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Chapter 724 Berlin Concert, "Swords Like Dreams" starts

A month later, at a concert in Berlin.

Due to the wonderful performance of the Lantern City Concert, the treatment of the Chinese Orchestra in the Berlin Concert was greatly improved. Before, there were only two performances, one of which was Wang Xuan's solo performance, which was given entirely because of Wang Xuan's personal face. The real performance was actually just a group ensemble of the Chinese music scene.

However, the overwhelming success of the China National Orchestra at the Lantern City Concert raised the China National Orchestra's profile for the entire day. The Berlin Concert, which was originally scheduled to have only two performances, added two more performances for the China National Orchestra.

But the specific performance depends on the internal decision of the China National Orchestra, or in other words, on Wang Xuan's opinion. Wang Xuan, after internal discussions with Fang Jinlong and others, finally decided to add a erhu solo "Thinking of You Sadly" and a pipa solo "Pipa Language".

The two pieces were naturally provided by Wang Xuan. "Thinking of You" is the soundtrack of "Demi-Gods and Semi-Devils", specifically the part where Qiao Feng buried Azhu. "Pipa Yu" has not been officially released yet, but it is a very nice pipa piece.

When Chen Chong played "Thinking of You Sadly", the audience was moved to tears.

There is no audience that cannot cry when listening to the erhu music, and the erhu piece "Thinking of You Sadly" is the best among them. It is hard for the audience not to be moved by the feeling of sadness that is like crying and complaining.

The foreigners at the scene were crying like pear blossoms in the rain, and they all seemed like bumpkins who had never seen the world, and they screamed with excitement.

"Wow, there is such a moving song in the world?"

"This piece of music is so wonderful that it makes people want to cry. And the Chinese musical instrument erhu is really a magical instrument. The sound it produces feels much more melodious than that of the violin."

The domestic audiences were delighted to see foreigners crying due to the erhu playing.

"6666, I thought foreigners couldn't understand erhu, but now they are crying!"

"We need to let foreigners see the power of the erhu."

"I think these foreigners haven't seen the true power of this song yet. This song, coupled with the scene of Qiao Feng burying Ah Zhu, is the real king bomb."

"Yes, Wang Xuan's music is too strong, the rendering ability is directly maxed out."

Later, Fang Jinlong played "Pipa Language", which amazed the foreigners present. It felt like they were listening to fairy music.

This pipa music is so beautiful. When the plaintive sound of the pipa rang in my ears, it was as if an ancient and long painting was slowly unfolding before my eyes.

The crisp and melodious sound of the strings is like the first ray of sunshine in the morning, gently penetrating the mist and awakening the sleeping world. The sound of the pipa is crisp and bright, and the notes are soft and soothing, like a breeze gently blowing across the lake, bringing a hint of coolness, or like a woman singing softly to the bright moon in the quiet night, telling the tenderness and sorrow in her heart.

As the music progresses, the melody gradually becomes richer. The pipa is played more and more quickly, and the jumping between the notes is like the surging thoughts in the heart, sometimes happy, sometimes melancholy. The string sound seems to be telling a story of ups and downs, with the joy of meeting, the sadness of parting, the lingering of missing, and the emotion of reminiscing. Each note is like a teardrop full of emotion, crystal clear, but full of endless sadness and helplessness.

The melody of the whole piece is beautiful and graceful, like a flowing stream, gurgling by. It has both the implicitness and restraint of oriental music and a power that can reach people's hearts. The ups and downs and turns of the melody are handled very delicately, sometimes soothing like a breeze, sometimes rapid like a rainstorm knocking on the window, showing the changes of emotions vividly.

Fang Jinlong is indeed a pipa master and is known as the pipa master. His pipa attainments are at the pinnacle, especially in the control of rhythm. The Pipa Language shows a very high artistic level.

In the slow part, the rhythm is steady and solemn, as if time has stopped, allowing the audience to immerse in deep thinking and recollection; and in the fast part, the rhythm is brisk and agile, as if the emotions that have been suppressed in the heart for a long time have finally found an outlet for venting, pouring out, making people feel a hearty and refreshing pleasure.

This change in rhythm not only adds a sense of layering to the music, but also makes the audience's emotions fluctuate with the ups and downs of the music, as if they are in the emotional world created by the music and resonate strongly with the melody.

The timbre characteristics of the pipa are fully utilized in this piece of "Pipa Language". The high pitch is bright and crisp, as pleasant as a silver bell, making people feel hope and joy; the low pitch is deep and heavy, like a gurgling spring, flowing with endless sorrow.

