Lu Mingfei, who had read Dragon Clan before Dragon Slaying

Chapter 423 New Chronicle of Ancient Events (Two in One, please subscribe!!!)

Uesugi stared at the female figure in the center of the stage intently.

The old man's body trembled slightly, until now he still felt a deep sense of unreality, he couldn't believe that the beautiful shadow on the stage was his son.

Uesugi imagined that his child was a very talented kabuki performer, but he did not expect that this child was so good that he would draw people into the one he sang and danced just after he appeared on the stage and just opened his voice. In the poignant world, as if there is some magic power, the voice and figure are so beautiful that it is suffocating.

"It's so beautiful." Even Erika couldn't help but write in a small notebook.

"It's really beautiful." Lu Mingfei watched Feng Jianliuli's singing and dancing on the stage, and couldn't help feeling, "Perhaps 'beautiful' is not enough to describe him. At this moment, Feng Jianliuli can only be described as 'demon' .”

The story in the dream has a detailed description of Kazama Liuli's appearance, describing that this is a boy who is truly as beautiful as a woman. Before today's performance, Lu Mingfei has also seen Fengma who appeared in the image of a young girl. Jian Liuli has to admit that Feng Jian Liuli is indeed a female-looking beauty, so Lu Mingfei has already fully prepared himself for the beauty and elegance of Feng Jian Liuli in women's clothing...

But imagining is one thing, seeing it with your own eyes is another. Everything about Fengjian Liuli far exceeded Lu Mingfei's expectations. Jian Liuli's feminine charm is astounding, as if there really is a female ghost of Huangquan who has passed away for thousands of years, possessing Fengjian Liuli, using his body and singing and dancing to sing bad words about everything in this world.

"The son born to me is not good today, so I should ask the gods for advice."

"The god of heaven ordered divination, so he announced: 'Because the woman said it first, it is not good, so go back and say it again.'"

On the stage, Kazama Liuli sings and dances, walking around the imperial pillar of the sky.

"That's why I waited until my elder brother Iyanagi ordered me to speak first before I could say: 'Ah, what a good man!'"

No one can understand what Kazama Ruri is acting, even those experienced masters and drama critics are confused, but everyone is immersed in the desolate world performed by Kazama Ruri, unable to extricate themselves.

Accompanied by the euphemistic libretto, Kazema Liuli opened the snow-white robe, and in an instant, the exquisite patterns drawn in ancient Chinese characters on the robe seemed to come to life.

The raised left sleeve of Fengjian Liuli looks like a golden streamer. The goddess and the sun rise slowly from her sleeve, and all creatures and gods in the world are illuminated by the overflowing colors and streamer, shining forever.

The drooping right sleeve of Kazama Liuli is like a falling star, the crescent moon falls from the endless void, into the yellow sand covered with dry bones and the ghostly yellow spring, and the dark crossing river is as cold as an ice spring.

When Fengjian Liuli dances, the pattern on the back is a long sword drawn out of its sheath. The ancient sword extends from the waistline to the top of the back like a mountain forest. But it adds a serious chill to this yin and soft dance.

Everyone was immersed in the beautiful and meaningful dance of Kazama Liuli. At this time, lines of subtitles flashed on the translation screen on the stage. ".

"Do you think the patterns on Kazama Liuli's clothes are familiar? Does it look like the murals we saw in Genji Heavy Industries?" Caesar said to Chu Zihang.

"Yes, the symbols of Amaterasu, Tsukiyomi and Susanoo are all worn by him." Chu Zihang said in a low voice, "The title of the play is "New Edition of Ancient Matters", and Kazama Liuli should play It is the mother goddess in Japanese mythology, Izanami."

"His acting skills are better than I expected. Even a person like me who is not very interested in Japanese mythology can understand that he is playing a woman whose husband has died." Caesar did not hesitate to perform to Kazama Ruri. praise.

"But why did he choose this subject?" Chu Zihang said to himself, "Kazama Liuli's performance is perfect, but "Ancient Matters" should have very few audiences, and for the audience, the story has a sense of substitution It's not strong, as Kazama Liuli's first performance, it shouldn't be adapted from such an unpopular repertoire."

"What's even more incredible is that the guy Kazama Ruri gave the best place to watch the drama to us foreigners who know nothing about Kabuki art." Caesar said, "What does he want to tell us through his performance? ?”

