let go of that director

Chapter 170 Skills (Monthly Ticket 900 Plus Changes)

Lin Yuner listened quietly to Li Chengyou's talk, looked at Li Chengyou with both eyes, and seemed to see the halo from before on Li Chengyou again.

Compared with his peers, even compared with many people who are far older than Lee Seung-woo, Lee Seung-woo is undoubtedly superior in terms of cultural heritage and depth of thought. It is no wonder that Lee Seung-woo became famous at a young age, and has several film and television works in succession. The show is a huge success.

The media and many viewers commented that Lee Seung Woo is a genius, and Yoona felt this more deeply at this time.

Thinking back to the self-confidence and pride in Li Chengyou's bones, Lin Yuner suddenly felt that these shortcomings that she was not used to before had just become Li Chengyou's strengths and charm.

Confidence and arrogance without strength support is a kind of arrogance, but self-confidence and pride backed by strength highlights Lee Seung Woo's uniqueness.

Compared with Li Chengyou, and thinking back to those boys she met before, Lin Yuner only felt that those boys were vain and superficial. Comparing the two, they were like jewels and rubble, and they had no value in comparison at all.

"...In short, if you ask me for an opinion, I only have these opinions, but it's up to you to make up your own mind on how to decide."

He briefly helped Lin Yuner analyze her future development. Looking at Lin Yuner, Li Chengyou said again: "Although direction is more important than hard work most of the time, hard work is the foundation of success. No matter how well planning helps you do it, if you have the strength Insufficient, if you don’t work hard, it’s like drawing cakes to satisfy your hunger, looking forward to plum blossoms to quench your thirst, no matter how beautiful the imagination is, it can only be comforted.”

Lin Yuner recovered and nodded.

Li Chengyou said again: "Okay, let's not talk about these redundant topics, let's get back to the topic."

After a pause, Li Chengyou said: "We talked about it before, each actor has a different understanding of acting, and he has divided into different genres. But as far as I am concerned, I don't think it makes any sense to define actors in a certain genre. Although some actors feel that it is inappropriate to use the word 'acting' to describe acting skills, because the word 'acting' means to separate the actor from the role, which is a cut.

But in fact, the essence of performance is still 'acting'.

No matter how empathetic and integrated an actor is, every individual is different, and one person can never be another person.

The so-called 'experiential school', 'method school' and 'expression school' are more about digging from themselves, allowing themselves to get close to the role, rather than really being able to become a role.

So what genre is meaningless, what suits the actor himself is the most important thing.

For example, some actors have strong empathy ability, delicate personality, and are more emotional, so he can easily dig out the side that fits the role from his own emotions, get close to the role, and get close to the role.

But some actors are more rational, more rational than emotional.

Then this type of actor needs to use methods and skills to set the role, and build a "role image" in his heart.The emphasis is on imitation rather than integration.

As far as you are concerned, frankly, you are average in acting.

One is related to your personality, and the other is related to your experience.

You think too much, worry too much, and often do things too backwards and forwards, so your personality is actually more rational than emotional. Compared with those gifted actors with strong empathy, you are actually not suitable for the "experiential school" a form. "

Lin Yuner curled her lips, a little upset.

Seeing this, Li Chengyou said with a smile: "Don't say that you are unhappy, although the words are not pleasant, but what I said is the truth. People with a smooth personality certainly have advantages in interpersonal communication, but if you are an actor, if you are not much better than others It is very difficult to succeed if you work harder. Although people with this personality are sensitive and their empathy skills are not bad, their minds are too complicated to be single-minded.

Therefore, it is difficult for people with this personality to really integrate into the role.

Compared with the experiential school, people who are more rational than emotional are more suitable to study skills and get close to the characters with methods and skills.

But your problem is that you have too little experience and know too little.

You have been an SM trainee since you were a child, and debuted in your teens, so far, your circle is too limited.

For example, let you play the role of a waiter in a coffee shop. You have no experience in this area at all, and you don’t know his daily work mode as a waiter in a coffee shop, nor have you experienced the life of the bottom-level people. The character has no concept at all, so how can you make the character come alive and empathize with the audience if you rely on your imagination when performing. "

Lin Yuner was stunned for a while, and had nothing to say.

Lee Seung-woo said: "Let's take an example. From Seoul to Busan, you can walk, take a car, bus, subway, plane, there are many ways to get there, but if you only have the concept of walking in your mind, the audience It must be the slowest and stupidest way. There is also the way of greeting foreigners that you mentioned before. If you only know 'hi' and 'hello', this way must be too monotonous.

If you want to play a good role as a waiter in a coffee shop, it doesn't mean that you have to experience the daily life of a waiter for several months, but you must have this concept. You need to know the daily work and daily life of a waiter. Once you have this concept, you can use this concept to build characters.

So this requires you to pay attention to observation in your life to accumulate relevant materials.

The more carefully you observe and the more experience you accumulate, the more materials you can choose from when building a character, and the easier it is to make the character more realistic and vivid.

In fact, let me compare it to you this way, a skilled actor is a bit like writing an article.

The more characters you know and the more vocabulary you accumulate, the more gorgeous and refreshing the articles you write.

But the premise is that you have these words in your mind, so that you will have more materials to choose from when writing. "

Lin Yuner pondered, frowned and said: "But you also know my situation, I have so many trips every day, I don't have time to experience life at all. Besides, it's not appropriate for me to experience the daily life of a waiter in my current status."

Lee Seung Woo: "..."

Impressed!

This girl is usually very smart, why is she so stupid now?

Li Chengyou complained: "I just gave an example, and I didn't really ask you to be a waiter. Now that the Internet is so developed, many people like to share their daily life online. When you want to play a role, you don't start with Look for material on the Internet. And there are so many classic film and television dramas for you to refer to. As long as you observe more and accumulate more, you will naturally have more material in your mind. When performing, construct and design according to the character of the character.

I'm really convinced, I don't even bother to complain about you being so stupid. "

Lin Yuner: "..."

Pouting his lips, he snorted coldly.

(End of this chapter)