My system is not decent
Chapter 675
Chapter 675
It is actually very simple to identify whether it is a Dehua white porcelain craft.
If it is an antique, the color of Dehua white porcelain in each dynasty is slightly different.
Visual observation of the surface reveals that the glaze surface in the early Ming Dynasty is white and slightly reddish, just like the white and reddish face of an oriental girl.
In the mid-Ming Dynasty, the glaze was white and slightly yellowish, just like the teeth of an adult elephant, with yellowish teeth.
From the late Ming Dynasty to the early Qing Dynasty, the glaze was white with slight ivory white, just like the whiteness of lard when it solidified.
If it is viewed against the light, the color of the fetus in the early Ming Dynasty is white with pink or flesh red.
In the mid-Ming Dynasty, the fetal color was white with flesh red or tooth yellow, and from the late Ming Dynasty to the early Qing Dynasty, the fetal color was white with tooth yellow or tooth white.
Of course, the color displayed in each period when viewed through the light will also change due to the thickness of the work, slight differences in ingredients, and slight differences in temperature control during firing.
It is worth noting that all ancient Dehua white porcelain or blue and white porcelain, regardless of its thickness, should be transparent when facing the light or seeing through the light. If it is not transparent, it is a fake.This is an important basis for judging the authenticity of Dehua porcelain.
Chen Wenzhe's batch of white porcelain has just been fired, so there must be a dazzling glare, which cannot be concealed.
It's just that if he removes the stealthy light this time, he will put on a layer of patina and a layer of precious light.
In that way, according to the slightly different colors of his production, it can pass off as Dehua white porcelain of various periods.
Chen Wenzhe definitely won't make old ones, but as long as his works enter the market and be used as old ones, it is definitely inevitable.
And if you want to distinguish, you must distinguish through craftsmanship.
Is it Dehua white porcelain? Observing from the production process, the imitation products are generally installed in sections after the model is grouted.
Due to the grouting molding process, there will be flowing lines of porcelain slurry in the vessel, which are generally vertical, and the carcass is thin and light, and the glaze is milky white. When viewed with a magnifying glass, there are generally bubbles, which do not have the characteristics of real products.
On the same symmetrical object with the same pattern, the shape is often the same, just like printed products, giving people the feeling that it is too regular, rigid and lifeless.
The real product is hand-kneaded and pasted, and there are generally traces of hand-kneading at the kneading interface.
For the shape of the same symmetrical object with the same pattern, there are generally slight changes when you observe carefully.
It is this small difference that not only reflects the authenticity of the work, but also shows its nature and aura.
No matter how you look at it, Chen Wenzhe didn't find any defects. If there is no fire, this is authentic Dehua white porcelain.
White porcelain can be fired to this level, even if it is an ancient craftsman, there should not be many people who can achieve it, right?This is a fine imitation!
Chen Wenzhe is very satisfied with his own works.
At this time, looking at those white porcelains with ink colors, Chen Wenzhe found that compared with pure white porcelains, these ink-colored porcelains have a different style.
Painting on white porcelain must be painted on glaze, that is, the white glaze is applied first, and then the ink color is applied.
The pigment is mainly "brilliant black", and other color materials such as alum red and principal are also used to draw patterns on the white glaze surface, and then baked in a kiln.
Thick black color material, decorated with snow-like white glaze, can be dark or light, thick or light, similar to the effect of ink painting.
And add other color embellishment, the effect is even better.
An important link in the depiction and decoration of ink color porcelain is to use bright black material as the main color, west red material as the auxiliary color, and gold thread embellishment.
In this way, on the ink color after the firing of the decorative picture on the porcelain, the principal (gold fine powder) is used to draw lines, cover, and set off embellishments to add magnificence.
Then, after a second firing at a temperature of about 800°C, it can achieve bright and rich, elegant and resplendent artistic effects such as "coloured glaze with gold", "coral red with gold", and it will never fade.
"Jiangshan is like a painting!" Looking at his own works, Chen Wenzhe felt a little bit emotional.
He is also very good at drawing now, and even the writing is very good.
The batch of ink-and-color porcelains he made are embellished with various colors to make the pictures luxurious, simple, vivid, elegant and profound.
Needless to say, the production of this batch of ink and color porcelain was also very successful.
"Porcelain of this level shouldn't be disliked by people, right?"
Thinking of Zheng Yu, Chen Wenzhe laughed.
This batch of ink-colored porcelain was actually prepared for the Aviation City Museum.
Among this batch of porcelain, there must be luxury and luxury, simplicity and simplicity.
As for elegance, there is no lack of it, and the implication is even more profound.
The landscape and ink colors on the porcelain are the great rivers and mountains of the motherland. If the rivers and mountains are in the painting, can they not have some profound connotations?
