My system is not decent

Chapter 626 Beautiful (1400 monthly tickets plus updates)
"Orchid Pavilion Preface" has been lost during the Tang Taizong period, so the above three versions are still very worthy of praise, and it is reasonable that they will last for a long time.

Of course, Chen Wenzhe hasn't fallen into Qian's eyes yet. All he wants to do now is to learn. Without starting his own inheritance, wouldn't he be able to learn Wang Xizhi's calligraphy?

As long as he has the opportunity to learn now, he will definitely be able to improve his calligraphy quickly in the future.

In this forest of steles, the most indispensable thing is learning opportunities.

Walk out of the calligraphy hall and come to the stone carving art room.

In the verandah here, there are precious stone carvings and stone carvings from all over the world, such as stone beasts and portrait stones from the Eastern Han Dynasty, squatting lions and rhinoceros from the Tang Dynasty.

Four of the well-known "Six Horses of Zhaoling Mausoleum" are preserved here.

If you don't know what level of collection this is, then you have to find out.

Let me put it this way, if Chen Wenzhe's painting of Eight Horses can be seen, then after studying the painting of Four Horses here, the horses he draws in the future cannot be said to be comparable to Xu Beihong's, but they are certainly not bad.

It's a pity that there is no picture of five cows here. There is no distinction between cows and horses. If you learn to draw horses, you should also learn to draw cows.

Well, it would be even better if there were tigers. Throughout the ages, there have been quite a few people who have learned how to draw tigers.

In the future, I will definitely look for the original work of "Six Horses of Zhaoling". If possible, I should also take a look at the picture of Eight Horses.

At that time, it will be convenient for him to make twelve zodiac signs and so on.

While studying, diverge your thinking, thinking about how to improve your knowledge system as much as possible.

Making porcelain definitely involves a lot of painting, and of course, carving is also essential.

In front of Chen Wenzhe, there is a series of famous stone carvings.

The Tang Dynasty supply stone lamps displayed here are very eye-catching.

This kind of stone lamp is divided into nine layers. Both the shape and the pattern of the lamp table are very exquisite.

The stone lanterns along the way to "Kasuga Shrine" near Nara, Japan, are made after this Tang lantern.

In addition, there are stone tomb gates of the Eastern Han Dynasty and stone coffins of the Tang Dynasty that were unearthed here.

The inscribed stars, music and dances, the pictures of ladies, the embossed and painted civil and military attendants and immortals riding dragons and phoenixes outside the coffin are all historical and artistic treasures.

These are the key points recorded by Chen Wenzhe.

He doesn't have time to study now, nor does he have the energy to study, but this time, it's all recorded in Suihou's Pearl, and it will be fine to digest it slowly in the future.

It turns out that his lettering must be a weak point, but with this supplement, he will not be said to be a master of calligraphy in the future, and he will definitely not pull his hips.

Thinking of imitating the fonts of famous masters of past dynasties on top of porcelain, it might be very difficult for someone to imitate his works of Yi Nian Tang in the future, right?

For example, the Twelve Flower God Cups he made, each of which has a poem on it.

If he used the fonts of twelve famous masters throughout the ages to inscribe poems, would the Twelve Flower Cups he produced be unique?
The most important thing is that if Chen Wenzhe becomes famous, or after a hundred years, it will be too difficult for future generations to imitate his works.

Thinking of such a thing, Chen Wenzhe felt elated.

"In the future, we must travel!"

"It's truly a treasure house of culture!"

With its vast collections and rich cultural connotations, it has been hailed by the world as "the treasure house of oriental culture", "the source of calligraphy art", and "the world's oldest stone inscription library", which is really well-deserved.

If anyone wants to study the ancient history of our country, calligraphy and painting art, it is definitely right to come here.

There are so many extremely precious materials in this Forest of Steles Museum, for the world to see.

This is much better than those ordinary museums, at least for Chen Wenzhe, it is much more friendly.

After seeing all the steles and stone inscriptions, Chen Wenzhe came to the place where the Jingyun Bell was displayed contentedly.

This is also a scenic spot. When you come to the Forest of Steles, you must not forget that there is also a Jingyun Bell with a height of 2.5 meters and a weight of 6 tons.

Every year on New Year's Eve, the bell sounded by China Central Television comes from this huge clock.

More than 1300 years ago, it was hung on the bell tower of Jinglong Temple in Chang'an of Tang Dynasty to tell the time and pray for the people. Its crisp and melodious voice can be heard throughout Chang'an City.

It is not only cast with exquisite patterns such as flying apsaras, flying cranes, and walking lions, but also the imperial brush of Tang Ruizong Li Dan, which is rare in the world.

Residents of the ancient capital of Chang'an are even more blessed. Its clear and vigorous voice can be heard from the Xihuamen News Building every hour on the hour.

Looking at Jing Yunzhong in front of him, a series of attributes appeared in front of Chen Wenzhe.

Name: Jing Yunzhong
Age: 1310 years old

Title: National Treasure Level (First Class A)
Household registration time: 1953

Birthplace: Chang'an City, China
Birth time: Tang Ruizong Jingyun two years (AD 711)
The only surviving big clock with the emperor's imperial pen!

After contacting by phone, completing the formalities, and passing the verification, Chen Wenzhe came to Jing Yunzhong.

Looking at the top of the Jingyun bell, there is a curled up mythical beast. This is Pu Lao.

Look at the bell again, it's in the shape of a whale.

According to folklore, Pulao is one of the nine sons of the dragon. He likes rhythm very much, and is good at neighing with a loud voice. He is afraid of whales and will keep screaming when he sees them.

So people let it squat on the top of the bell, and carved the long wood of the bell into the shape of a whale.

When the bell is rung, the whale hits the bell body again and again, making it ring into the sky, and the sound is unique and far away.

Jing Yunzhong is more than 1300 years old and has a bronze color throughout.

The 32 stalactites protruding from its surface are actually a tuner, which can adjust the bell from clear to vigorous.

It's a pity that in order to protect it, it has not been struck for more than [-] years.

Even if he hasn't touched it, Chen Wenzhe knows that Jing Yunzhong is cast with copper and tin alloy, using the "multi-model casting method".

The casting mold is divided into 5 sections, a total of 26 molds, one casting, natural.

The value of Jingyun Bell is mainly reflected in four aspects.

It has a huge body and weighs 6 tons. It is the crown of the few surviving bronze bells of the Tang Dynasty.

In 1964, in the World Famous Clock Competition held in Japan, Jing Yunzhong was selected as the world famous clock.

Its melody is precise, and the beautiful bells of the Central People's Broadcasting Station to say goodbye to the old and welcome the new year after year come from Jingyun Bell.

The decoration is exquisite, and the body of the bell is divided into three layers by the vine pattern belt, each layer has six grids, and each grid is cast with Feitian, Xianghe, walking lion, Tenglong, Suzaku, one-legged ox and so on.

The whole picture is in front and back order, arranged in order, and connected end to end.

Especially Feitian, agile and elegant, lifelike.

The Feitian on it has a plump face, a slender figure, and his hands are in the shape of a beggar, flying in the air. His dress and ribbons fluttering in the wind are also cast delicately and realistically.

You know, this is a bronze ware, not a clay sculpture. At least many carving techniques are useless here.

These are actually nothing. The most striking thing is that it is the only existing bronze bell written by the emperor's imperial pen and supervised by the casting in the world.

As a big clock, it will still be the sound of gold and stone after a thousand years. This is the most important thing.

(End of this chapter)