Heaven's Martial Fate

Chapter 531 Section 1 Responsibilities

Chapter 531 First Responsibility

The actions of Xingkong Director's Studio did not intend to hide from outsiders.

So, everything that needs to be known will be known soon.

Some people in the comic circle were a little dumbfounded, but they didn't really care.

After all, the director's studio has already opened up the situation, and whether the director's studio follows up later, the impact is actually not too great.

At most, it is just one less bargaining chip.

The eyes of the rest of the film and television companies naturally also focused on those classic sketches.

However, they did not act rashly, but adopted a wait-and-see attitude.

There is no way, Starry Sky Director's Studio has an obvious benchmarking effect, which has already raised the cost of acquiring the copyright.

Although these expenses are only a drop in the bucket for film and television companies.

But the problem is that they, who are used to buying scripts at super low prices, are not used to the current situation, and secretly scold the director's studio for disrupting the market.

In addition, I also want to see how the director's studio modifies the classic sketches and puts them on the big screen.

As long as the first shot of the director's studio is fired, it goes without saying that there will be many film and television companies waiting to watch.

Even if the director's studio takes away the rights to adapt some of the most classic sketches, it's no big deal.

Over the years, there have been quite a few classic skits released during the Spring Festival Gala. Is it possible to buy the copyrights of other skits that have the potential to be adapted?

Wu Dong didn't care about other people's thoughts and thoughts, he just handled the affairs of Starry Sky Director's Studio according to his own rhythm.

The reason why the film and television copyrights are developed for classic stand-up comedy and sketches is mainly to expand the scale of comedy films.

There is a serious shortage of comedy films in the Mainland, which has led to the somewhat exaggerated box office results of comedies with a little bit of quality in the future.

As the leader of the mainland film and television industry, he always has to do something.

Instead of spending energy to praise new comedians, it is better to let those old cross talk and sketch actors continue to shine.

Among other things, they who often perform in the Spring Festival Gala are not only outstanding in strength but also have a sense of proportion, which is very important.

The entertainment industry in Wu Dong's memory can be described as a miasma.

In his view, apart from the large-scale invasion of capital and the crazily profit-seeking without a lower limit, the most important reason is that institutional actors have not been able to occupy a mainstream position.

Those little fresh meats, and the so-called celebrities who rely on all kinds of lace scandals and even unlimited hype to become famous, might they be trustworthy?
Most of them haven't read many books, so it's natural that they become famous all of a sudden.

Leading a little bit to the bad, without much firm will to resist, isn't it a full-fledged existence?
On the contrary, if well-organized and capable actors become the mainstream of the film and television industry, it is impossible for any messy things to happen.

Even if the traffic stars of the small fresh meat type appear in the future, they dare not be too unreasonable.

Of course, what Wu Dong can do is to work hard to broaden the types of films and let the mainland film industry enter a state of flourishing.

At the very least, qualified commercial directors trained by Starry Sky Director Studio can still shoot commercial films of acceptable quality as long as they don't mess around.

When there are more commercial films of various types on the market, the entire film market will prosper, which is a certainty.

As long as there are more qualified commercial films, as in my memory, bad films can also have good box office, it is basically unlikely to happen.

Even if there is, it won't be able to stir up many storms.

Instead of giving the directors the wrong perception as in memory, thinking that even if they make a bad movie, they can make a lot of money, so why bother to polish the script and make a good film, there is no such need.

As a result, when the audience was irritated and the bad movie couldn't be sold anymore, and they wanted to make a serious film, the word-of-mouth had already collapsed, and the audience didn't trust it at all.

Those directors of commercial films who were obviously quite capable in the golden age of Hong Kong films, in the end it seems that they can't even make movies. This is the reason.

There are too many bad movies, and the original serious and responsible attitude is completely gone. When I want to pick it up again, not only the audience does not approve, but my own state is difficult to recover.

For a long time, the audience seemed to have lost confidence in Chinese films, and all kinds of negative voices were heard endlessly.

It is quite a scary thing that moviegoers have lost confidence in local films despite the rising box office market.

Fortunately, at every critical point, there will be videos to boost morale.

Films such as "The Great Earthquake in Tangshan", "Lost in Thailand", and "Wolf Warrior 2" slowly changed the audience's perception of local films.

It's just that there are too many bad movies in it, and the damage to the reputation of local movies is too great. After [-], it is still impossible to suppress Hollywood movies.

Even, because of the bad movie, the audience's mentality almost burst.

Right now, the birth of Xingkong Director's Studio has made the situation in the mainland film industry much better.

