My system is not decent
Chapter 598 Complete Craftsmanship
Chapter 598 Complete Craftsmanship
This small porcelain bowl with a twisted body has a straight lip and a slightly narrowed mouth. The outer wall has a small circle along the lower part. The curved wall has a deep belly, and the bottom supports a shallow and narrow foot.
After the small bowl is mixed with dark and light-colored mud, it is drawn into shape, and the whole body presents geometric patterns, such as feathers and waves, dense and complicated, full of dynamics and ductility, and has a strong decorative effect.
The bound feet are covered with transparent glaze, the glaze surface is half-wood, and the soles of the feet are scraped and astringent.
The carcass is thick and the hand is heavy.
Due to the different shrinkage rates of different color muds at high temperatures, the tires made of them are prone to cracking, so the yield is low and the process requirements are high. However, this small bowl has a good overall appearance, which is really rare.
The texture is more like flowing water pattern, and flowing water pattern has been seen for a long time, that's it.
It's just that the running water patterns that go deep into the mud tires are natural and have no similar texture, which still makes Chen Wenzhe feel novel.
He feels that this small bowl is not from the Tang Dynasty, because in the Tang Dynasty, they could not reach such a level of craftsmanship.
The technology of making ceramics with twisted tires was one of the unique craftsmanship of Dangyangyu in the Tang Dynasty.
Dangyangyu's twisted porcelain first appeared in the Tang Dynasty, when the twisted technology was still immature, most of the twisted textures were mainly chaotic patterns and frets, and twisted on the surface of porcelain or pottery.
The glaze colors applied are mostly low-temperature yellow weasel and green glaze, and the white porcelain body is relatively poor.
In the Northern Song Dynasty, Dangyangyu's tire winding technology was very mature. The technology of winding tires has developed rapidly, and the technology has become more mature. The whiteness of the porcelain body has been greatly improved, and the texture technology has become more perfect.
For example, the small bowl in front of me has a very good whiteness of the porcelain body, and there are flowing water patterns, which penetrate deep into the body, which is very natural and consistent from the outside to the inside.
Such craftsmanship could not be achieved in the Tang Dynasty.
The twisted tire is a perfect combination of ceramic technology and art, which pushes the beauty of form to the extreme in the decoration of porcelain tires.
It uses the colors of ceramic colors, through the author's careful conception, kneading, arranging and white clay or other color clays to form textures or patterns, and the artistic appeal that is both real and illusory is pleasing to the eye.
Although the small bowl in front of me is small, there is no money or words left, but its craftsmanship is not simple.
Without much hesitation, Chen Wenzhe activated the backtracking skill.
Just looking at the picture that appeared on it, Chen Wenzhe breathed a sigh of relief, because he saw someone drinking tea from this small bowl!
Looking at the clothes, they should be craftsmen from the Song Dynasty.
Then, he saw an earthen kiln, also called a firewood kiln, which is an earthen kiln mouth that uses wood to fire porcelain.
Obviously, this is a kiln mouth specially for firing twisted body porcelain. Through this small bowl, Chen Wenzhe can easily see the production process of various twisted body porcelains.
There are several types of tire twisters: full twist, half twist and partial mosaic.
The glaze colors are mostly yellow and green glazes, and there are also transparent glazes on the carcass decorated with yellow, green and blue glazes.
Take the more common twisted tire pillow in the tire twister as an example, two different kinds of tire soil must be divided into sheets first.
Then stack them together and knead them into cylinders, and then combine multiple such cylinders into a whole, and arrange them into the desired shape, such as pillow surface.
After cutting it into thin slices, the cross-section presents a roughly regular pattern with deep and shallow patterns.
Although changing different cutting angles, the displayed patterns will also be different, but such differences have caused any piece of twisted body porcelain to have different patterns.
To put it simply, twisted body porcelain is to knead two different colors, or a variety of porcelain clay, and then use methods such as folding, coiling, cutting and scraping to form various twisted shapes, and then slice them into pieces, Appliques, molding, etc. are pressed and formed to make the green body naturally form texture.
Due to the different twisting and kneading methods of the mud, the texture is also infinitely varied.
The decoration of twisted body porcelain can be divided into 16 basic decorations.
There are about ten kinds of texture variations such as wheat ear pattern, bird feather pattern, cloud pattern, flowing water pattern and quicksand pattern.
The texture of most twisted tires is mainly chaotic and fretted.
After the tire is twisted, a layer of transparent glaze needs to be poured on the surface of the green body, and then fired in a kiln to become twisted tire porcelain.
There are two kinds of stranding tire manufacturing techniques: "drawing forming" and "inlaying veneer".
Among them, the decals just mentioned are also involved.
Decals, that is, knead the flower mud into strips, cut into thin slices, flatten the cross-section, inlay and paste on the decorative parts of the surface of the vessel, and after glaze and firing, it presents the visual sense of blooming flowers.
