My system is not decent
Chapter 910
Chapter 910
For ancient people, jade clothing was a luxury.
In ancient times, very few people could afford it, and because of its short existence time, the number that has been handed down to the present is even less.
These jade clothes, which symbolize status, have not existed for a long time, and the era when they really became popular was only the Eastern and Western Han Dynasties.
After Wei Wendi Cao Pi succeeded to the throne, he discovered that there were criminals among the people who were involved in the cause of tomb robbery in order to seek money.
And jade was one of the luxuries at that time. Under such a social background, jade clothes were the first to suffer.
The existence of Yuyi not only failed to protect the souls of the people in the tomb, but also attracted criminals to disturb the peace.
This violated the original wish of the nobles, so Emperor Wei Wen ordered the abolition of the jade clothing system.
In this way, Yuyi ended on the stage of history.
Today, there are only two silver-threaded jade garments unearthed in our country before, and it can be said that each of them is a rare treasure.
If the ancients knew that the treasures they used to protect their souls and immortal bodies had become exhibits, they would probably be so angry that they would cheat their corpses?
From today's point of view, in order to protect the soul, the ancients took time and effort to make this silver-threaded jade garment, which is really "foolish and vulgar".
But without these "foolish" people, how can today's priceless treasure come about?
Therefore, one cannot look at cultural relics from the perspective of God. Regardless of whether the ancients had a good or bad starting point, they all made their own contributions to the progress of civilization.
At present, according to relevant statistics, among the cultural relics unearthed across the country, there are very few silver-threaded jade clothes with more than 2000 pieces of jade.
The existing silver-threaded jade garment in the Nandu Museum, as the treasure of the town hall, is also the first completely restored silver-threaded jade garment. .
The Nandu Museum is more like a treasure house, in which there are countless cultural relics. A single piece of silver-threaded jade clothes can amaze the world.
Thinking of this, Chen Wenzhe was a little fuzzy. If he really made these discoveries public, how much sensation would it cause?
He must be greedy for things in other people's museums, and he can't even get closer.
It doesn't matter what's your own!
Chen Wenzhe slowly cleaned up the surrounding things. He first moved out all the surrounding tripods, bronze vessels such as statues, and then slowly cleaned up the jade clothes.
In the end, he cleared out three gold-threaded jade garments, two silver-threaded jade garments, and a large number of jade flakes and gold threads.
After sorting it out carefully, I didn't find the jade clothes with copper strands in the end, which is a pity.
Of course, this is also Chen Wenzhe's greed.
To be able to get three gold-threaded jade clothes and two silver-threaded jade clothes is already extremely lucky.
These five pieces of jade clothes mean that the tombs of at least three Chu couples have been dug.
And if these three pairs of tombs had not been stolen before, there must have been six pieces of jade clothes here.
Now there are only five pieces left, and one of them is still incomplete.
These need restoration, protection, maintenance!
Chen Wenzhe has no time and is not a professional.
Besides, even if he can become a professional, how much work can he do alone?
Therefore, it is better to transport these things back to China first, and then slowly clean up and repair them.
The next step is simple, take pictures, keep taking pictures, and create files by the way.
Take photos as a souvenir, sort them out, and finally pack them up and ship them away.
This job is not easy, even tiring, but as long as he can find something good, Chen Wenzhe will be happy.
It is a pity that the gold-threaded jade clothes and silver-threaded jade clothes are not found, but it is an irreparable regret.
This means that this batch of treasures appeared abroad, and he took them back as cultural relics, so it was possible for him to preserve them.
If it was in China, not to mention the gold-threaded jade clothes and silver-threaded jade clothes, even a strand of copper wire on the copper-threaded jade clothes, he would not be able to catch them.
"Don't talk about the jade clothes, even if it's these bronze wares, if any one is unearthed in China, it will be on the news, right?"
After cleaning up just a few pieces of jade clothes, Chen Wenzhe started sorting out those bronze wares again.
At this time, he was holding a bronze deer.
This is a bronze reclining deer from the Western Han Dynasty. This bronze deer is in a lying position, with the back of its body slightly tilted to the left.
Its head and neck are raised, its ears are raised, and its eyes are looking forward to the right.
The horns on the top of the head are divided into four forks.
There are groups of turquoise inlaid on the ridge, buttocks, neck, ears and other parts.
The reason for picking it up is definitely not because this thing is better, but because of the mosaic technology that appears on it.
You must know that this is the mosaic technology of the Western Han Dynasty. A technical expert like Chen Wenzhe naturally attaches the most importance to technology.