Like the "Kung Fu Doctor" series, all kinds of costumes are more refreshing than face-slapping, which is much more interesting than the pure popcorn visual blockbuster.

Hollywood-like popcorn blockbuster, it seems shocking when you first watch it, but you will soon forget it after watching it.

When someone asks about it, they can only answer one big scene and special effects.

If you ask him if he is still interested in watching it a second time, most of them are not, which is normal.

If there is too much visual bombardment, fatigue will naturally appear.

Even if it takes 100 years to pretend to slap the face, it will still make people feel extremely refreshed.

In other words, the popular plots of online novels are at least five to ten years ahead of reality.

But even so, Shuangwen, which pretends to be a slap in the face, is still the most competitive boutique novel. Even if old bookworms dismiss it, there are more new book fans addicted to it and unable to extricate themselves. This is the reality.

For a movie like "Kung Fu Doctor", which pretends to be face-slapping and has quite exciting content, it is really fascinating and applauded.

Even if it competes with Hollywood blockbusters in the same schedule, it will not lose the wind at all, and it can even beat Hollywood blockbusters madly.

The most exaggerated thing is that the "Kung Fu Doctor" series of movies did not have the problem of the series. On the contrary, each one is more popular than the other, and the box office performance is also the same.

At this time, the director's studio has already produced the sixth part of "Kung Fu Doctor", and the box office score has directly reached the [-] million mark, which is definitely a hit.

Not only is it popular in China, but also in Southeast Asia, Japan, South Korea, and even Europe and the United States. The box office results are quite good.

Obviously, all audiences like the routine of pretending to beat their faces very much.

Not only "Kung Fu Doctor", other films of the same type imitated by other film and television companies, due to various reasons, the quality and plot can only be regarded as qualified, but the box office results are not bad at all.

Among other things, it can easily exceed [-] million.

The key point is that overseas film studios are very interested in buying. Although the price is not high, it is rare to be able to sell overseas films.

It's a pity that other film and television companies have obviously purchased the complete film and television adaptation rights of related novels, but few of them are like the director's studio, which slowly promotes the development of the plot bit by bit, making the series of films quite attractive and longevity.

Ordinarily, such a method is more suitable for TV dramas, but since Xingkong Director Studio has made a good start, it will naturally continue to film the plot of the novel.

Of course, the TV series of the same name was also filmed, and the plot is more full and detailed, but in terms of rhythm and sharpness of fighting, it is much worse than the movie.

Although the TV series still caused a wave of ratings after it was broadcast, it did not hide the light of the movie of the same name.

I don't know if it's the screenwriter's fault, anyway, the same type of films made by other film and television companies always give the audience a feeling of rushing too hastily.

In addition, there is too much information in the film. It seems that the plot of a novel with millions of words must be combined in just 120 to [-] minutes.

In such a situation, how could it be possible to capture the essence of the novel?
Although they felt that their peers were not up to par, Wu Dong and Xing Kong Director's Studio didn't say much.

On the contrary, some directors of commercial films who became famous and left sometimes did not hold back their thoughts, and sprayed a few words during interviews.

In other words, when these guys first signed with Xingkong Director's Studio, they were all honest and peaceful, they did what they were asked to do, and they did a good job as tool people.

It's just that after becoming famous, they basically left Starry Sky Director's Studio, revealing their true colors and often spreading news of temper tantrums.

It is understandable that they have been holding back for several years in Xing Kong Director's Studio, and now they are famous, why don't they say a few more words?

Of course, these guys still value the training from Starry Sky Director's Studio. I heard that they have established small circles after they left, and they have swelled too much.

However, other film and television companies still have to use them.

There is no way, the filming of such films as pretending to slap your face is still the best at directors from Starry Sky Director's Studio.

I just heard that because of the script, these famous guys often quarreled with the scriptwriting department of the new cooperative company, causing a lot of noise.

Understandable!

During their time in Starry Sky Director's Studio, although they were just tool people, they couldn't stand the details of the script produced by the Director's Studio.

Even, there are even specific shot scripts.

For some films, they only need to shoot according to the shot script, and they don't need to think about the plot at all.

Although it feels bad to be restrained like this, they have stayed in Starry Sky Director's Studio for a long time, and they have become accustomed to the extremely detailed script mode, so they feel that this should be the case.

But after leaving, and cooperating with other film and television companies, the scripts given by Nima are all kind of silly things. Have the screenwriters read the adapted boutique online novels?

At the very least, these directors have already finished watching, and even have a lot of contact with the author, otherwise how would they grasp the essence of the novel...

(End of this chapter)

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