of vision of profit-seeking imitators.

Therefore, for the blue and white porcelain of the Yuan Dynasty, it is either the genuine product of the Yuan Dynasty or a modern imitation.

It is impossible to have any clear imitation or clear imitation.

As for identifying whether it is Yongxuan blue and white, it is also very easy.

As mentioned above, blue and white flowers developed gradually. It was not until the Yuan Dynasty that the firing of blue and white flowers began to mature. However, it was not until the Ming Dynasty that blue and white flowers reached their peak.

Therefore, Yongxuan blue and white are generally better than Yuan blue and white.

The Yong and Xuanguan kilns have distinct characteristics of the times and are easy to identify.

Compared with Yuan blue and white, the color of Yongxuan blue and white is more warm and subtle, with less emerald green, and the dark brown sinking iron spots make the glaze surface slightly concave and convex.

The most important thing is that the iron, cobalt and manganese contained in it are different.

The difference in these ingredients is consistent with the appearance of the actual color.

The imported cobalt material of blue-and-white glaze in Yuan Dynasty has been proved to have the characteristics of low manganese, low iron and high cobalt, which is very different from the blue-and-white glaze used in Yongxuan blue and white.

As we all know, most of Yongxuan blue and white flowers are composed of imported green materials and pebble green, which increases the content of ferromanganese and reduces the content ratio of cobalt. The color is blue and purple, and the sinking black spots are more dark brown.

This kind of color appearance after mixing with stone green material is different from the blue and white pure imported material in the early and middle Yuan Dynasty with emerald hair color and black sunken spots.

It is too simple to identify whether it is Yongxuan blue and white.

Many typical features can prove that the two pieces of porcelain here cannot be Yongxuan blue and white.

And what Chen Wenzhe said is irrefutable!
As mentioned above, if it is not Yongxuan blue and white, then it cannot be an imitation of Ming and Qing Dynasties, and it is naturally a modern handicraft.

As for Yuan blue and white, if it is genuine, who will wear off the bottom?

It is also possible that the reserved money on the bottom was worn off and changed to Xuande blue and white?
After being appraised to such a degree, under Chen Wenzhe's intentional or unintentional guidance, everyone believed that these were two imitations of extremely exquisite modern handicrafts.

Although other features are very similar to Yuan blue and white, this is the case with antique appraisal. As long as you find one wrong place, you can deny thousands of right places.

Feeling that the matter was coming to an end, Chen Wenzhe stretched out his hand without hesitation, and once again touched the large jar with the pattern of the Yuan blue and white lion rolling ball in front of him.

Of course it is Yuan blue and white, because the features are too standard.

Chen Wenzhe was very sure of this, but why would he endorse someone who was hostile to him?

As for this Yuan blue and white piece, whether it will be treated as a counterfeit because of his identification, Chen Wenzhe said that this is not a problem.

The golden light and gossip were shining, and the experience of this Yuan Qinghua flashed in Chen Wenzhe's mind.

Soon, Chen Wenzhe saw clearly why this blue and white piece of Yuan Dynasty came to such a fate.

The matter still lies in the question of whether there are Yuan blue and white flowers.

In the early days of the Republic of China, these two items were found in a cellar, but there were clear inscriptions on them, and there were quite a few words.

It was because there were too many words on it, and it was not recognized by the antique shop at that time, so the person who found the hoard directly rubbed off all the writing on the bottom.

This is not over yet, they found a so-called master and made the six-character style of the Xuande annual system of the Ming Dynasty.

Through retrospective techniques, Chen Wenzhe can clearly see that there is an embossed rectangular stamp on the bottom of this Yuan blue-and-white porcelain with the inscription "Guxiang, Bolingdi".

This kind of style is very special, the upper end is covered with lotus leaves, and the lower end supports open lotus flowers.

The left and right sides of the frame are printed with back-shaped patterns, which is simple and elegant.

This kind of inscription was very popular in the Yuan Dynasty, because there were no chronological inscriptions in the Ming and Qing Dynasties in the Yuan Dynasty.

On the official kiln porcelain of the Yuan Dynasty, the name and reason of the pottery supervisor were recorded, which is also a feature of Yuan porcelain.

(End of this chapter)