In terms of playing skills, the use of glissando, vibrato, finger rolling and other techniques add rich expressiveness to the music. The use of glissando makes the melody more smooth and natural, like the natural expression of emotion; vibrato makes the notes full of emotional tension, as if every note is trembling and telling the inner waves; finger rolling is like fine raindrops, falling one after another, creating a continuous atmosphere.

In addition, some other elements are cleverly incorporated into the music, such as soft background music and vague singing. The addition of these elements not only does not cover up the brilliance of the pipa, but complements it, creating an ethereal and distant artistic conception. The background music is like a light mist, adding a mysterious veil to the melody of the pipa; the singing is like a call from the depths of the soul, pushing the expression of emotion to the extreme.

Throughout the song "Pipa Language", the audience can feel the subtlety and elegance of oriental music, as well as the innovation and breakthroughs brought about by the modern music elements contained therein.

It is not just a simple piece of music, but also a representation of emotions and a comfort to the soul.

It seems to be able to cleanse the noisy world, wash away the fatigue and confusion in people's hearts, and make people calm down and feel the sincere and deep emotions.

When the song ends, the lingering sound will make people unforgettable for a long time.

There was thunderous applause.

The unique artistic charm of "The Language of Pipa" amazed the entire Berlin Concert. It made the world deeply understand the pipa for the first time, and also let people know the Chinese music master Fang Jinlong.

Since then, the pipa, this ancient and mysterious oriental musical instrument, has finally entered the world music stage.

But the shock brought by the China National Orchestra's Berlin concert was far from over. Wang Xuan's guzheng solo was still amazing.

He played "Eight Sounds of Heaven and Dragon", which also conquered the audience.

But what was most shocking was the seamless connection between the finale songs "Legend of Sword and Fairy" and "Swords and Dreams" performed by the China National Music Orchestra.

When the melody of "Legend of Sword and Fairy" sounded, the entire concert hall seemed to be shrouded in a layer of magical gauze in an instant, and was quietly brought into a dreamlike world of immortal heroes.

When the music started, the melodious sound of the guzheng flowed gently and slowly into the hearts of every listener like the gurgling water, instantly arousing people's infinite reverie of the fairy tales in their hearts. Each note seemed to turn into a smart spirit, leading the audience on a fairy tale journey full of mystery and legend.

The sound of the erhu is gentle and sad, like weeping and complaining, as if it is affectionately telling the love, hatred and vengeance of the characters in the play. The melody flowing between the bow and strings is sometimes low and gentle, like the whispers of lovers; sometimes high and passionate, like a sad and angry cry to the sky, showing the inner pain and struggle of the characters vividly.

The clear sound of the flute is like a fairy flying through the clouds, elegant and agile. Its crisp and pleasant sound seems to cut through the clouds, adding a touch of ethereal and transcendent color to the entire fairy world.

Various musical instruments cooperate with each other and echo each other, showing the passionate melody of "Legend of Sword and Fairy" to the fullest, as if leading the audience into the world of immortals and heroes, feeling the swordplay and chivalrous spirit.

This music is like a colorful painting, which depicts the mystery and beauty of the world of immortals with its notes. The ups and downs of its melody are like the rolling ups and downs of mountains, and the rhythm is like the rushing flow of rivers. Every note seems to be endowed with a soul, telling those gripping stories affectionately and gently touching the softest corners of people's hearts.

At this time, the audience in the audience had already been immersed in the music, unable to extricate themselves. Some closed their eyes, nodded slightly, and swayed their bodies gently to the rhythm of the music, as if they were dancing with the music in their hearts; some stared at the performers on the stage, their eyes full of amazement and intoxication, as if they were witnessing the legends of immortals being performed before their eyes. It was as if they had become the brave knights in the world of immortals, ready to travel the world with swords and do justice.

Immediately afterwards, the melody of "Sword Like a Dream" continued seamlessly. With its strong sense of rhythm and heroic momentum, it was like a surging heat wave, instantly igniting the enthusiasm of the audience again.

The sound of the pipa's fingers is like a violent storm, dense and fierce. Every note seems to be the sharp sound of wind that cuts through the sky when a knight draws his sword, carrying a fearless determination and boldness.

