My system is not decent

Chapter 542

It is said that the golden ratio of the "four-six card" is not an accurate value calculated by Zigang himself, and should belong to the concept of the Qing Dynasty. However, this legendary golden ratio is also an improvement made in the shape of his brand during the Qing Dynasty.

This must also be an important reason why this jade tablet was considered an imitation in the Qing Dynasty.

It's just that the four-six card was improved in the Qing Dynasty, but who said that Lu Zigang didn't make the four-six card?

Lu Zigang himself did not calculate the precise value of the four-six, but what he really made was the standard four-six.

It's just that this concept was perfected in the Qing Dynasty, which are two different things.

Caressing this jade tablet, Chen Wenzhe was a little hesitant. If he uses independent inheritance, can he get the memory of a master through this jade tablet, which is a bit simple in carving technique?

After all, there are only two lines of characters, and there are some simple character patterns on the front, and there are no other decorations. Even if you can get the craftsmanship of a master, it seems that there are only some simple carvings, right?
And what Lu Zigang knows is not only his jade carving methods.

From the memory of this jade tablet, we can also see many things.

This is Lu Zigang's portable jade. With this jade token, all of Lu Zigang's life experiences can fall into Chen Wenzhe's eyes.

This is the difference between backtracking skills and independent inheritance, backtracking, you can see more things.

Therefore, Chen Wenzhe saw Lu Zigang's method of carving jade, but he did not see the so-called Kunwu knife in it.

The jade carving works made by Lu Zigang are carefully selected materials, most of which are sapphire, and some are white jade.

The suet white jade was also a treasure at that time, otherwise he would not have kept a piece of suet white jade and carved two sentences as his personal jade.

The more he watched, the more Chen Wenzhe admired Lu Zigang.

In addition to carving jade, he also involved in bamboo, wood, stone, and inlay, that is, inlaying jade and inlaying treasures, and all of them have achieved extraordinary results.

Among them, he is best at round carving, hollow carving, negative carving, gold and silver thread inlay, gemstone inlay and so on.

It's a pity that Chen Wenzhe can see the craftsmanship of these things, but it is definitely impossible to learn all of them through independent inheritance, and to learn the craftsmanship of the master.

But if you want to use the achievement points one by one to learn, it will consume too much achievement points.

If you want to focus on choosing a few studies, needless to say, you must choose Zhuoyu.

Lu Zigang is famous for carving jade, so naturally his jade carving skills are the most powerful.

Its jade carving skills enjoy the reputation of "the unique skill in Wuzhong", which is really not for nothing.

After just watching for a while, Chen Wenzhe saw a lot of exquisite carving techniques.

For example, convex sun pattern, hollow out carving, Yin line carving and so on.

In addition to these techniques, Lu Zigang is particularly good at the technique of plane subtraction, which can express the artistic effect similar to bas-relief.

His works imitate the Han Dynasty in many shapes, and take the method from the Song Dynasty. They are quite ancient and form the artistic characteristics of empty, floating and detailed.

The stamps he uses are also very special, generally using stamp stamps, with positive or negative script.

After watching Lu Zigang carving jade, Chen Wenzhe also began to understand that the legend of carving jade with a knife is purely a misinformation!
Legend has it that Lu Zigang used a knife to carve jade, and kept it a secret. After Lu's death, this technique was lost.

The reason why many people believe this saying is true is that it comes from the "Taicang Zhou Zhi" published in the fifteenth year of Ming Chongzhen. The original text is: Lu Zigang carved jade with a knife.

A little earlier, Xu Wei at that time had a poem "Kun Wu Feng is finally difficult to resemble".

The Kunwu knife cuts iron like mud in the legend. If there is such a knife, it will be possible to carve jade with the knife.

Therefore, "Taicang Prefecture Records" records that carving jade with a knife must have been influenced by the "Kun Wu knife" in Xu Wei's poem!

Now Chen Wenzhe is more aware that the so-called engraving jade with a knife is just a misunderstanding.

In the 16th century, due to the style of seal cutting led by literati such as Wen Peng and He Zhen, it arose in the Jiangnan area centered on Sioux City. Many literati and refined scholars were keen to appreciate the exquisite calligraphy with carved knives on the seals.

In such an atmosphere, Lu Zigang was inspired.

He used the Tuo tool, that is, the jade grinding tool, to create the effect of carving knives on the high-hardness jade material.

Therefore, those literati who don't understand mineralogy and technology mistakenly think that Lu Zigang can directly carve jade with a knife.

Lu Zigang did not tell the truth, and the effect caused by this directly made the rumor of using a knife to carve jade spread 50 years later.

At this time, the official history of the revised local chronicles was officially recorded in "Taicang Prefecture Chronicles". Since then, it has continued to fool the Aiyu people for 4 centuries.

"Using a tuo tool to imitate the effect of a carving knife is also a unique skill!"

After reading the general memory of the jade plaque, Chen Wenzhe felt nothing but admiration.

Being above a master is above a master, and it is definitely not comparable to the craftsmanship of ordinary masters.

Especially those representative works of Lu Zigang, whose practical craftsmanship is even more wonderful.

It's a pity that the good things that have been handed down to the present are generally hidden in major museums, especially the Palace Museum has the largest collection.

As for the collections in that kind of place, Chen Wenzhe didn't even have many chances to take a look at them.

Maybe when, by chance, those treasures were put on display, and Chen Wenzhe happened to come across them at this time, so he would be able to feast his eyes on them.

Unfortunately, such opportunities are rare to come across.

As for the chance to touch it and start independent inheritance, it is even more hopeless.

Taking the elevator upstairs, his family members were ready to be discharged from the hospital, so Chen Wenzhe could only help with some odds and ends when he went upstairs.

At this time, he couldn't care less about regrets, and he couldn't ask if there were any other relics for sale in this hospital.

Go home, settle down with my little niece, and have another lunch, it's already afternoon.

It wasn't long in the afternoon, and Chen Wenzhe didn't go anywhere. He planned to start another kiln to make some porcelain for daily use.

In recent days, he has to get up early every day and make a batch of porcelain every day.

Now there are quite a few zodiac pots in his studio.

However, ordinary people already have a lot of this kind of thing in one hand, and his family definitely can't use so many.

Therefore, there is still a greater demand for domestic porcelain.

There is no shortage of teacups and teapots, and Chen Wenzhe really hasn't made any special dishes.

There is still good mud in the morning, and it is not troublesome to make dishes.

Chen Wenzhe has shown signs of breaking through to the master level in embryo drawing technology, so he is more proficient in doing it now. It is not an exaggeration to say that his skills are close to Tao at this time.

When the bowl embryo is pressed and pulled, it is one.

With the help of the drawing machine, this thing was pressed out by his dexterous hands as soon as the ball of mud was rotated, very quickly.

When the drawing machine rotates rapidly, centrifugal force will be generated. Controlling this force is the basic principle of drawing.

(End of this chapter)