"The variety is a little less, and the quantity is also a little less. The craftsmanship of firing gold bricks cannot be easily given away, otherwise, it is likely to be underestimated."
If something is too easy to get, you don't know how to cherish it.
Besides, now Chen Wenzhe also needs to gain fame, so sending a large number of works to the Hangzhou Museum should increase his fame.
Therefore, things will continue to be made, but even if it is ink colored porcelain, he still needs to make some white porcelain.
As for celadon, ruby red, and blue and white underglaze red, he is already well-known, so he doesn't need to send them to museums to become famous.
In fact, the best things to enter the museum are antique wares, especially works that imitate Shang and Zhou bronze wares. No matter where they are placed, such things can be seen as heavy wares at a glance.
In fact, many of the current utensils evolved from the bronze wares of the Shang and Zhou dynasties.
For example, furnishing supplies!
The shapes of such works are mainly imitations of Shang and Zhou bronzes and the styles that were popular at that time.
This kind of works vary in shape and size, and the big ones are simple and heavy, and can be used as sacrificial ritual vessels and religious instruments.
The small ones are exquisite and elegant, and can be enjoyed on the desk.
It is characterized by regular shape, reasonable structure, few decorations, and wins with the texture of tire glaze.
Craftsmen are good at using the outline of the shape of the vessel, and the protruding parts of the piled animal head, shop head, panchi, and dragon, etc., to create a seamless antique atmosphere.
Typical offering vessels of this type include the square tripod-style furnace with double ears and four legs with printed taotie pattern, the furnace with double chi ears and three animal legs printed with three legs, the cylindrical three-legged furnace with bamboo joints, and the Xuande furnace with double chi ears printed with the same pattern, etc.
The incense burner can be said to have a long history. After all, it is an arty thing. As long as there are some conditions, I like it.
For example, now, as long as you have a little money, you can play.
The wide mouth and three-legged incense burner made by Dehua kiln has its own characteristics.
During the Zhengde period, the Dehua Kiln fired a large number of imitation white jade palace sacrificial vessels.
Later, the censer made by Dehua tried its best to imitate the famous Xuande copper stove.
Xuan Furnace "the most important ones include Ding Furnace, Yi Furnace, Milk Furnace, Ge Furnace, Dun Furnace, Bo Furnace, Washing Furnace, Tube Furnace, etc." greasy".
In just a few words, the various styles of the Xuande furnace and the characteristics of the successful firing are clearly explained.
(End of this chapter)
It is actually very simple to identify whether it is a Dehua white porcelain craft.
If it is an antique, the color of Dehua white porcelain in each dynasty is slightly different.
Visual observation of the surface reveals that the glaze surface in the early Ming Dynasty is white and slightly reddish, just like the white and reddish face of an oriental girl.
In the mid-Ming Dynasty, the glaze was white and slightly yellowish, just like the teeth of an adult elephant, with yellowish teeth.
From the late Ming Dynasty to the early Qing Dynasty, the glaze was white with slight ivory white, just like the whiteness of lard when it solidified.
If it is viewed against the light, the color of the fetus in the early Ming Dynasty is white with pink or flesh red.
In the mid-Ming Dynasty, the fetal color was white with flesh red or tooth yellow, and from the late Ming Dynasty to the early Qing Dynasty, the fetal color was white with tooth yellow or tooth white.
Of course, the color displayed in each period when viewed through the light will also change due to the thickness of the work, slight differences in ingredients, and slight differences in temperature control during firing.
It is worth noting that all ancient Dehua white porcelain or blue and white porcelain, regardless of its thickness, should be transparent when facing the light or seeing through the light. If it is not transparent, it is a fake.This is an important basis for judging the authenticity of Dehua porcelain.
Chen Wenzhe's batch of white porcelain has just been fired, so there must be a dazzling glare, which cannot be concealed.
It's just that if he removes the stealthy light this time, he will put on a layer of patina and a layer of precious light.
In that way, according to the slightly different colors of his production, it can pass off as Dehua white porcelain of various periods.
Chen Wenzhe definitely won't make old ones, but as long as his works enter the market and be used as old ones, it is definitely inevitable.
And if you want to distinguish, you must distinguish through craftsmanship.
Is it Dehua white porcelain? Observing from the production process, the imitation products are generally installed in sections after the model is grouted.
Due to the grouting molding process, there will be flowing lines of porcelain slurry in the vessel, which are generally vertical, and the carcass is thin and light, and the glaze is milky white. When viewed with a magnifying glass, there are generally bubbles, which do not have the characteristics of real products.
On the same symmetrical object with the same pattern, the shape is often the same, just like printed products, giving people the feeling that it is too regular, rigid and lifeless.
The real product is hand-kneaded and pasted, and there are generally traces of hand-kneading at the kneading interface.