The pipa strings beat rapidly at Fang Jinlong's fingertips, like thousands of troops galloping past. The clanging sound seemed like the collision of metals, sonorous and powerful, and like a torrent hitting a reef, bursting out with amazing power. Sometimes, the sound of the pipa turned low, like the contemplation of a knight in the dark night, deep and restrained; sometimes it suddenly became passionate, like the knight's determination to fight bravely. The sound of the pipa was sometimes crisp like a bell, and sometimes as majestic as a bell, showing the ever-changing situation in the rivers and lakes and the complex state of mind of the knight.

The sound of the erhu strings is like the neighing of a warhorse on the battlefield, passionate and high-pitched, full of fighting passion and power, as if allowing people to witness with their own eyes the magnificent scene of iron horses galloping across the smoke-filled battlefield.

The rhythm of the drums is like the heartbeat of a warrior, sometimes rapid like a rainstorm, sometimes slow like a stream, skillfully bringing the tense and exciting atmosphere to the extreme.

This melody is like a surging and majestic river, rushing and roaring all the way, releasing the surging passion and ambition in the heart without reservation.

The whole piece of music is full of masculinity, and the bold and unrestrained melody lines seem to be the free and unrestrained figures of the knights in the rivers and lakes. Every note tells of their pleasure in revenge, showing their fearlessness and open-mindedness to the fullest. It makes people feel as if they are in the hot-blooded rivers and lakes full of swords and swords, chivalrous and righteous, and personally feel the knights' lofty ambitions, heroic spirit, and persistent pursuit of freedom and justice.

The wonderful performance of the China National Orchestra brought the atmosphere of the Berlin concert to a climax. The audience's emotions became increasingly excited, like a burning bonfire, which burned more and more vigorously.

Some people couldn't help but clap along with the rhythm, the sound of their clapping hands blended with the music to form a unique resonance; some people cheered loudly, and the sound was full of praise for the music and respect for the performers, echoing in the hall; others were so excited that their eyes were filled with tears, and those tears were the true expression of being deeply touched by the music, the bursting of emotions from deep in their hearts.

  Let’s not even talk about these foreigners, just look at the Chinese audiences at the scene and all the Chinese audiences in front of the domestic TVs, weren’t they extremely excited at this moment?

The song "Swords Like Dreams" is really exciting. The rapid rhythm and powerful notes at the beginning catch the audience's ears, as if instantly bringing people into the martial arts world of swords and swords, revenge and revenge. The use of traditional instruments such as pipa and guzheng adds a strong Chinese style to it, making the whole song sound full of charm.

It seems to be able to arouse people's deep yearning and longing for the world of martial arts. In this world, there are chivalrous hearts, happy revenge, brotherhood of life and death, and lingering love stories.

This is because the Chinese audience didn’t hear the lyrics.

Combined with the lyrics, this song is a real hit.

"Swords Like Dreams" is the theme song of "The Heaven Sword and Dragon Saber" in another time and space. Every note and every line of lyrics in the song seem to be a vivid picture, making the listeners feel as if they are in the world of martial arts, experiencing the joys and sorrows with the protagonist.

"Where does my sword go? Love and hate are hard to choose; my knife cuts through the sky, I don't understand right from wrong." These few short sentences vividly depict the struggle and confusion of people in the martial arts world between emotion and morality.

"When I am drunk, everything is hazy, gratitude and resentment are illusions and empty; when I wake up from a spring dream, life and death are all empty", which reflects a kind of detachment and relief from worldly affairs. Life is like a dream, gratitude and resentment are all like passing clouds.

"Come and go in a hurry", "Love and hate in a hurry", these repeated lyrics not only emphasize the passing of time and the impermanence of emotions, but also make people feel the helplessness of wanting to grasp but being unable to keep it.

And the lines “A wild laugh, a long sigh, a happy life, a sad life, who will share life and death with me” vividly show the loneliness of the children of the world and their longing for a confidant, which makes people feel emotional.

Therefore, the lyrics are the soul of this piece. But even without the lyrics, it is enough to amaze the entire Berlin concert.

At the end of the song, thunderous applause broke out in the concert hall, and the sound was like surging waves, one after another, and lasted for a long time. This applause was not only an affirmation of the performers' superb skills, but also a deep admiration for the charm of traditional Chinese music.

The duet of "Legend of Sword and Fairy" and "Sword and Dream" became a classic moment in the concert and will remain in people's memory for a long time like bright stars.

In this musical feast, the charm of traditional Chinese music was fully displayed. Its profound cultural heritage is like a mine with endless treasures, and every excavation can bring new surprises and touches. The unique artistic style is like a beautiful embroidery, with every stitch and thread containing delicacy and exquisiteness, which attracts the attention of the world.