My system is not decent

Chapter 608 Betting on the value of the future because of the vision of the past

There is really no comparison between Erdao dealers and local rich bosses.

And this rich boss really liked the pair of big pots, so he directly offered a high price.

In the modern art market, it cannot be said that there are many works worth more than one million, but there are also many.

But like Chen Wenzhe, there are really not many rising stars like Yi Nian Tang.

"Just broke through one million!" Li Jinli felt a little regretful.

"It seems that the antique market is really dying!" Chen Wenzhe also felt a little bit emotional, the management committee of this scenic spot is still very discerning.

The porcelain business on his side had just started, and they followed the trend to let the art trade here bloom everywhere. This is really a bit forward-looking.

In recent years, the price of ancient porcelain has gone against the trend, while the price of modern porcelain has increased by more than 10 times, which actually explains the problem.

The so-called modern porcelain generally refers to the porcelain works produced in the modern period and after the founding of New China.

In just a few years, the limelight of modern porcelain has overshadowed that of ancient porcelain, and it can easily fetch more than one million worth at auction.

At the end of 2007, Shendu Hanhai first launched a special session of "National Treasure - Chinese Contemporary Art".

21 of the 18 pieces of modern porcelain were sold, and Dai Rongrong's multicolored "White Snake - Broken Bridge" figure vase was sold for 67.2 yuan, which was a sky-high price at the time.

It was a rampant start, and it got out of hand after that.

According to incomplete statistics, since 2010, there have been more than 10 auction companies around the world that have opened special auctions for contemporary ceramics.

The volume of transactions continues to increase, and tens of millions of works have repeatedly emerged.

At the end of 2011, the Shendu Poly "Modern and Contemporary Ceramics" special session won 8967 million yuan;

Huaxia Guardian's "Modern and Contemporary Ceramics" special session, with a total turnover of 6194 million yuan.

Compared with the total turnover of 2008 million yuan in the first special auction in 1000, it has increased by more than 3 times in three years.

The works of several modern porcelain masters have become "sweet pastry".

In 2010, Zhang Songmao, a master of arts and crafts, sold "Three Visits to the Thatched Cottage" for 1300 million yuan, bringing modern porcelain into the "ten million yuan era".

In 2011, the work of the late Chinese ceramic art master Wang Bu's work "Blue and White Spirit Bird Spring, Summer, Autumn and Winter Four Screens" was sold for 2700 million yuan, which revised the transaction record of Jingzhen's modern and contemporary ceramic works.

The "rampant" modern porcelain not only swept the auction market, but also formed a remarkable phenomenon in the primary market.

At the beginning, the works of Lu Ru, Dai Ronghua, Li Jusheng and others almost reached the level of holding coins for purchase.

In 2007, a friend of Tibetans bought a teapot with exquisite handcrafts, which cost 2 yuan. After a few years, the market price has already exceeded 20 yuan.

And a bottle of Lu Ru, the "Contemporary Blue and White Master", was bought by a Tibetan friend for 2006 yuan in 6.5. Five or six years later, the value was 50 yuan higher.

In the past five or six years, the price of modern porcelain has risen nearly 10 times.

And by now, it might be worth five or six million.

This is something that cannot be helped. As these great masters get older, the peak period of art will pass, and the number of fine porcelains will continue to decline.

The supply and demand relationship in the market determines the price. There are only a few ceramic production areas in my country, and there are very few artists who have mastered the art in Jingzhen, and fine modern porcelain is hard to come by.

The unbalanced supply and demand between Tibetans' willingness to buy and the few modern high-quality porcelain has pushed up the price of modern porcelain.

There is a "golden rule" in the collection industry: don't be afraid of buying expensive things, but be afraid of buying wrong ones.

But all collections are based on the vision of the past, and the value of the future is bet.

As the mentality of Tibetan friends has always matured, fewer and fewer people consciously pursue ancient times.

And today's masterpieces are ready to play, that is, tomorrow's antiques and curiosities.

Modern porcelain is divided into high, high and low end according to the place of origin, author, vessel type, theme and character.

However, in the modern ceramic market, the price of a work is now set according to the level of the creator.

The works of national arts and crafts masters generally cost more than [-] yuan.

Provincial arts and crafts masters cost tens of thousands of yuan, while senior craftsmen cost close to ten thousand yuan.

Therefore, some people bet on the master.

For a time, "masters" were flying all over the sky and became a joke in the industry.

All collections must be based on a single hobby.

If you just follow the trend spontaneously, only rely on masters, and treat it with a hype mentality, you may be disappointed because you can't achieve your expected economic goals.

How long can the "rocket rising" price of modern porcelain last?This is really hard to say.

However, Chen Wenzhe is very aware of the inside story, which is the benefit of joining the system.

In this regard, the caliber of several auction companies in Dahai City is basically the same.

The characteristics of modern porcelain art and the scarcity of quantity are a contradiction, and they are all inversely proportional.

Depreciation in large quantities, and scarcity at the beginning will definitely increase in value.

For example, the characteristics of young authors like Chen Wenzhe must be that the number of his works will increase in the future.

And like his teacher, Professor Tao, his works have begun to be scarce, because as he gets older, his works will definitely decrease slowly.

Now, a piece of Chen Wenzhe's work is stable at tens of thousands of yuan, and a large vessel such as a large pot can cost hundreds of thousands of yuan.

Therefore, his current divinity is considered stable, as long as it is a masterpiece, the price must exceed one hundred thousand.

If he doesn't do it, he must be at the level of a national-level arts and crafts artist, even if he is a master, it would be a joke.

In fact, his real level should be at the level of a provincial-level arts and crafts artist. After all, the price of his purple clay teapot is stable at more than [-] yuan, which is his regular work.

As for Chen Xingchen and the others, their best works are only close to [-] yuan, which seems to be at the level of senior craftsmen, but in fact, they are still far behind.

According to Chen Wenzhe's estimation, Chen Xingchen and the others were at the stage of junior craftsmen or intermediate craftsmen.

Today's senior craftsmen are generally students around the master, or simply apprentices, and are generally masters who have been nurtured for decades or more than ten years.

These masters are just not famous, as long as they are given a chance, it should not be difficult for their works to sell tens of thousands or hundreds of thousands.

Calculated in this way, Chen Xingchen's level is at most that of an intermediate craftsman.

And Chen Wenzhe should be a provincial arts and crafts artist.

As for his large pots, the price that can be sold at the price of a national-level artist must not only be due to his craftsmanship, but also because the large pots he made are complicated and difficult for others to make.

Whether it is ruby ​​red glaze or blue and white glaze red, it is a variety that is difficult to fire.

No one else can do it, resulting in scarcity in the market, and the price will be more expensive.

Otherwise, those chasing guys are really stupid?Will you pay such a high price?
It can be said that Chen Wenzhe took a chance, and his purple clay teapot works are the true reflection of his level.

(End of this chapter)