"Have you noticed that the title of the play is "Newly Edited Ancient Matters" instead of "Ancient Matters"?" Lu Mingfei suddenly reminded in a low voice, "Because compared with the original mythical "Ancient Matters", the plot played by Kazama Liuli It doesn't make sense."

"Kazema Ruri plays the mother god Izanami in Japanese mythology. The mother god Izanami and the father god Izanaki gave birth to the Japanese gods, but only Amaterasu, Tsukiyomi and Susanoo are Izanami. After Xanagi returned from the land of the underworld, in order to wash away the spirit and dirt of the underworld on his body, Izanagi held a shaman ceremony in Apokihara, the small gate of the Hyuga country in Chikushi, and washed the left and right eyes and noses. A noble son." Lu Mingfei looked at the pattern on Kazama Liuli's robe on the stage, "That is to say, the three supreme gods who are now adorned on Kazama Liuli's body have no blood relationship with the Izanami he plays... Maybe that's why he put the word 'new' in the title of the play."

"Isn't "Kojiki" regarded as official history by Japan? Isn't this kind of adaptation of countless classics afraid of being stabbed in the back by those traditional kabuki masters?" Caesar said, "I heard that the old guys in Japan who are engaged in theater performances are comparable to As stubborn as Professor Manstein, Kazama Ruri, as a newcomer to the Kabuki theater for the first time, dared to change their history beyond recognition, I began to appreciate this guy."

"Hey, can you shut up? I've tolerated you for a long time!" Uesugi Koshi at the other end of the sofa finally couldn't help but yelled at the three of them in a low voice, "My son is performing a very important performance. As his friend, you guys What should be done is to keep quiet and watch carefully, this is the respect for art, do you have any post-viewing impressions and wait until the performance is over before publishing it?"

Caesar, Chu Zihang, and Lu Mingfei immediately became dumb.

Kazama Liuli on the stage took off her delicately patterned snow-white robe, revealing the gorgeous lining. It was an extremely brilliant painted shirt, and the fineness of the patterns on it was even higher than that of the faded robe.

The dense lines form obscure and ancient characters, and the characters converge into colorful and strange patterns... The white ones are twisting maggots and skeletons, the red ones are rotten lips and flesh, and the black ones are withered flowers and ghosts. film.

Everyone who saw this strange costume shuddered, but compared to the clothes, Kazama Liuli's soft and boneless dancing posture was more creepy, sending chills down the spine.

This ghost in the depths of the underworld seems to be... gracefully begging for sex.

"The patterns on that dress are dragon patterns?" Caesar frowned slightly.

"Compared to Longwen, it's more like the weird script we saw in front of the torii gate of Gaotianyuan together, that is, the Japanese script of the Age of Gods." Chu Zihang said in a low voice, "I'm talking about the ancient underwater city Gaotianyuan .”

A bunch of warm yellow lights hit a corner of the stage, and a male figure in a golden robe appeared on the stage. He was wearing an ancient wooden mask, and his steps were "folding feet". He slowly approached Izanami, There was obviously no obstacle between the two on the stage, but his steps felt winding and difficult, as if there were thousands of mountains and rivers and rugged ancient roads between them.

All the audience can see that he is looking for Izanami through hardships, because the man is the father god in Japanese mythology, Izanaki, and Izanami is his wife.

Izanagi finally came close to Izanami, a crimson carved wooden door was pushed from the side of the stage between the two, and the man playing Izanagi lightly knocked on the vermilion door.

"It's a pity that you didn't come earlier, I have already eaten the food cooked by the stove of the underworld." Izanami sighed slightly, "But since my dear brother came from a long way, I am willing to go back... and go to discuss with the god of the underworld , please don’t spy on me, brother.”

After saying this, Izanami, played by Kazama Ruri, covered her pale face with the sleeves of the deceased's funeral gown, and her body trembled slightly for a long time.

Izanagi Ming outside the door couldn't stand such a long wait. He quietly opened the door, then took off the wooden comb inserted in the left bun on the top of his head, and gently broke off a comb tooth next to it from the wooden comb. Start a fire.

The burning sticks illuminated the pitch-black temple, and Izanami raised her head from her sleeves just in time.

