After failing the college entrance examination, he became a big star
Chapter 306 I, The One You Don't Love, 3 Feet
Chapter 306 I, the person you don't love, thirty thousand feet
Studio One.
When Ade heard that an album would be released within five days, he was dumbfounded on the spot.
However, when I heard that it was a cover album, I slowly came to my senses.
According to Li Kai, eight of the ten songs are cover songs, and they are selected from the 23 cover songs in the concert, which are equivalent to off-the-shelf songs. Only two songs were actually recorded from scratch.
It took five days to complete, but it wasn't too tight.
"Here are the two title songs I wrote for you. I will sing a demo first. If you can finish the recording within three days, I will consider giving you another song. In that case, there will be three original title songs and seven cover songs. .”
The concert and the release of the film are synchronized. This is the idea Li Kai made up while lying in bed last night. This morning, he wrote the two songs. At this moment, Ni Houdao copied them and distributed them to Ade and the accompanying band members. And Li Kai picked up the blue guitar that Ning Lan gave him, and walked to the microphone.
Adjusting the height of the microphone, it was slightly original. Seeing Ni Houdao in the tuning room, he made an OK gesture through the glass window. Li opened his fingers and plucked it. In a chord, he said to the microphone: "Bring a song , "I, The One You Don't Love"."
"I, the person you don't love" is an inspirational Mandarin song, the past life on the earth, one of the masterpieces of Dick Cowboy.
The different artistic conceptions in the song seem to express the different voices of men. Dad interprets it with his unique voice, which makes this man's song touch the hearts of many people.
It was once popular and popular in the streets and alleys, especially the line "I, the person you don't love, and I am still single" in the song has become the mantra of countless frustrated men.
"In the dark night, the phone rang. I didn't sleep. I guess it was you. Maybe it broke your heart, maybe you doubted its love, which caused us to separate."
After a prelude, Li opened his mouth and sang, deliberately suppressing his voice, trying to be as close to Ade's style as possible.
The essence of this song is to suppress first and then rise, and the foreshadowing of the verse is very critical.
".What kind of person do you need to be with?"
In the last line of the verse, the voice suddenly raised, and a long question-like sound was pulled out.
"The person you don't love, I'm still single, I've stayed outside the door of love and I've been holding on, why do you have to knock on it, the door of my restless heart, I, the person you don't love, I'm still single, I don't have Day and night, the mind is fighting against memories, so you don’t want to touch my pain.”
Immediately, it cut to the climax of the chorus, and the strength of the voice suddenly increased, with a sense of catharsis and release in the voice.
Sentence, like the cry of the soul, and also like asking yourself, interpreting a kind of contradictory and complicated emotions.
As he sang, Li Kai, who was completely integrated into the artistic conception of the song, his body followed the corvee, and entered the state of the unity of human and song.
"...leave me alone, through the scars behind love."
In the last sentence, the singing skills were abandoned for five points and replaced by real voice, four points for pain, three points for reluctance, three points for relief, and soul-stirring.
After singing the song, Li Kai slowly stopped his voice, let out a long breath, and took his emotions out of the artistic conception of the song. Seeing Ade's face moved, he hesitated to speak, he smiled, and said bluntly: "De Brother, your experience is there, this song is sung by you, and if you put all your heart into it, your emotional expression will be fuller and more touching than mine."
Ade took a deep breath, clenched his fists unconsciously, and nodded heavily.
Li Kai smiled again, didn't say any more, adjusted a bit, and began to sing the second song.
"Thirty Thousand Feet", also an inspirational Mandarin song, was also popular in the streets and alleys. It is a milestone in Dick Cowboy's Mandarin songs and one of the best masterpieces.
The whole song is very novel from the point of view of creation. It tells the feeling of a person who lost his love, when he got on the plane and was far away from his lover, the depression and pain.
It's a man's song, and it's after a lot of pain.
A fragile soul who looks strong on the outside, but is currently curled up in the darkest corner of his heart, desperately trying to fill the scars.
The most touching sentence: "I leaned tightly on the back of the chair, thinking that I still hold you in my arms", the tossing and turning of the word "thinking" seems to be able to tear his scarred heart. The finishing touch to the whole song.
"Climbing, speed pushing me against the back of my chair, blurred city slowly flying out of my sight, breathing, reminding me of living proof, the plane is against the earth, and I am against you."
The foreshadowing of the verse is just a few simple lines of lyrics, the rhythm is not deliberately slowed down or strengthened, just like the usual speaking speed, but it gives people an inner monologue that can't be suppressed, pouring out the pain in the heart .
