My system is not decent

Chapter 573 Brilliant (600 monthly ticket plus update, please subscribe monthly ticket)

It is conceivable that it is unimaginable to use all the ore sources under Huanglong Mountain.

Therefore, to maintain the demand of the mainland market, we must find other alternative mud mines. Therefore, the word "true" or "false" can only be vague sometimes.

In fact, it doesn't matter whether it is true or false, what matters is whether the effect of the fired purple clay pot is good or not.

At this time, Chen Wenzhe already had some ideas in his mind.

In the future, with the increase of mud used in factories, he must have a good talk with those mud factories, and at least give him some top-grade mud.

Chen Qinghu didn't understand these things at this time, he just knew that it would be good to practice clay seriously.

After choosing the purple sand mud, or adding the prepared purple sand mud to water, you can start practicing mud.

Practicing mud is the most test of kung fu, there is no trick, it is a test of seriousness and patience.

This thing is just like kneading noodles. There are no large particles in the purple sand mud, and the mud after mixing is very fine and soft to the touch, which is almost the same.

After the mud practice is over, start to make mud strips.

There is no trick to this, and many students can do it. However, how to make the mud strips evenly and densely requires patience and seriousness, and finally you can see the real skill.

To make mud strips, we must cut the mud strips according to various needs.

This requires a certain amount of planning, but it is not difficult to make, because the cut clay strips still need to be adjusted and shaped again in the body tube and other processes.

Therefore, the next step is the difficulty. Many processes of making teapots are actually very simple, but some details require real skills to master.

Especially for the apron, it is necessary to constantly adjust the mud strips according to the shape of the teapot being made, and there is also a vertical joint process.

Of course, there is also a horizontal joining process, that is, connecting the bottom of the pot.

Only when the body of the teapot is finished, can the handle and spout be connected, and finally the lid is made, and a teapot is finished.

The entire pot-making process, if it is made by one person, will definitely take a lot of time, but if more than a dozen people work together, the speed will be very fast.

And it is easy to form an assembly line operation, here is non-stop mixing mud, there is non-stop mud stripping, and then someone cuts, and then someone specializes in wrapping the body, and someone specializes in carving the spout and making the handle.

If the level of production is acceptable, the production speed of a teapot is still very fast.

Of course, it is still in the stage of adjustment and adaptation, and there is no purple clay teapot with a more complicated production process, otherwise, the speed still needs to be stretched.

After all, this is a handicraft, not a mass-produced daily necessities.

Therefore, there is no need to pursue speed and output when making this handmade pot.

As time went by, the division of labor was quickly determined. Sixteen people, sixteen hands, made a teapot, and the speed was really not slow.

It's just that Chen Xingchen has had a hard time among them, because shaping is the most important thing. Whether the whole pot looks good or not is almost in his hands.

It has to be said that he still has some skills to be favored by Professor Tao.

At the very least, combining the strengths of all the classmates, when it finally merged in Chen Xingchen's hands, he was still a little bit sure that he could make this purple clay teapot reach the best level.

The professional level, to put it more simply, is the level of the young artists around the master.

Chen Xingchen has studied porcelain making with Professor Tao for five or six years. He is not very good at shaping porcelain, but he is definitely not good at it.

As for the shape of the teapot, as long as there are no special standards, in Chen Xingchen's opinion, there is no difficulty.

He can't reach a very high level now, but it's okay to be beautiful.

Therefore, no matter if it is a squat horizontal pot or a round mango pot, he can make it quite well.

Looking at the purple sand pots that kept appearing in front of him, Chen Wenzhe still felt very happy.

Except for the first one which is a horizontal pot, the others are ribbed pots, whether it is a mango pot, a pumpkin pot, or an apple pot, the craftsmanship is very simple.

It can be said that rib pattern wares are one of the most representative and influential categories in purple sand modeling.

The creative concept mainly comes from the tendons or textures of fruits or petals in nature.

Created through different techniques, it shows the beauty of symmetry.

Its texture is clear, its lines are smooth, and it has rhythmic beauty.

"The upper and lower prints are correct, the body cover is the same, the division is accurate, the texture is clear, and the depth is free! Not bad, not bad, not to mention other things, it should be able to occupy a beautiful word after firing, and this has reached the professional level."

Chen Wenzhe is very satisfied with the performance of these students.

He was naturally satisfied to buy a fourth-level handicraft production line with only the salary of a third-level worker.

In this cooperation, another sixteen teapots were produced, and each one is different.

Looking at them one by one, some are like tree stumps, some are like bamboo knots, and some are similar to flower petals.

All kinds of symmetrical or asymmetrical rib wares were displayed in front of Chen Wenzhe one by one.

When he saw the last item, Chen Wenzhe was taken aback.

This one is the best made, and it can be regarded as unique.

If you really want to subdivide the grades, this one should reach the fifth grade level, which is much better than the previous fourth grade goods.

If the previous ones can be sold for a few hundred yuan, then this one should be no problem at all if it sells for three or four thousand yuan!

The gap is so big, barely reaching the fourth level of craftsmanship, the market will only sell for four to five hundred yuan, but when it reaches the fifth level of craftsmanship, it will immediately cost four to five thousand yuan.

"This one is not bad!" What Chen Wenzhe didn't lack here were words of appreciation.

Chen Xingchen is a little proud, isn't this one very good?

"Is this the Jiayi Pot?"

To Chen Wenzhe's surprise, it was Chen Qinghu who recognized this pot shape this time.

He was born in Yeluzi, and his professionalism is already so strong?
"You know this kind of teapot?" Chen Wenzhe asked unexpectedly.

Chen Xingchen said a little embarrassedly at this time: "I am imitating Master Chen Mingyuan's work!"

Chen Wenzhe nodded, there are a lot of articles in the world to copy, it depends on whether you can copy or not!
We all know the characteristics of rib pattern pots, and there are only so many shapes. Many masters of purple sand are good at making rib pattern pots, and there are many outstanding works handed down.

For example, Chen Mingyuan, Wang Yinchun, Shi Dabin, etc. have all made a large number of rib pattern wares.

However, there are also many niche rib wares. Although they are not known to many people, they still shine in places you don't know.

For example, Chen Mingyuan's Jiayi Pot sold for a sky-high price of 2016 yuan at the 10 Autumn Art Auction.

There must be a reason why it is so expensive, because this kind of teapot is very distinctive.

The body of the pot is divided into three sides and six petals into a semicircle, and the Yin and Yang lines blend together alternately. When the body is semi-wet and semi-dry, the Yin lines are embossed with thin bamboo sticks, and the Yang lines are molded out of fine mud piles. It looks like a plump carambola in half.

Of course, Chen Xingchen's works definitely can't reach the level of Chen Mingyuan, he just imitated his appearance, and he has no spirit at all.

Even so, as long as it is produced in a satisfactory manner and there are no flaws, it is a qualified professional work.

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(End of this chapter)