Izanagi saw that his wife was covered with maggots, her arms were covered with bones and skeletons of the dead, pus and blood were overflowing on her face as pale as a dead person, the thunder was on her head, and the fire thunder was on her head. On the chest, the black thunder is on his abdomen, the demolition thunder is on his yin, the young thunder is on his left hand, the earth thunder is on his right hand, the singing thunder is on his left foot, and the falling thunder is on his right foot. In total, eight gods of thunder are formed...that is A rotten female corpse, the magnificent Chinese clothes turned into the burial gown of the deceased, and the charming dance turned into a banner posture calling for souls.

Izanaki withdrew from the hall in horror, and fled in a hurry along the way he came. However, unlike the original "Kojiki", Izanami played by Kazama Ruri did not chase him out at this time, but stay in the hall.

Izanami quietly looked at the direction where Izanagi left, and sang in a hoarse and scary tone: "My brother, you really broke my heart, but I have expected this day to come, it is you, brother." Breaking the contract and abandoning the oath first, the marriage contract is a thing of the past, so don't blame me for my resentment coming from the kingdom of the underworld to the world. I will turn the world you created into a purgatory for dead souls. ragged clothes, I will imprison your soul in my body, and we will never be separated from life to life..."

Izanami, played by Kazama Ruri, sang the most vicious curse in the underworld with the most beautiful voice in the world.

The play came to an end, Kazama Ruri took the lead to hide behind the scenes, warm golden lights enveloped the stage, Izanagi came on stage singing beautiful poems, and huge columns slowly rose from the floor of the stage.

That was Japan at that time. On a jade pillar rising from the bottom of the sea, the land was barren and empty. Izanaki was walking around the pillar in a perfect circular trajectory. Izanami played by Kazama Ruri Appearing again, the pale makeup and hideous funeral gown are gone, she is wearing a gorgeous vermilion wedding dress, and the two meet in front of the column facing the auditorium.

"Ahhhhhhh, what a nice woman!" Izanagi said in surprise.

"Ah, what a good man!" Izanami also responded in surprise.

The two sang and danced together. During the singing and dancing, the two formed a marriage contract. This was a grand marriage of the gods. They multiplied countless offspring on the giant pillars rising from the bottom of the sea.

"I will love you for eternity and eternity, love you with everything I have, I have forgotten who you are, and you will be my wife from now on." Izanagi said.

"If one day, my beauty is gone, my powers are lost, and I turn into a ghost in the underworld, will you still love me?" Izanami asked.

"Love, I will still love you even if you turn into a carrion and wear bloody mourning clothes, even if you turn into dry bones that day." Izanagi sang loudly, "If one day I break my vows, I will let you die." My world has turned into purgatory, let my most proud child be sewn into your clothes, let my soul be imprisoned in your body, and I will fall into hell forever forever."

"Okay, then you will be my husband from now on." Izanami said.

"I understand, it's a flashback." Caesar in the VIP seat said suddenly, "The play of Kazama Ruri uses a flashback technique. When he appeared on stage, it was the end of the story. At that time, Izanami was in the underworld. The country, is a person, and then the part where Izanagi betrayed her, she sat in the main hall and cast a vicious curse on Izanagi, because Izanagi broke the vow that made her, and finally they met part."

"No, it's not a flashback, it's a memory." Lu Mingfei pointed to Kazama Ruri who still hadn't left the stage on the stage, "From the beginning to the end, this story is only about Yizanami, and Kazama Ruri plays Izan That beautiful memory, the memory flows backwards."

"Because from the beginning of the play, that Izanaki has been killed by her, Izanami fulfilled her curse, the kingdom of the underworld and the world communicate, the earth returned to barrenness, and Izanaki's soul was imprisoned by her In the snow-white sleeve robe, Izanaki's three children, Amaterasu Tsukuyomi and Susanoo, were stitched on the sleeve by Izanami... She regained her beauty, but lost everything." Lu Mingfei Said, "That's why Izanami's appearance is so sad and lonely. Her first performance was a one-man show, because she is the only one left in this world, like a... a bitter woman who has been hungry and thirsty for thousands of years."

"That's why Kazama Liuli did edit "The Chronicle of Ancient Matters", and he changed the ending of the story to Izanami's victory." Chu Zihang said, "This kind of tampering can no longer be described as forgetting one's ancestors, it's simply outrageous , I’m afraid it will easily attract criticism from those traditional kabuki masters.”

(End of this chapter)