My system is not decent

Chapter 969 High Imitation Market
After the appraisal, there is no problem with the item and the price, and the rest is simple, sign the contract, pay, and get the item.

In the end, in order to save trouble, the shop owner offered to provide the entry certificates for the six pieces of blue and white porcelain.

Looking at the proof, Chen Wenzhe nodded in satisfaction.

In this way, there will be no hidden dangers. He originally wanted to take it out secretly, but he never thought that he could take it away in a fair manner. This is very comfortable.

Walking out of this shop, Chen Wenzhe began to look for porcelain shops.

The blue and white here is really good, but in the next time, he saw that the world was as black as crows.

The South Vietnamese are black, even worse than those in China, after all, they don't have many good things.

Modern blue and white porcelain is not badly made, but is the anger still there?What does he want this kind of thing for?
As for antiques, there are also here, but the quantity is really not much.

Of course, compared with domestic products, the number of genuine products is much larger.

However, after wandering around, Chen Wenzhe also found out that apart from some fine blue and white flowers produced in the [-]th and [-]th centuries, the blue and white flowers produced in other eras in South Vietnam are really not good.

Either the craftsmanship is not good, or the porcelain stone and blue and white materials are not good.

Of course, there are also real high-quality goods, especially the famous underglaze iron color in Nanyue.

Early Vietnamese blue and white porcelains were usually small dishes, bowls and jars.

The patterns are mainly twigs and curly grass, etc., which are simple and quick to draw, with a simple style.

Some are very similar to the Nanyue underglaze iron color, and some are very similar to the blue and white folk style of the Yuan Dynasty.

Correspondingly, there are also a small number of large imitation Yuan plate jars that are exquisitely made and carefully painted.

At this time, Nanyue Qinghua still retained its own character.

For example, Chen Wenzhe bought a large blue and white and colorful lion opera plate. Although the production is not as good as the previous four plates, it is still considered a high-quality product.

The style of this plate seems to be imitated from the blue and white style of the Ming Dynasty.

Back then, in addition to imitating plates, they also had various bottles, cans, bowls, and basins.

Most of the decoration features are lotus petal patterns and window patterns, and most of them are neatly drawn.

However, the glaze color of Nanyue blue-and-white porcelain is not as transparent and cloudy as that of Ming Dynasty blue-and-white porcelain, and the fetus is not as fine and clean as Ming Dynasty blue-and-white porcelain.

While walking and shopping, Chen Wenzhe found that the blue and white porcelain in this market is really not small.

Generally, foreigners who come here to hang out will buy more or less things, and a large part of them will choose blue and white porcelain.

Discovering that there are still blue and white porcelains in South Vietnam usually makes Chinese people very surprised.

In addition, there are indeed some old things here, and some Chinese people will be happy to see Lie Xin, thinking about picking up the leaks.

After all, there are quite a lot of reflow porcelains in China now. If they are really good things, they may be sold at a sky-high price when they are brought back to China.

In fact, even Chen Wenzhe has this kind of thought.

Of course, it's too late to pick up leaks in Nanyue now. The time for people to get rich is relatively early, and they have come to search countless times.

Chen Wenzhe didn't know about the others, but he knew of a big and crooked collector who collected many antique calligraphy and paintings in South Vietnam.

He originally came to South Vietnam to do business, but he did not expect to get a national treasure of South Vietnam by accident, and then he embarked on this road.

The reason why I know this must be because I joined the collection circle of Nanyue.

South Vietnam's economy has developed rapidly in recent decades, and naturally some people have made a fortune.

Now that you have money, all kinds of hobbies will appear, and collecting is naturally a good thing!
The last time it was a harvest, after Chen Wenzhe walked out of the small market, he directly ordered his subordinates to inquire about the situation in the South Vietnam antique market.

If possible, it is also possible to find a leading party.

He really didn't expect that there are quite a lot of antiques in Nanyue.

After returning to the ceramics factory and settling down, Chen Wenzhe found something to do.

The ceramics factory is still being cleaned up, and when the cleaning is completed, some craftsmen will naturally be recruited to rebuild the factory.

In this way, the local economy must be stimulated, and the most important thing is that he can make money.

It is relatively easy to make money in South Vietnam, such as getting a large amount of blue and white porcelain and putting it on the market.

Instead of letting the South Vietnamese earn the money of the foreigners who come here, it is better to let Chen Wenzhe earn it!

The time here is not short, and Chen Wenzhe has discovered that apart from the special period he mentioned earlier, the blue and white porcelain made in other eras in South Vietnam is really not good.

Even if it is an antique porcelain made in modern times, it is not a fine product.

Therefore, antique porcelain that cannot be made in China can be made openly here.

If Chen Wenzhe did it himself, he would definitely be able to dominate the Nanyue imitation market.

It will take some time to make porcelain, at least porcelain clay and glazes need to be sold now.

This is not the country, the channels to buy these things need to be opened up in advance.

Don't worry about this, after all, Chen Wenzhe has more important things to do now, which is to pick up leaks in the market.

At the very least, he has to experience all the porcelains of different periods in South Vietnam, otherwise how to make a high imitation?
In the next period of time, he walked around all the major cities in South Vietnam.

Although there are not many real high-quality blue and white porcelains, some blue and white porcelains of various types and types have been bought in various ages.

For example, blue and white lotus plates, small blue and white flower boxes, and blue and white colored flower pots are relatively common.

There are also better ones, such as blue and white pictographic water injection, which is a good imitation, and it has been around for seven or eighty years.

The authenticity of this thing is in the collection of the National Palace Museum over there.

There are also some high imitations, which should be regarded as old imitations.

It mainly imitates works from the late [-]th and early [-]th centuries, such as the blue and white flying bird plate, the blue and white colorful lion opera plate, and the blue and white hollow flower and bird holding pot.

Seeing a lot, buying a lot, Chen Wenzhe summed up some rules.

In China, from the first half of the [-]th century, Jingzhen potters produced exquisite blue and white porcelain.

Not long after that, there was a tendency in South Vietnam to use blue and white to draw iron color patterns.

Later, Nanyue blue-and-white porcelain and Jingzhen blue-and-white porcelain appeared together in the markets of the blue-and-white world, which were keen on blue and white, and appeared in the royal collections of Istanbul (Turkey) and Yadabil (Iran).

Regarding the craftsmanship of blue and white in South Vietnam, some people once speculated that it was the immigrant craftsmen in Jingzhen in the Yuan Dynasty who introduced the blue and white technique to South Vietnam.

Others believe that South Vietnamese potters were already able to produce exquisite stoneware in the early [-]th century, so there was no obstacle in imitating and replicating blue and white techniques, and local craftsmen were more familiar with local materials.

The development of Nanyue blue and white has benefited from the sea ban policy of the Ming Dynasty. This policy of not allowing pieces to enter the sea has greatly restricted the development of China's ceramic trade, enabling Nanyue ceramics to have a vast international market and sufficient room for growth.

Of course, this kind of prosperity did not last long and was greatly affected by domestic influence.

However, until the end of the [-]th century, Nanyue blue and white was still active in the international market, but its quality had declined slightly.

(End of this chapter)