My system is not decent

Chapter 704 Increased Difficulty

Chapter 704 Increased Difficulty

Chen Xingchen was watching from the side. He really admired Chen Wenzhe. He didn't need any design drawings, but just made a pot with decals?

Chen Wenzhe glanced at Chen Xingchen with a smile, and he continued to make celadon porcelain anyway.

If the celadon he made is properly aged, he is really not afraid of being seen by others.

Without thinking too much, I made another embossed Canglong Jiaozi picture pot, and this one must also be painted with powder green glaze.

Chen Wenzhe remembers making such a picture jar during the Qianlong period, which sold for more than [-] million.

He has done the theme of Canglong Jiaozi several times, and he is really familiar with it.

Then he imitated the Qing Qianlong celadon-glazed Beilust vase, the Qing Qianlong powder-celadon-glazed vase carved with antique dragon patterns, and the Qing Yongzheng powder-celadon-glazed water chestnut vase.

These types of utensils are not difficult, at most, some carving techniques are used.

It is not difficult to imitate them, but the prices of their real owners are not low, and the auction prices have reached more than [-] million.

After finishing these few pieces, the warm-up is over.

After thinking about it, Chen Wenzhe planned to make two more technical things.

At the beginning, he made it simple. This time he imitated a Ruyi ear vase with bean green glaze embossed with bats, double fishes and a hundred longevity in the Qing Dynasty.

You can tell from the name, first of all, the bottle, and then the Ruyi ears, which are two Ruyi-like ears.

At this time, the pictures of Ruibat, Pisces and Baishou are embossed on it, among which the hundred longevity sons have the most technical content.

The process of this piece is more complicated and slow to do.

However, no matter how slow it was, Chen Wenzhe only spent two hours.

Of course, all the tires are made now, and they are not glazed.

Looking at the time, it was already two o'clock in the morning.

"Aren't you going to sleep for a while?" Chen Wenzhe asked.

"No, when can't I sleep tomorrow?" Chen Xingchen continued to help practice mud.

He can only do this kind of small favor, to imitate these heavy utensils, the clay is the easiest, because just use Jingzhen's porcelain clay.

In fact, you can also buy ready-made glazes, but Chen Wenzhe still likes to use his own preparations.

"Since you don't sleep, make something that you can help, and let me see your skills!"

When the Suihou Pearl was activated for the first time, Chen Xingchen was making heart-changing bottles, and the manufacturing process of that kind of bottles was also very complicated.

Of course, at this point of time tonight, Chen Wenzhe didn't plan to do something so difficult, nor did he think about how big it would be.

This time he plans to make a set of bottles, that is, a large bottle with a small bottle.

The craftsmanship of this piece of work is not as good as that of the revolving bottle, but its carving and hollowing techniques are not something ordinary people can accomplish.

This time, we can't do it casually, but we must draw the design first, because the process is more complicated.

After Chen Wenzhe drew the design drawings of several parts, Chen Xingchen immediately noticed the difference.

"Making bottle sets? This process is more complicated!"

While talking, Chen Xingchen laughed, he is familiar with this!
In fact, the porcelain he is best at is making revolving vases. Since he can make revolving vases, he will naturally make set bottles.

Therefore, his carving and hollowing out techniques are also very powerful.

Of course, he cannot compare with Chen Wenzhe's craftsmanship, but compared to other young artists, he has never been afraid.

Chen Wenzhe just smiled and didn't speak.

Soon he drew the overall effect of the bottle, and then drew the exploded view.

This time the drawing was more detailed, even the bottom line, he drew it to a standard.

Looking at it now, this kind of bottle neck is straight and slender, the belly is full and elegant, and the neck is molded with banana leaf patterns and supplemented by Ruyi patterns.

The abdomen is hollowed out, decorated with peonies wrapped around the bottle, and the size is full and jaw-dropping.

The peony flower head has obvious three-dimensional sense, and the petals are densely layered, with different postures hidden in the front and back.

Several peonies are leaning back, showing a natural charm, with branches and stems passing through them, luxuriant branches and leaves full of vitality.

The hollows are densely covered, the layers are scattered, and there is still no sense of disorder, but a sense of order is deeply hidden in it.

The Tibetan front of the knife is almost a round carving, which is comparable to the "Linglong Crossing the Bridge" in wood.

The bottom is covered with celadon glaze, and the six-character three-line seal script inscribed in the Qianlong period of the Qing Dynasty is in the middle, which is the standard early Qianlong writing style.

This kind of long-necked bottle is not difficult to make, and it is rare to be hollowed out.

This kind of hollowed-out bottle set was not created by the Qianlong Dynasty. It had been fired in official kilns as early as the Southern Song Dynasty, and its history can be described as long.

Observation from the unearthed Southern Song official kiln artifacts shows that there is a hollow column in the bottle connected to the neck of the bottle to prevent severe deformation during firing.

During the Yuan Dynasty, Longquan kilns also fired similar wares, and the pillars inside the bottles were no longer installed, which shows that the firing technology is completely skilled.

The Yuan Dynasty Longquan kiln hollowed-out bile vase in the Qing Palace may have been copied by Emperor Qianlong because of the original.

In fact, after careful analysis of the exploded diagram, the crafts designed here are all Chen Wenzhe's forte.

Don't talk about carvings, just decorations, how many times has he done peony flowers?

Now it has become hollow carving, and it has not increased much difficulty!
This time, Chen Wenzhe made this set of bottles, intending to still use the liner to support the inside of the bottle. This is not a step backward in craftsmanship, but a move towards a set of bottles with interior painting decoration and the ability to turn.

Needless to say, he does not lack the skills of inner painting.

Even though he hasn't had time to learn master-level inner painting skills recently, he always involuntarily engages in immersive learning in his dreams.

Therefore, it is really not difficult to make a peony vase with his hollow carving technology.

In addition, Chen Xingchen could help this time, so the two of them worked very quickly.

The liner is supported, and the large bottle is covered. After this step, the next step is to engrave.

The carving at the beginning was rough carving, and Chen Xingchen could help.

This is the same as opening the face of a character, as long as there is room for Chen Wenzhe to continue to modify it.

In this way, the two cooperated tacitly, and soon a hollow, peony carving, banana leaf wishful pattern, and a long-necked bottle were completed.

The name of this kind of porcelain is actually to point out all its craftsmanship and decorations, and superimpose them together, which is the name.

By the way, the price of such a bottle is about the same as that of the Baishou picture jar made earlier, both of which were sold for 69 billion yuan.

In comparison, the picture pot was more expensive, and it was only [-] more expensive.

"In the future, if you don't want to make purple sand pots, you can also try to make some sets of bottles. I remember that Tang Ying paid tribute to Qianlong's batch of sets of bottles. There were eight sets. You can make some with different patterns, just make simple blue-glazed porcelain. , plum green, pink green, bean green, all are fine, our glaze is pretty good."

After finishing the glaze, Chen Wenzhe suggested.

"Understood." Without raising his head, Chen Xingchen looked at a design drawing and said, "The one you kept looks a bit like Tang Ying?"

"Yes, the set of bottles imitated was made by Tang Ying and presented to Qianlong as a tribute."

(End of this chapter)

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