For the shape of the same symmetrical object with the same pattern, there are generally slight changes when you observe carefully.
It is this small difference that not only reflects the authenticity of the work, but also shows its nature and aura.
No matter how you look at it, Chen Wenzhe didn't find any defects. If there is no fire, this is authentic Dehua white porcelain.
White porcelain can be fired to this level, even if it is an ancient craftsman, there should not be many people who can achieve it, right?This is a fine imitation!
Chen Wenzhe is very satisfied with his own works.
At this time, looking at those white porcelains with ink colors, Chen Wenzhe found that compared with pure white porcelains, these ink-colored porcelains have a different style.
Painting on white porcelain must be painted on glaze, that is, the white glaze is applied first, and then the ink color is applied.
The pigment is mainly "brilliant black", and other color materials such as alum red and principal are also used to draw patterns on the white glaze surface, and then baked in a kiln.
Thick black color material, decorated with snow-like white glaze, can be dark or light, thick or light, similar to the effect of ink painting.
And add other color embellishment, the effect is even better.
An important link in the depiction and decoration of ink color porcelain is to use bright black material as the main color, west red material as the auxiliary color, and gold thread embellishment.
In this way, on the ink color after the firing of the decorative picture on the porcelain, the principal (gold fine powder) is used to draw lines, cover, and set off embellishments to add magnificence.
Then, after a second firing at a temperature of about 800°C, it can achieve bright and rich, elegant and resplendent artistic effects such as "coloured glaze with gold", "coral red with gold", and it will never fade.
"Jiangshan is like a painting!" Looking at his own works, Chen Wenzhe felt a little bit emotional.
He is also very good at drawing now, and even the writing is very good.
The batch of ink-and-color porcelains he made are embellished with various colors to make the pictures luxurious, simple, vivid, elegant and profound.
Needless to say, the production of this batch of ink and color porcelain was also very successful.
"Porcelain of this level shouldn't be disliked by people, right?"
Thinking of Zheng Yu, Chen Wenzhe laughed.
This batch of ink-colored porcelain was actually prepared for the Aviation City Museum.
Among this batch of porcelain, there must be luxury and luxury, simplicity and simplicity.
As for elegance, there is no lack of it, and the implication is even more profound.
The landscape and ink colors on the porcelain are the great rivers and mountains of the motherland. If the rivers and mountains are in the painting, can they not have some profound connotations?
"The variety is a little less, and the quantity is also a little less. The craftsmanship of firing gold bricks cannot be easily given away, otherwise, it is likely to be underestimated."
If something is too easy to get, you don't know how to cherish it.
Besides, now Chen Wenzhe also needs to gain fame, so sending a large number of works to the Hangzhou Museum should increase his fame.
Therefore, things will continue to be made, but even if it is ink colored porcelain, he still needs to make some white porcelain.
As for celadon, ruby red, and blue and white underglaze red, he is already well-known, so he doesn't need to send them to museums to become famous.
In fact, the best things to enter the museum are antique wares, especially works that imitate Shang and Zhou bronze wares. No matter where they are placed, such things can be seen as heavy wares at a glance.
In fact, many of the current utensils evolved from the bronze wares of the Shang and Zhou dynasties.
For example, furnishing supplies!
The shapes of such works are mainly imitations of Shang and Zhou bronzes and the styles that were popular at that time.
This kind of works vary in shape and size, and the big ones are simple and heavy, and can be used as sacrificial ritual vessels and religious instruments.
The small ones are exquisite and elegant, and can be enjoyed on the desk.
It is characterized by regular shape, reasonable structure, few decorations, and wins with the texture of tire glaze.
Craftsmen are good at using the outline of the shape of the vessel, and the protruding parts of the piled animal head, shop head, panchi, and dragon, etc., to create a seamless antique atmosphere.
Typical offering vessels of this type include the square tripod-style furnace with double ears and four legs with printed taotie pattern, the furnace with double chi ears and three animal legs printed with three legs, the cylindrical three-legged furnace with bamboo joints, and the Xuande furnace with double chi ears printed with the same pattern, etc.
The incense burner can be said to have a long history. After all, it is an arty thing. As long as there are some conditions, I like it.
For example, now, as long as you have a little money, you can play.
The wide mouth and three-legged incense burner made by Dehua kiln has its own characteristics.
During the Zhengde period, the Dehua Kiln fired a large number of imitation white jade palace sacrificial vessels.
Later, the censer made by Dehua tried its best to imitate the famous Xuande copper stove.
Xuan Furnace "the most important ones include Ding Furnace, Yi Furnace, Milk Furnace, Ge Furnace, Dun Furnace, Bo Furnace, Washing Furnace, Tube Furnace, etc." greasy".
In just a few words, the various styles of the Xuande furnace and the characteristics of the successful firing are clearly explained.
(End of this chapter)
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