Superstars start from Hong Kong Entertainment

Chapter 373: Jianghu Culture
The feasting and feasting in the camera continued under the slightly explosive music.

Finally, Chen Haonan, Pheasant, Datianer, Jiaopi, and Baopi got together.

dong dong dong...

Which is called justice, which is invincible

It's hard to decide right from wrong, right from wrong, who has the right to decide
Heaven and earth can testify, no matter what background

……

"Invincible" composed and sung by He Jin began to sound.

The cool and eye-catching pheasant has a lewd smile on his face.

Double skin also appears in the shot.

The robust sophomore stood aside with a cigarette in his mouth.

Pheasant, Datianer, Baopi, and Jiaopi all set off forward, and the camera turned again, and a generous figure appeared from the back.

Half-long hair, handsome features, four fingers into a palm, the thumb is inserted into the ear and rotated in a circle.

The whole movement was done in one go, and a cool feeling suddenly appeared in everyone's heart.

In the theater, many little girls also came to the theater to watch this movie after receiving He Jin's call.

As soon as Chen Haonan made this move, the hearts of these little girls immediately jumped.

"So handsome!"

"cool……"

"Does Chen Jinhui want to make this movie into a movie with his own strong personal style? Show off his skills!"

In the private room, Tsui Hark couldn't help saying when he saw this coherent scene.

In this shot, Chen Jinhui used the opposition of characters, lighting, and positioning to convey the characteristics of the characters.

Every director has his own characteristics and personal style.

Wong Kar-wai's adjustment of mood and atmosphere, Johnny To's conveying of opposites.

Chen Jinhui's characteristic is to highlight what he wants to express in the confrontation between characters.

Well, there is this characteristic, many reasons are because he has made small Japanese porn...

Each director has his own characteristics, and each has his own preferences.

However, to be honest, there is absolutely nothing wrong with using some things in literary films, and they will definitely be highly sought after by colleagues.

But "Young and Dangerous" is not a literary film.

This is a purely commercial film.

Moreover, this is a commercial series film that will be planned as soon as the filming starts.

Commercial films are most taboo to have a particularly strong personal style.

Commercial films are shot in the same way as commercial films, and literary films are shot in the same way as literary films.

Although the two are shot in the same way, the shooting methods are completely different.

Literary films pay attention to art, and directors especially like to use the lens to express their own things.

It is also because there are so many things mixed in by individuals that literary and artistic films become box office poison.

Well, box office poison.

There is absolutely nothing to say about the artistry of most of the literary films that have been blown away, but most audiences don't understand them at all.

This also caused these movies to lose money at the box office.

The most representative one is "Days of Being Wild" by Wong Kar Wai.

In 1990, "Days of Being Wild" gathered Leslie Cheung, Jacky Cheung, Andy Lau, Maggie Cheung, Carina Lau and others.

But after the movie was released, it only made more than [-] million box office.

Looking at this lineup, you know that the box office does not match the investment.

The movie directly hospitalized investor Deng Guangrong.

In contrast, although commercial films are not artistic, they are not mixed with any personal style in terms of lens expression, and anyone with an IQ can understand them.

"Young and Dangerous" is naturally not a literary film. If too many artistic things are added, it will naturally not be good for the film's box office.

But fortunately, Chen Jinhui didn't always use the way he made small movies in "Young and Dangerous".

Just occasionally there is a little bit of personal touch in it.

This little bit of personal style does not affect the film, and even because it is only occasionally, it makes the shots and pictures of the whole film much more harmonious.

Every movie that wants to be successful needs a core selling point.

The so-called selling point is the aspect that attracts the audience into the theater to watch.

Just like the "Fast and Furious" that He Jin and Andy Lau are co-planning, his selling point is all kinds of adrenaline racing and passionate confrontation between men.

"Young and Dangerous" also has his selling points.

This is a movie with emotion, style and passion.

The romantic feelings between men have created the quack spirit and brotherhood in the bones of the Chinese.

The movie "Young and Dangerous" describes the "happy kindness and hatred" in the eyes of young people.

Maybe it's superficial and naive, but this is every man's passionate youth.

Therefore, in the movie, when Chen Haonan and his brothers were closing their mouths in the bathing pool, all the young audiences were immersed in it, especially those young and Dangerous, who wished to become Chen Haonan and others in the movie.

The Chinese people's yearning for the rivers and lakes has created China's unique martial arts culture.

This kind of martial arts culture is entangled with Xiangjiang's money, power, beauty and impetuousness, and young and Dangerous is brewed.

Just look at the bastards on Xiangjiang Street, and you can see how many people have been affected by this culture.

He Jin actually hates Young and Dangerous.

When he first debuted, someone put a fake gun on his back and asked him to make a third-grade movie.

Fortunately, it was a fake gun, otherwise the five heavenly kings would have become four heavenly kings...

Therefore, He Jin personally dislikes Young and Dangerous Boys.

Of course, being disgusted doesn't mean he doesn't make money from it.

It is said that profit is blinding his heart, perhaps it is because of profit that he invested in this young and Dangerous boy.

He Jin sometimes thinks that he is a good person, but sometimes he also feels that he may not be a good person either.

In a word, he is also human.

Of course, as a film investor, He Jin must be prepared for a series of impacts after the film is released.

In general, hit movies will more or less have a certain impact on society, which is a problem that has always existed.

Jet Li's Huang Feihong once set off a frenzy of Master Huang in Xiangjiang.

Students, teenagers often like to imitate the characters in the movies and do things that the characters will do.

As for Huang Feihong, he was a figure in the late Qing Dynasty, and he was decent, so there would be no problem imitating him.

The big deal is to pull the dick and yell, "Look at my Foshan Wuying feet!"

In contrast, the situation in "Young and Dangerous" will be different.

After all, this is a modern film, and it is also a group of real people-Young and Dangerous.

He Jin is also afraid that after watching the movie, teenagers will imitate the characters and become young and Dangerous.

As a popular celestial king, He Jin didn't want this to happen.

Therefore, he has two thoughts on the second part of Young and Dangerous.

The first one is, if Young and Dangerous becomes popular and really has some bad influence on the society, then he will reluctantly give up and choose to kill several protagonists in the second part.

Cough cough, yes, just killed a few protagonists.

Although this approach will definitely be scolded, but that's what he thinks.

In addition to adding a little heat to the movie, the anti-mafia policeman he played as a cameo in the movie has another reason.

At that time, the policeman played by him will become the protagonist in the second part, stage a big anti-crime drama, arrest all the protagonists in the first part, or directly kill them.

Of course, if the movie didn't make a difference.

That would be easier, just let Chen Haonan and others be the protagonists.

(End of this chapter)