The production process of blank drawing mainly includes the processes of material selection, mud kneading, weaving, forming, trimming, grinding, and glazing.
The production process of the mosaic veneer is slightly different.
The first thing is to choose the colored clay, after kneading the clay, roll the clay to a uniform height, press the shape through the mold, and splice and inlay it.
It can be said that through this small bowl, Chen Wenzhe has successfully obtained the complete production process of the whole twisted body porcelain.
At his current level, even if he doesn't start independent inheritance, he can easily realize this kind of craftsmanship, and can easily reach a very high production level.
This is the advantage of reaching the master level in porcelain production. Although he has many types of vessels and many skills that he has not practiced in making, but at his level, as long as he knows the production process and practice a little, he can make high-level porcelain.
Seeing this, as Chen Wenzhe expected, the reason why this small tea bowl is so well preserved is that it was really buried in the ruins of a firewood kiln.
It could be an accident, or it could be a tragedy.
However, the burying process was very long, and Chen Wenzhe had no desire to watch it.
You've got what you deserve, so there's no need for it.
"Uh!" He still saw some of the last pictures.
That was the picture when it was unearthed. Looking at the clothes of those people, it should have been a long time ago.
It was probably a few decades ago, because at that time, the clothes and dresses of Chinese people were relatively simple.
In fact, when Chen Wenzhe picked up this small bowl, he knew that it wasn't something recently unearthed, so that's all.
"This is a small twisted porcelain bowl produced in Dangyangyu in the Northern Song Dynasty!"
"If the identification is correct, the achievement value will be increased by one!"
"Fragment of a small bowl of broken porcelain from the Tang Dynasty, twisted bodied porcelain."
"If the identification is correct, the achievement value will be increased by one!"
"Northern Song Dynasty Yellow Glazed Porcelain Flower Pillow!"
"If the identification is correct, the achievement value will be increased by one!"
Chen Wenzhe also discovered a bug in the system, that is, he first used backtracking skills to see the age of things before drawing conclusions.
At this time, there shouldn't be an identification error, right?
Is this enough to squeeze out the wool of the system's achievements?
Thinking about it, it seems quite boring, so there is still the fun of identification?
Therefore, Chen Wenzhe just thought about it. He didn't go back and carefully analyze what dynasty it was at that time, and then conduct an appraisal to obtain achievement points.
In fact, the achievement points are useful to him now, and they are really useful. He can quickly push an unfamiliar skill to the master level through the achievement points.
However, it is useless to say that it is useless, and he has not used it for a long time now.
(End of this chapter)
This small porcelain bowl with a twisted body has a straight lip and a slightly narrowed mouth. The outer wall has a small circle along the lower part. The curved wall has a deep belly, and the bottom supports a shallow and narrow foot.
After the small bowl is mixed with dark and light-colored mud, it is drawn into shape, and the whole body presents geometric patterns, such as feathers and waves, dense and complicated, full of dynamics and ductility, and has a strong decorative effect.
The bound feet are covered with transparent glaze, the glaze surface is half-wood, and the soles of the feet are scraped and astringent.
The carcass is thick and the hand is heavy.
Due to the different shrinkage rates of different color muds at high temperatures, the tires made of them are prone to cracking, so the yield is low and the process requirements are high. However, this small bowl has a good overall appearance, which is really rare.
The texture is more like flowing water pattern, and flowing water pattern has been seen for a long time, that's it.
It's just that the running water patterns that go deep into the mud tires are natural and have no similar texture, which still makes Chen Wenzhe feel novel.
He feels that this small bowl is not from the Tang Dynasty, because in the Tang Dynasty, they could not reach such a level of craftsmanship.
The technology of making ceramics with twisted tires was one of the unique craftsmanship of Dangyangyu in the Tang Dynasty.
Dangyangyu's twisted porcelain first appeared in the Tang Dynasty, when the twisted technology was still immature, most of the twisted textures were mainly chaotic patterns and frets, and twisted on the surface of porcelain or pottery.
The glaze colors applied are mostly low-temperature yellow weasel and green glaze, and the white porcelain body is relatively poor.
In the Northern Song Dynasty, Dangyangyu's tire winding technology was very mature. The technology of winding tires has developed rapidly, and the technology has become more mature. The whiteness of the porcelain body has been greatly improved, and the texture technology has become more perfect.
For example, the small bowl in front of me has a very good whiteness of the porcelain body, and there are flowing water patterns, which penetrate deep into the body, which is very natural and consistent from the outside to the inside.
Such craftsmanship could not be achieved in the Tang Dynasty.
The twisted tire is a perfect combination of ceramic technology and art, which pushes the beauty of form to the extreme in the decoration of porcelain tires.
It uses the colors of ceramic colors, through the author's careful conception, kneading, arranging and white clay or other color clays to form textures or patterns, and the artistic appeal that is both real and illusory is pleasing to the eye.
Although the small bowl in front of me is small, there is no money or words left, but its craftsmanship is not simple.
