My system is not decent
Chapter 591 Sunrise in the East
Chapter 591 Sunrise East (for Subscription)
"Look carefully, there is a trick here. It can also be said to be a secret recipe. This is a secret secret recipe of our workshop, so don't spread it indiscriminately."
When preparing the glaze for the Xizi jar, Chen Wenzhe specially reminded him.
"Look clearly, don't be too hard-headed, not only will you use natural ruby red porcelain here, but also add some special things, such as this, do you know?"
As he spoke, Chen Wenzhe took out a small bag of porcelain clay, and it turned out that Chen Xingchen was helping Professor Tao with logistics.
Almost all the consumables used in Professor Tao's studio were bought by him, so he was a little dumbfounded just by looking at them.
"Talc?"
"Yes, how is the elegant and crystal-clear peach red made? It is made of natural ruby-red porcelain and 7501 talc, which are fused and crystallized. The resulting work is crystal-clear throughout and achieves a jade-like richness.
You must know that porcelain should emphasize the quality of the fetus, which is a means to bloom the essential beauty of ceramics. Therefore, works made according to fixed recipes are ordinary handicrafts, while those made with secret recipes have a different kind of beauty! "
The pair of porcelain jars made by Chen Wenzhe consist of "7501" talc white porcelain clay on the top and bottom, and ruby red porcelain clay in the middle. Due to the different shrinkage of the two porcelain clays, the requirements for the production process are very high.
With Chen Xingchen's current level, it is definitely impossible to do it, because this is an authentic master level of craftsmanship.
He pointed out some tricks, as long as Chen Xingchen has the heart, and then slowly do it by himself, he will eventually make it.
Once the painting is done, the next step is to apply the glaze.
As for glazing, whether for Chen Wenzhe or Chen Xingchen, it should be regarded as the easiest step.
Underglaze pastel, the most important thing is pastel, and the white glaze on the top layer must be easy to apply.
After finishing step by step, the final step is to fire in the kiln. In fact, the most difficult process is firing.
No matter how well you did it before, if you can't control the temperature well and don't know how to fire it, it will be a failure in the end.
After one piece was made, another one was made again. This time, Chen Xingchen understood it better.
A word from the truth, thousands of words from the fake book, and the trick is clear, Chen Xingchen seems to gain a lot.
After all, he has an extraordinary foundation, so when making this one, he can already help a little.
In the early stage of embryo repair, he can also do it. It is not that he has not practiced the butterfly knife technique.
However, the final touches must still be done by Chen Wenzhe.
And this is already very good, it can speed up Chen Wenzhe's speed again.
Let Chen Xingchen do all the trivial work, so the time saved in this way is not a little bit.
After the Xizi jar is finished, the next step is the peony jar.
Let’s start with a pair of big red peony pots, and compare the white glaze and ruby red glaze, so as to show the beauty of ruby red.
There are many advantages to doing so. The porcelain body presents a visual effect of red and white, and the contrast between red and white is obvious.
The purpose of doing this is to highlight the visual artistic effect and aesthetic feeling of the ruby red porcelain body, and to let people see it as high-temperature porcelain at a glance.
Because the upper and lower interface white porcelain parts are high-temperature porcelain, only the same temperature can be fired into a whole.
The third is that people can intuitively feel that this is a handmade work, because grouting products can only show the same color, and only handmade products can splice porcelain clay of different colors together.
After all, it is a commodity, and some advantages should be displayed as much as possible, otherwise how can it be sold at a higher price?
Since it can be compared to produce a better effect, make the porcelain more beautiful, and let people see the extraordinary craftsmanship, why not do it?
The theme of peonies in the flourishing age, the color painting is the overlapping peony flowers, no flower branches, no green leaves, just the color shades of red.
It is not a simple matter to separate the sense of layering of ruby red, which is also the direction of Chen Wenzhe's experiment.
Another pair of large pots is completed, and the blue and white glazed red porcelain can no longer be avoided.
After looking at it, there are still six large cans left, in pairs.
Let’s start with a simple large pot of peony flowers, this time using blue and white and underglaze red techniques.
Instead of painting peonies layer by layer, draw a peony with flowers, leaves and branches. This is a real blue and white underglaze red, not a work of chance.
Such blue-and-white and under-glaze red works require special formulas for blue-and-white and under-glaze red materials.
Chen Wenzhe had prepared this kind of glaze long ago, but now he still needs to add some special minerals.