".Away from the ground at a distance of nearly [-] feet, thoughts are like gravitational force sticking to the body, and tears keep dripping down. I escaped from you. I hid at the bottom of the cloud at [-] feet. stream raid"
Then it entered the climax of the chorus, and it was only slightly more intense. There was no sharp contrast between the main chorus and the chorus of "I, The One You Don't Love". .
"I leaned tightly on the back of the chair, thinking that I was still holding you in my arms."
The last sentence is an unreserved expression of sadness, which makes people really feel that it is a fragile heart full of scars!
Men are also injured and vulnerable. It is the watering of scars and fragility that can make a man mature and strong.
This man's song touched not only men, but everyone.
After singing, Ni Houdao came out of the tuning room, gave a thumbs up without hesitation, and said with a little excitement: "These two songs are so good, even I was moved."
"You mean you are not a human, but a cold-blooded animal?" Li rolled his eyes, what did you mean that even I was moved, as if you were someone else.
Ni Houdao was choked for a moment, and pointed at Li Kai, not swearing like that.
"I've been in the industry for so many years, and I don't have to listen to tens of thousands of songs. There must be thousands of songs. If I listen to too many, I will naturally become a little numb." Ni Houdao defended himself, turned his head and said to Ade: "Your age, Coupled with your hoarse Sangcang voice, these two songs are perfectly suitable, absolutely tailor-made."
Ade nodded fiercely. Rao is a mature heart of his. After listening to these two songs, he was also full of excitement.
At this time, Su Ting knocked on the door and came in, looked around, and finally paused on Li Kai, saying: "Shuteng Records has contacted, and the copyright of the cover of the eight songs is no problem, but the record income needs to be divided into two extra points. The two points are for original songwriters."
Su Ting bit the accent for the extra two words.
Ade hesitated for a moment, and immediately said: "Boss Su, these two points, why don't you deduct them from my record share."
Seeing that Su Ting said it without hesitation, Li knew that she did it on purpose. He shook his head helplessly and said, "Let me deduct it from the share of the two main songs."
Su Ting really wanted to let Ade take the responsibility. According to the treatment of the king and queen, the promotional fee of the album was more than one million, and the studio had to subsidize a lot of money. But Li Kai had an attitude, so she didn't say much. He nodded in response.
(End of this chapter)
Studio One.
When Ade heard that an album would be released within five days, he was dumbfounded on the spot.
However, when I heard that it was a cover album, I slowly came to my senses.
According to Li Kai, eight of the ten songs are cover songs, and they are selected from the 23 cover songs in the concert, which are equivalent to off-the-shelf songs. Only two songs were actually recorded from scratch.
It took five days to complete, but it wasn't too tight.
"Here are the two title songs I wrote for you. I will sing a demo first. If you can finish the recording within three days, I will consider giving you another song. In that case, there will be three original title songs and seven cover songs. .”
The concert and the release of the film are synchronized. This is the idea Li Kai made up while lying in bed last night. This morning, he wrote the two songs. At this moment, Ni Houdao copied them and distributed them to Ade and the accompanying band members. And Li Kai picked up the blue guitar that Ning Lan gave him, and walked to the microphone.
Adjusting the height of the microphone, it was slightly original. Seeing Ni Houdao in the tuning room, he made an OK gesture through the glass window. Li opened his fingers and plucked it. In a chord, he said to the microphone: "Bring a song , "I, The One You Don't Love"."
"I, the person you don't love" is an inspirational Mandarin song, the past life on the earth, one of the masterpieces of Dick Cowboy.
The different artistic conceptions in the song seem to express the different voices of men. Dad interprets it with his unique voice, which makes this man's song touch the hearts of many people.
It was once popular and popular in the streets and alleys, especially the line "I, the person you don't love, and I am still single" in the song has become the mantra of countless frustrated men.
"In the dark night, the phone rang. I didn't sleep. I guess it was you. Maybe it broke your heart, maybe you doubted its love, which caused us to separate."
After a prelude, Li opened his mouth and sang, deliberately suppressing his voice, trying to be as close to Ade's style as possible.
The essence of this song is to suppress first and then rise, and the foreshadowing of the verse is very critical.
".What kind of person do you need to be with?"
In the last line of the verse, the voice suddenly raised, and a long question-like sound was pulled out.
"The person you don't love, I'm still single, I've stayed outside the door of love and I've been holding on, why do you have to knock on it, the door of my restless heart, I, the person you don't love, I'm still single, I don't have Day and night, the mind is fighting against memories, so you don’t want to touch my pain.”