The inlay of turquoise on the crouching deer is first cast into intaglio patterns on different parts of the copper deer, and then according to the specifications of the patterns, the turquoise is cut into various suitable shapes, and used as gum or lacquer. As an adhesive, it sticks to the engraved decoration on the surface of the vessel.
This kind of mosaic technology, in the eyes of modern people, can only be regarded as acceptable, or even crude.
However, if it is placed in the Western Han Dynasty, it is the top craftsmanship.
Not to mention other things, just gum is difficult to make.
Looking at it this way, compared to the copper deer itself, this inlay technique is not too bad.
Of course, the fact that this handicraft can appear here is enough to prove that the craftsmanship of the copper deer itself is also very high.
It can be said that this crouching deer is well done. On the whole, the body parts of the bronze deer are well proportioned, the muscles are properly expressed, and the shape is perfect.
The deer is lying on all fours, raising its head and looking straight ahead, its eyes are full of energy, its ears are erect, and its face is full of surprise. It is like a small deer that is taking a nap when it suddenly hears an abnormal sound and suddenly raises its head to look.
In terms of artistic form, this copper deer is completely modeled after an adult male sika deer.
Putting down the crouching deer, Chen Wenzhe searched around, and soon, he showed joy.
After walking a few steps forward, Chen Wenzhe picked up a pitch-black round bronze vessel.
This is definitely not a plate, but more like a mirror.
This is an ancient bronze mirror, and it must have belonged to the Han Dynasty, and it is the same as the crouching deer.
After careful inspection, it was a bronze mirror with a panchi pattern. Although it had been separated from the bronze deer, it must have been placed in the same place when it was in the tomb. The crouching deer was the bracket of the bronze mirror.
This thing has been unearthed before, otherwise Chen Wenzhe really didn't know.
This is the advantage of the large land and abundant resources. Everything has its source. As long as you find it and do a little research, you can know what it is used for and how it is used.
Just like this bronze mirror with crouching deer and dragon pattern, if you don't understand it, the two things will be separated, and they will definitely not be put together, and you won't even know that they are the same.
Pack this thing up and go on a treasure hunt.
Of course, there are treasures everywhere, and there is no place to lay their feet.
Therefore, some large items can only be packed and moved away at will.
These things are transported to the channel first, and as long as there is an opportunity, they are transported to the ship.
(End of this chapter)
For ancient people, jade clothing was a luxury.
In ancient times, very few people could afford it, and because of its short existence time, the number that has been handed down to the present is even less.
These jade clothes, which symbolize status, have not existed for a long time, and the era when they really became popular was only the Eastern and Western Han Dynasties.
After Wei Wendi Cao Pi succeeded to the throne, he discovered that there were criminals among the people who were involved in the cause of tomb robbery in order to seek money.
And jade was one of the luxuries at that time. Under such a social background, jade clothes were the first to suffer.
The existence of Yuyi not only failed to protect the souls of the people in the tomb, but also attracted criminals to disturb the peace.
This violated the original wish of the nobles, so Emperor Wei Wen ordered the abolition of the jade clothing system.
In this way, Yuyi ended on the stage of history.
Today, there are only two silver-threaded jade garments unearthed in our country before, and it can be said that each of them is a rare treasure.
If the ancients knew that the treasures they used to protect their souls and immortal bodies had become exhibits, they would probably be so angry that they would cheat their corpses?
From today's point of view, in order to protect the soul, the ancients took time and effort to make this silver-threaded jade garment, which is really "foolish and vulgar".
But without these "foolish" people, how can today's priceless treasure come about?
Therefore, one cannot look at cultural relics from the perspective of God. Regardless of whether the ancients had a good or bad starting point, they all made their own contributions to the progress of civilization.
At present, according to relevant statistics, among the cultural relics unearthed across the country, there are very few silver-threaded jade clothes with more than 2000 pieces of jade.
The existing silver-threaded jade garment in the Nandu Museum, as the treasure of the town hall, is also the first completely restored silver-threaded jade garment. .
The Nandu Museum is more like a treasure house, in which there are countless cultural relics. A single piece of silver-threaded jade clothes can amaze the world.
Thinking of this, Chen Wenzhe was a little fuzzy. If he really made these discoveries public, how much sensation would it cause?
He must be greedy for things in other people's museums, and he can't even get closer.
It doesn't matter what's your own!
Chen Wenzhe slowly cleaned up the surrounding things. He first moved out all the surrounding tripods, bronze vessels such as statues, and then slowly cleaned up the jade clothes.
In the end, he cleared out three gold-threaded jade garments, two silver-threaded jade garments, and a large number of jade flakes and gold threads.