This time Chen Wenzhe didn't speak, and Chen Xingchen just watched silently.
Seeing all kinds of mineral materials being added into it, he couldn't understand it either!
You must know that there are all kinds of mineral materials, even if they are the same kind, the composition of these natural mineral materials is also different in different places of origin, and it can be said that the difference is a thousand miles away.
Since Chen Wenzhe didn't say anything, he didn't need to ask. Chen Wenzhe would remind him of what he should know.
In fact, with the special formula of blue and white underglaze red color material, other processes are no different from ordinary porcelain.
Therefore, Chen Wenzhe's speed is very fast, but for the last six large pots, he made three themes.
A pair of big peony pots, a pair of red dragon big pots, and a pair of sunrise oriental big pots.
Not to mention the big peony pot, blue flowers and green leaves.
The red dragon is a dragon coming out of the water, needless to say, the water is blue.
As for the sunrise in the east, it is certain that the red sun is ruby red, and the sea is sky blue.
These are blue and white underglaze red works, but I don't know how many pieces can be fired successfully.
You know, this is the first time Chen Wenzhe has used such a formula, and he has no idea.
Whether it is successful or not, it is all done, and then it will be fired in the kiln to have a look.
The kiln firing technology is Chen Wenzhe's fully open technology, and Chen Xingchen has also realized this.
Therefore, when the kiln was fired again, Chen Xingchen became excited.
Looking at the time, it was already past nine o'clock in the evening, and Chen Wenzhe was already hungry.
Looking at the factory again, there are still many people working hard.
"At the end of the day, learning can't be done in a day. You have to persevere, so there's no need to make it too late. If you get bored, it's not beautiful."
After Chen Wenzhe reminded him, he ran to the small cafeteria to eat.
After he finished his meal and returned to the factory building, there were not many people in the factory building.
"You guys, don't scare the newcomers. They have just come out to work and must love to play. Slowly let them get used to it."
After entering the factory, Chen Wenzhe reminded some students who were still in the factory.
"The principle of voluntariness? We didn't force it either!"
"You can't say that. If you all stay here and play in the mud, who can go back to use your phone? Work and rest!"
"Okay, who told us to accept apprentices today!"
It must be a very proud thing for them to accept apprentices right out of school and still get a high salary.
(End of this chapter)
"Look carefully, there is a trick here. It can also be said to be a secret recipe. This is a secret secret recipe of our workshop, so don't spread it indiscriminately."
When preparing the glaze for the Xizi jar, Chen Wenzhe specially reminded him.
"Look clearly, don't be too hard-headed, not only will you use natural ruby red porcelain here, but also add some special things, such as this, do you know?"
As he spoke, Chen Wenzhe took out a small bag of porcelain clay, and it turned out that Chen Xingchen was helping Professor Tao with logistics.
Almost all the consumables used in Professor Tao's studio were bought by him, so he was a little dumbfounded just by looking at them.
"Talc?"
"Yes, how is the elegant and crystal-clear peach red made? It is made of natural ruby-red porcelain and 7501 talc, which are fused and crystallized. The resulting work is crystal-clear throughout and achieves a jade-like richness.
You must know that porcelain should emphasize the quality of the fetus, which is a means to bloom the essential beauty of ceramics. Therefore, works made according to fixed recipes are ordinary handicrafts, while those made with secret recipes have a different kind of beauty! "
The pair of porcelain jars made by Chen Wenzhe consist of "7501" talc white porcelain clay on the top and bottom, and ruby red porcelain clay in the middle. Due to the different shrinkage of the two porcelain clays, the requirements for the production process are very high.
With Chen Xingchen's current level, it is definitely impossible to do it, because this is an authentic master level of craftsmanship.
He pointed out some tricks, as long as Chen Xingchen has the heart, and then slowly do it by himself, he will eventually make it.
Once the painting is done, the next step is to apply the glaze.
As for glazing, whether for Chen Wenzhe or Chen Xingchen, it should be regarded as the easiest step.
Underglaze pastel, the most important thing is pastel, and the white glaze on the top layer must be easy to apply.
After finishing step by step, the final step is to fire in the kiln. In fact, the most difficult process is firing.
No matter how well you did it before, if you can't control the temperature well and don't know how to fire it, it will be a failure in the end.
After one piece was made, another one was made again. This time, Chen Xingchen understood it better.
A word from the truth, thousands of words from the fake book, and the trick is clear, Chen Xingchen seems to gain a lot.
