My system is not decent

Chapter 671
Chen Wenzhe has seen chicken cups from the Ming Dynasty, as well as multicolored porcelain from the Ming Dynasty, so it is not difficult to get the ink color recipe from the Ming Dynasty.

Moreover, he still has a famille rose figure statue from the third generation of the Qing Dynasty in his hand, so naturally he will not lack the opportunity to obtain the ink color formula.

These recipes are often not used, so Chen Wenzhe doesn't mind using them as long as there is a chance.

Just like this time, if it wasn't for making white-glazed porcelain, Chen Wenzhe really couldn't think of ink-colored porcelain.

The reason why this kind of porcelain is special is that the color material as thick as ink, dark or light, or thick or light, contrasts with the white glaze like snow, which has the effect of traditional ink painting, so there is also "color ink painting, Ink color is like gold".

Ink color, in the hands of Chen Wenzhe, was originally just used as a finishing touch, but this time it is different from the past.

He needs to make real court ink and color porcelain, and this is the credit of Cao Qingchun.

Earlier, he led Chen Wenzhe to Huangjia Village on the outskirts of Dahai City to buy broken porcelain pieces.

After that, he went there more times by himself, and got a lot of classic porcelain fragments.

Under the guidance of Chen Wenzhe, he specifically looked for those porcelain pieces with paintings, characters and good glaze color.

These tiles are not only for collection, but also have cultural value for Chen Wenzhe.

Because he can get a lot of information through these tiles.

For example, the glaze formulas of the three dynasties of the Qing Dynasty, such as some unique techniques of the Qing Palace Office.

All of these can be obtained through some fragments of official kiln porcelain from the Three Dynasties of the Qing Dynasty.

The official kiln porcelain of the three dynasties of the Qing Dynasty, no matter what it is, is very expensive, and it is difficult to buy it, even to look at it.

However, the tiles of the Qing Dynasty and the Three Dynasties are different.

It's just that the information obtained through the use of backtracking on broken porcelain pieces is relatively fragmented.

Although a lot of information is scattered, it is not a small gain to put it together.

The main reason is that there are too many pieces of broken porcelain from the Qing Dynasty to the Republic of China.

If you get a lot of information, even if the information is scattered, you will gain a lot.

For example, the firing of this ink-colored porcelain must have come from the skills of the three dynasties of the Qing Dynasty.

Because this kind of craftsmanship was first seen in the middle of Kangxi in Qing Dynasty, popular in Yongzheng and Qianlong dynasties, and continued until the end of Qing Dynasty and the period of the Republic of China.

Since it is an imitation of ancient times, it should be imitated thoroughly. Chen Wenzhe first imitated from Kangxi ink color.

During the Kangxi period, the ink color was thick, the glaze was prepared purely, and a layer of glass white was applied on it. The fired ink color was pitch black and bright.

Therefore, the first ink color porcelain is the ink color flat pot.

It is lined with white glaze, and then painted with ink and color. The paintings are mainly flowers and birds, so it is easy to make.

In fact, there are many types of ink-colored porcelain, such as Yongzheng ink-colored porcelain, which is quite famous. The most common shape is a pen holder, followed by statues, covered bowls, cups, plates, etc.

In terms of decoration, landscape figures are the main ones, and the picture is like a traditional Chinese ink painting.

There are collections of ink-colored porcelain like this at home and abroad. Chen Wenzhe has seen pictures, so it is not difficult to imitate.

In comparison, with the firing process of Dehua white porcelain, if ink color is applied on top of this grade of white porcelain, the contrast effect must be stronger.

Therefore, this time, Chen Wenzhe found another method of making top-level porcelain.

Some people still know how to make Dehua white porcelain, while ink-colored porcelain has been mastered by some old artisans in Jingzhen until modern times.

As far as Chen Wenzhe knows, there are many porcelains similar to ink colors on the market now, such as pen holders, vases, flower vessels, etc., which are really like ink colors at first glance.

It's just that those are all in appearance and in name only.

Therefore, you must be careful when buying ink-colored porcelain, and be careful.

It is best to choose the works of famous masters, which not only guarantees the authenticity of the works, but also has a good room for appreciation in the future.

The reason why a master is a master is because he has changed from imitation to creation.

Just like the current Chen Wenzhe, he wanted to make white porcelain at the beginning, but gradually he thought of ink-colored porcelain.

But now, he is no longer satisfied with the combination of Dehua white porcelain and ink color porcelain, and he thinks of pastel porcelain.

The reason why he has so many ideas is entirely because he has various master crafts.

The work formed by the combination of these skills, as long as it is produced, must be a top-notch work.

So, after thinking about it for a while, Chen Wenzhe decided to burn some classic works.

The classics of ink and color porcelain must not avoid the pen holder. No matter in the Kangxi or Yongzheng period, there are very classic pen holders handed down from generation to generation.

For example, in the old collection of the Qing Palace, there is a rectangular pen holder decorated with a combination of ink and pastel, which is very exquisite.

Chen Wenzhe also wanted to make such a pen holder, and the white porcelain backing used must be better than that of the Qing Palace Building Office.

The production of the pen holder is very simple. A pen holder can be made by making mud strips and a body holder.

The most difficult thing is actually the color painting. From the front and back sides of the pen holder, the friends in the mountains are painted in ink and color, and the figure in ink and color is riding a donkey into the mountain.

The two ink and color paintings are full of mountains, trees and forests, and the characters are vivid. If you don't have a deep painting skill, it is impossible to draw them.

This work is dominated by ink color, decorated with blue, white and ochre, and the picture is light and elegant.

For ink-colored porcelain, the shades of colors must be orderly, and the level of painting skills must be high. Only by combining the shape and glaze can a good work be fired.

After this piece was finished, looking at the painted painting on it, Chen Wenzhe found that the types of colored materials used this time were still not enough.

If you want to make a classic, you must be bold and innovative.

This time, Chen Wenzhe used wood white glaze as the base to make a consecrated brush holder with ink and color landscape figures.

Its picture is dominated by ink color, embellished with sky blue, light pink, light yellow, light green and other colors.

Although many colors are used, the ink color is mainly ink painting, and some pastels are added, such as blue pink, light yellow and other colors.

On the picture of each utensil, the surface of pastels applied is not large, and it only serves as an embellishment.

So after drawing it, the painting effect is very beautiful.

If the firing is successful, it must be a rare masterpiece.

Do whatever you want, large and small pen holders, keep appearing, keep painting.

Ink-colored bamboo and stone pictures, ink-colored landscape figures, and ink-colored mountains and rivers.

It can be said that the mountains and rivers are picturesque and beautiful!
"It's so beautiful!"

When Chen Wenzhe finished using up the materials in his hand and raised his head, he happened to see Chen Xingchen.

"Get off work?" Chen Wenzhe looked at his phone, it was already six o'clock in the afternoon.

"Waiting for these works to enter the kiln!" Chen Xingchen said.

Chen Xingchen was full of envy, and he wanted to do the same, creating works at will.

But can he do it?

Just pinch it with your hand, it is an exquisite figure portrait.

Just draw it casually, it is an ink landscape, can he do it?

Chen Xingchen felt very confused. He still had a lot to learn.

(End of this chapter)