Without much hesitation, Chen Wenzhe activated the backtracking skill.
Just looking at the picture that appeared on it, Chen Wenzhe breathed a sigh of relief, because he saw someone drinking tea from this small bowl!
Looking at the clothes, they should be craftsmen from the Song Dynasty.
Then, he saw an earthen kiln, also called a firewood kiln, which is an earthen kiln mouth that uses wood to fire porcelain.
Obviously, this is a kiln mouth specially for firing twisted body porcelain. Through this small bowl, Chen Wenzhe can easily see the production process of various twisted body porcelains.
There are several types of tire twisters: full twist, half twist and partial mosaic.
The glaze colors are mostly yellow and green glazes, and there are also transparent glazes on the carcass decorated with yellow, green and blue glazes.
Take the more common twisted tire pillow in the tire twister as an example, two different kinds of tire soil must be divided into sheets first.
Then stack them together and knead them into cylinders, and then combine multiple such cylinders into a whole, and arrange them into the desired shape, such as pillow surface.
After cutting it into thin slices, the cross-section presents a roughly regular pattern with deep and shallow patterns.
Although changing different cutting angles, the displayed patterns will also be different, but such differences have caused any piece of twisted body porcelain to have different patterns.
To put it simply, twisted body porcelain is to knead two different colors, or a variety of porcelain clay, and then use methods such as folding, coiling, cutting and scraping to form various twisted shapes, and then slice them into pieces, Appliques, molding, etc. are pressed and formed to make the green body naturally form texture.
Due to the different twisting and kneading methods of the mud, the texture is also infinitely varied.
The decoration of twisted body porcelain can be divided into 16 basic decorations.
There are about ten kinds of texture variations such as wheat ear pattern, bird feather pattern, cloud pattern, flowing water pattern and quicksand pattern.
The texture of most twisted tires is mainly chaotic and fretted.
After the tire is twisted, a layer of transparent glaze needs to be poured on the surface of the green body, and then fired in a kiln to become twisted tire porcelain.
There are two kinds of stranding tire manufacturing techniques: "drawing forming" and "inlaying veneer".
Among them, the decals just mentioned are also involved.
Decals, that is, knead the flower mud into strips, cut into thin slices, flatten the cross-section, inlay and paste on the decorative parts of the surface of the vessel, and after glaze and firing, it presents the visual sense of blooming flowers.
The production process of blank drawing mainly includes the processes of material selection, mud kneading, weaving, forming, trimming, grinding, and glazing.
The production process of the mosaic veneer is slightly different.
The first thing is to choose the colored clay, after kneading the clay, roll the clay to a uniform height, press the shape through the mold, and splice and inlay it.
It can be said that through this small bowl, Chen Wenzhe has successfully obtained the complete production process of the whole twisted body porcelain.
At his current level, even if he doesn't start independent inheritance, he can easily realize this kind of craftsmanship, and can easily reach a very high production level.
This is the advantage of reaching the master level in porcelain production. Although he has many types of vessels and many skills that he has not practiced in making, but at his level, as long as he knows the production process and practice a little, he can make high-level porcelain.
Seeing this, as Chen Wenzhe expected, the reason why this small tea bowl is so well preserved is that it was really buried in the ruins of a firewood kiln.
It could be an accident, or it could be a tragedy.
However, the burying process was very long, and Chen Wenzhe had no desire to watch it.
You've got what you deserve, so there's no need for it.
"Uh!" He still saw some of the last pictures.
That was the picture when it was unearthed. Looking at the clothes of those people, it should have been a long time ago.
It was probably a few decades ago, because at that time, the clothes and dresses of Chinese people were relatively simple.
In fact, when Chen Wenzhe picked up this small bowl, he knew that it wasn't something recently unearthed, so that's all.
"This is a small twisted porcelain bowl produced in Dangyangyu in the Northern Song Dynasty!"
"If the identification is correct, the achievement value will be increased by one!"
"Fragment of a small bowl of broken porcelain from the Tang Dynasty, twisted bodied porcelain."
"If the identification is correct, the achievement value will be increased by one!"
"Northern Song Dynasty Yellow Glazed Porcelain Flower Pillow!"
"If the identification is correct, the achievement value will be increased by one!"
Chen Wenzhe also discovered a bug in the system, that is, he first used backtracking skills to see the age of things before drawing conclusions.
At this time, there shouldn't be an identification error, right?
Is this enough to squeeze out the wool of the system's achievements?
Thinking about it, it seems quite boring, so there is still the fun of identification?
Therefore, Chen Wenzhe just thought about it. He didn't go back and carefully analyze what dynasty it was at that time, and then conduct an appraisal to obtain achievement points.
In fact, the achievement points are useful to him now, and they are really useful. He can quickly push an unfamiliar skill to the master level through the achievement points.
However, it is useless to say that it is useless, and he has not used it for a long time now.
(End of this chapter)
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