After all, he has an extraordinary foundation, so when making this one, he can already help a little.
In the early stage of embryo repair, he can also do it. It is not that he has not practiced the butterfly knife technique.
However, the final touches must still be done by Chen Wenzhe.
And this is already very good, it can speed up Chen Wenzhe's speed again.
Let Chen Xingchen do all the trivial work, so the time saved in this way is not a little bit.
After the Xizi jar is finished, the next step is the peony jar.
Let’s start with a pair of big red peony pots, and compare the white glaze and ruby red glaze, so as to show the beauty of ruby red.
There are many advantages to doing so. The porcelain body presents a visual effect of red and white, and the contrast between red and white is obvious.
The purpose of doing this is to highlight the visual artistic effect and aesthetic feeling of the ruby red porcelain body, and to let people see it as high-temperature porcelain at a glance.
Because the upper and lower interface white porcelain parts are high-temperature porcelain, only the same temperature can be fired into a whole.
The third is that people can intuitively feel that this is a handmade work, because grouting products can only show the same color, and only handmade products can splice porcelain clay of different colors together.
After all, it is a commodity, and some advantages should be displayed as much as possible, otherwise how can it be sold at a higher price?
Since it can be compared to produce a better effect, make the porcelain more beautiful, and let people see the extraordinary craftsmanship, why not do it?
The theme of peonies in the flourishing age, the color painting is the overlapping peony flowers, no flower branches, no green leaves, just the color shades of red.
It is not a simple matter to separate the sense of layering of ruby red, which is also the direction of Chen Wenzhe's experiment.
Another pair of large pots is completed, and the blue and white glazed red porcelain can no longer be avoided.
After looking at it, there are still six large cans left, in pairs.
Let’s start with a simple large pot of peony flowers, this time using blue and white and underglaze red techniques.
Instead of painting peonies layer by layer, draw a peony with flowers, leaves and branches. This is a real blue and white underglaze red, not a work of chance.
Such blue-and-white and under-glaze red works require special formulas for blue-and-white and under-glaze red materials.
Chen Wenzhe had prepared this kind of glaze long ago, but now he still needs to add some special minerals.
This time Chen Wenzhe didn't speak, and Chen Xingchen just watched silently.
Seeing all kinds of mineral materials being added into it, he couldn't understand it either!
You must know that there are all kinds of mineral materials, even if they are the same kind, the composition of these natural mineral materials is also different in different places of origin, and it can be said that the difference is a thousand miles away.
Since Chen Wenzhe didn't say anything, he didn't need to ask. Chen Wenzhe would remind him of what he should know.
In fact, with the special formula of blue and white underglaze red color material, other processes are no different from ordinary porcelain.
Therefore, Chen Wenzhe's speed is very fast, but for the last six large pots, he made three themes.
A pair of big peony pots, a pair of red dragon big pots, and a pair of sunrise oriental big pots.
Not to mention the big peony pot, blue flowers and green leaves.
The red dragon is a dragon coming out of the water, needless to say, the water is blue.
As for the sunrise in the east, it is certain that the red sun is ruby red, and the sea is sky blue.
These are blue and white underglaze red works, but I don't know how many pieces can be fired successfully.
You know, this is the first time Chen Wenzhe has used such a formula, and he has no idea.
Whether it is successful or not, it is all done, and then it will be fired in the kiln to have a look.
The kiln firing technology is Chen Wenzhe's fully open technology, and Chen Xingchen has also realized this.
Therefore, when the kiln was fired again, Chen Xingchen became excited.
Looking at the time, it was already past nine o'clock in the evening, and Chen Wenzhe was already hungry.
Looking at the factory again, there are still many people working hard.
"At the end of the day, learning can't be done in a day. You have to persevere, so there's no need to make it too late. If you get bored, it's not beautiful."
After Chen Wenzhe reminded him, he ran to the small cafeteria to eat.
After he finished his meal and returned to the factory building, there were not many people in the factory building.
"You guys, don't scare the newcomers. They have just come out to work and must love to play. Slowly let them get used to it."
After entering the factory, Chen Wenzhe reminded some students who were still in the factory.
"The principle of voluntariness? We didn't force it either!"
"You can't say that. If you all stay here and play in the mud, who can go back to use your phone? Work and rest!"
"Okay, who told us to accept apprentices today!"
It must be a very proud thing for them to accept apprentices right out of school and still get a high salary.
(End of this chapter)
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