After sorting it out carefully, I didn't find the jade clothes with copper strands in the end, which is a pity.
Of course, this is also Chen Wenzhe's greed.
To be able to get three gold-threaded jade clothes and two silver-threaded jade clothes is already extremely lucky.
These five pieces of jade clothes mean that the tombs of at least three Chu couples have been dug.
And if these three pairs of tombs had not been stolen before, there must have been six pieces of jade clothes here.
Now there are only five pieces left, and one of them is still incomplete.
These need restoration, protection, maintenance!
Chen Wenzhe has no time and is not a professional.
Besides, even if he can become a professional, how much work can he do alone?
Therefore, it is better to transport these things back to China first, and then slowly clean up and repair them.
The next step is simple, take pictures, keep taking pictures, and create files by the way.
Take photos as a souvenir, sort them out, and finally pack them up and ship them away.
This job is not easy, even tiring, but as long as he can find something good, Chen Wenzhe will be happy.
It is a pity that the gold-threaded jade clothes and silver-threaded jade clothes are not found, but it is an irreparable regret.
This means that this batch of treasures appeared abroad, and he took them back as cultural relics, so it was possible for him to preserve them.
If it was in China, not to mention the gold-threaded jade clothes and silver-threaded jade clothes, even a strand of copper wire on the copper-threaded jade clothes, he would not be able to catch them.
"Don't talk about the jade clothes, even if it's these bronze wares, if any one is unearthed in China, it will be on the news, right?"
After cleaning up just a few pieces of jade clothes, Chen Wenzhe started sorting out those bronze wares again.
At this time, he was holding a bronze deer.
This is a bronze reclining deer from the Western Han Dynasty. This bronze deer is in a lying position, with the back of its body slightly tilted to the left.
Its head and neck are raised, its ears are raised, and its eyes are looking forward to the right.
The horns on the top of the head are divided into four forks.
There are groups of turquoise inlaid on the ridge, buttocks, neck, ears and other parts.
The reason for picking it up is definitely not because this thing is better, but because of the mosaic technology that appears on it.
You must know that this is the mosaic technology of the Western Han Dynasty. A technical expert like Chen Wenzhe naturally attaches the most importance to technology.
The inlay of turquoise on the crouching deer is first cast into intaglio patterns on different parts of the copper deer, and then according to the specifications of the patterns, the turquoise is cut into various suitable shapes, and used as gum or lacquer. As an adhesive, it sticks to the engraved decoration on the surface of the vessel.
This kind of mosaic technology, in the eyes of modern people, can only be regarded as acceptable, or even crude.
However, if it is placed in the Western Han Dynasty, it is the top craftsmanship.
Not to mention other things, just gum is difficult to make.
Looking at it this way, compared to the copper deer itself, this inlay technique is not too bad.
Of course, the fact that this handicraft can appear here is enough to prove that the craftsmanship of the copper deer itself is also very high.
It can be said that this crouching deer is well done. On the whole, the body parts of the bronze deer are well proportioned, the muscles are properly expressed, and the shape is perfect.
The deer is lying on all fours, raising its head and looking straight ahead, its eyes are full of energy, its ears are erect, and its face is full of surprise. It is like a small deer that is taking a nap when it suddenly hears an abnormal sound and suddenly raises its head to look.
In terms of artistic form, this copper deer is completely modeled after an adult male sika deer.
Putting down the crouching deer, Chen Wenzhe searched around, and soon, he showed joy.
After walking a few steps forward, Chen Wenzhe picked up a pitch-black round bronze vessel.
This is definitely not a plate, but more like a mirror.
This is an ancient bronze mirror, and it must have belonged to the Han Dynasty, and it is the same as the crouching deer.
After careful inspection, it was a bronze mirror with a panchi pattern. Although it had been separated from the bronze deer, it must have been placed in the same place when it was in the tomb. The crouching deer was the bracket of the bronze mirror.
This thing has been unearthed before, otherwise Chen Wenzhe really didn't know.
This is the advantage of the large land and abundant resources. Everything has its source. As long as you find it and do a little research, you can know what it is used for and how it is used.
Just like this bronze mirror with crouching deer and dragon pattern, if you don't understand it, the two things will be separated, and they will definitely not be put together, and you won't even know that they are the same.
Pack this thing up and go on a treasure hunt.
Of course, there are treasures everywhere, and there is no place to lay their feet.
Therefore, some large items can only be packed and moved away at will.
These things are transported to the channel first, and as long as there is an opportunity, they are transported to the ship.
(End of this chapter)
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