Immediately, it cut to the climax of the chorus, and the strength of the voice suddenly increased, with a sense of catharsis and release in the voice.
Sentence, like the cry of the soul, and also like asking yourself, interpreting a kind of contradictory and complicated emotions.
As he sang, Li Kai, who was completely integrated into the artistic conception of the song, his body followed the corvee, and entered the state of the unity of human and song.
"...leave me alone, through the scars behind love."
In the last sentence, the singing skills were abandoned for five points and replaced by real voice, four points for pain, three points for reluctance, three points for relief, and soul-stirring.
After singing the song, Li Kai slowly stopped his voice, let out a long breath, and took his emotions out of the artistic conception of the song. Seeing Ade's face moved, he hesitated to speak, he smiled, and said bluntly: "De Brother, your experience is there, this song is sung by you, and if you put all your heart into it, your emotional expression will be fuller and more touching than mine."
Ade took a deep breath, clenched his fists unconsciously, and nodded heavily.
Li Kai smiled again, didn't say any more, adjusted a bit, and began to sing the second song.
"Thirty Thousand Feet", also an inspirational Mandarin song, was also popular in the streets and alleys. It is a milestone in Dick Cowboy's Mandarin songs and one of the best masterpieces.
The whole song is very novel from the point of view of creation. It tells the feeling of a person who lost his love, when he got on the plane and was far away from his lover, the depression and pain.
It's a man's song, and it's after a lot of pain.
A fragile soul who looks strong on the outside, but is currently curled up in the darkest corner of his heart, desperately trying to fill the scars.
The most touching sentence: "I leaned tightly on the back of the chair, thinking that I still hold you in my arms", the tossing and turning of the word "thinking" seems to be able to tear his scarred heart. The finishing touch to the whole song.
"Climbing, speed pushing me against the back of my chair, blurred city slowly flying out of my sight, breathing, reminding me of living proof, the plane is against the earth, and I am against you."
The foreshadowing of the verse is just a few simple lines of lyrics, the rhythm is not deliberately slowed down or strengthened, just like the usual speaking speed, but it gives people an inner monologue that can't be suppressed, pouring out the pain in the heart .
".Away from the ground at a distance of nearly [-] feet, thoughts are like gravitational force sticking to the body, and tears keep dripping down. I escaped from you. I hid at the bottom of the cloud at [-] feet. stream raid"
Then it entered the climax of the chorus, and it was only slightly more intense. There was no sharp contrast between the main chorus and the chorus of "I, The One You Don't Love". .
"I leaned tightly on the back of the chair, thinking that I was still holding you in my arms."
The last sentence is an unreserved expression of sadness, which makes people really feel that it is a fragile heart full of scars!
Men are also injured and vulnerable. It is the watering of scars and fragility that can make a man mature and strong.
This man's song touched not only men, but everyone.
After singing, Ni Houdao came out of the tuning room, gave a thumbs up without hesitation, and said with a little excitement: "These two songs are so good, even I was moved."
"You mean you are not a human, but a cold-blooded animal?" Li rolled his eyes, what did you mean that even I was moved, as if you were someone else.
Ni Houdao was choked for a moment, and pointed at Li Kai, not swearing like that.
"I've been in the industry for so many years, and I don't have to listen to tens of thousands of songs. There must be thousands of songs. If I listen to too many, I will naturally become a little numb." Ni Houdao defended himself, turned his head and said to Ade: "Your age, Coupled with your hoarse Sangcang voice, these two songs are perfectly suitable, absolutely tailor-made."
Ade nodded fiercely. Rao is a mature heart of his. After listening to these two songs, he was also full of excitement.
At this time, Su Ting knocked on the door and came in, looked around, and finally paused on Li Kai, saying: "Shuteng Records has contacted, and the copyright of the cover of the eight songs is no problem, but the record income needs to be divided into two extra points. The two points are for original songwriters."
Su Ting bit the accent for the extra two words.
Ade hesitated for a moment, and immediately said: "Boss Su, these two points, why don't you deduct them from my record share."
Seeing that Su Ting said it without hesitation, Li knew that she did it on purpose. He shook his head helplessly and said, "Let me deduct it from the share of the two main songs."
Su Ting really wanted to let Ade take the responsibility. According to the treatment of the king and queen, the promotional fee of the album was more than one million, and the studio had to subsidize a lot of money. But Li Kai had an attitude, so she didn't say much. He nodded in response.
(End of this chapter)
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