Nothing is to blame
Chapter 1080
Chapter 1080
Jiang Hai's phantom body gathered together a little, it was obviously some kind of healing method.
And this method should be the follow-up to the unique strategy of defeating Shen Xiangqin. It is only one attack and one defense, and it has no magical effect.
When this method blooms, Jiang Hai's body suddenly looks like a bright jade, a body of colored glaze.
At the same time, one could clearly see a black mass the size of a chicken on his right shoulder.After the phantom body essence was poured into it, it was immediately washed away, leaving only a speck like dust that was almost invisible to the eyes.
Wu Xinling, Yin Jiuchou, Yu Dezhen and other descendants of the Chenyang faction felt stunned for a moment.
The profound meaning of the Two Classics of Day and Night is to go beyond the limit. It is the most authentic, most powerful and most impeccable method in the method of breaking the limit.The effect of its spellcasting is to make every bone in the meridian of the opponent's body injured due to the force beyond the limit, so that he loses the power of action.
Even for opponents who are more than one chip above themselves, they are quite threatening.
In the end, whoever stands up first wins.
But Ming Xuanlie's method seems to have improved this "only" blow.The trauma Jiang Hai suffered was actually limited to one point.If so, the injury does not reach the whole body, but it does not hinder free movement.But the disciples of Yingfa Sect couldn't move, so there was no suspense about the outcome?
Everyone recalled Ming Xuanlie's supernatural power just now, and immediately noticed the abnormality.
The scale of Ming Xuanlie's style just now seems to have not improved much compared to when he was in the Golden Core state.
Firstly, the disciples of Yingfa Sect seldom took action, and the most recent battle was hundreds of years ago; secondly, they just showed their supernatural powers, and the disgusting strange feeling attracted attention, but they didn't see through the gap in time.
No one believes that Ying Fazong's profit and loss innovation only reduces the power of his sect's supernatural power.Originally, the magical powers of the Yingfa sect had the fewest variables. I didn't expect that in this world of great controversy, it would eventually move with the trend.
Du Niansha and Fu Ningjin chatted in a few words, and quickly entered the game.
As soon as Du Niansha's aura rose, her supernatural powers were reversed from the precise restraint in the previous two battles, and she actually used extremely powerful methods.
Eighteen giant dragons hundreds of feet long and short leaped out of his sleeves, half black and half red, majestic and majestic, twisting or curling towards Fu Ningjin, flexibly and repeatedly.
The places where the nine seeds are descended from each other seem to be about ten feet apart, but in fact they are as deep as several miles.
But at this moment, Li Xu's land is obviously cramped.However, with Du Niansha as the center, there seemed to be an invisible disc rising with the trend, until the battlefield expanded to eighty-one li in length and width, and then stopped.
For example, Xun Shen, Ma Yuan, Master Li, Xi Zhenzi and others all cast their eyes on Yu Jiaolong for a while.
The supernatural images used by Du Niansha are mainly dragon images, which are clearly similar to Yu Jiaolong's "take everything, take everything" image.The two had fought against each other back then, and from this a fate of learning and fusion was born.
Yu Jiaolong has watched the battle so far, and has not talked with others.At this time, he suddenly said: "It is not the talent of the Nine Sects that can do it by learning from the profit and loss and fueling the flames."
Li Yunlong frowned.
This remark seems to reveal the meaning of admiration for Jiu Zong unintentionally.
But to discern Du Niansha's supernatural power at the moment, she couldn't refute it for a while.
Yu Jiaolong's emotion is not aimed at the similarity between Du Niansha's supernatural powers and "Take Ten Thousand Takes One Take"; in fact, the two are just similar in shape, and the connection is far smaller than imagined.What the words refer to is the connection between Du Niansha's method and Ning Suchen and Han Taikang.
These [-] giant dragons change their positions in pairs as they swim, hiding gravitational repulsion and killing power, the principle is similar to Ning Suchen's Stardust in the Rain and Han Taikang's Eighty-one Crystals.
It's just that the emphasis is completely opposite to Ning Suchen's.
Ning Suchen's "Sensing Heaven and Responding to People" is to maximize the power of pulling and pulling, which cannot be done without profound computing power; while Du Niansha's "Eighteen Flying Dragons" is relatively simple, and every two dragons The faint power in the room is only to contain, to create opportunities for frontal attacks.
The elephant of the giant dragon is definitely not just for show, it is a top and a twist, and its strength is unimaginable.Being hit head-on by it may not be much better than being hit by means such as "destroying the body and breaking the limit".Du Niansha's intention to promote her strong mana is also evident from this.
It is absolutely impossible to say that Du Niansha, Ning Suchen, and Han Taikang did not have any exchange of ideas.
After the scale changes are infinitely rich, it will inspire more and more future generations, and the effect will become more and more effective.
This is incomparable to the Yaozu with at most one or two top figures in each generation.
When Du Niansha resorted to such a method, the spectators couldn't help being curious, and let's see how Fu Ningjin responded.
When Fu Ningjin resorted to means, everyone was surprised.
Just now, Mu Mu challenged Gui Wugui's supernatural power, which is an old method from a hundred years ago, and it has already attracted many people's surprise.But at this moment, Fu Ningjin showed her method, which was the old method that had been presented at the Hongyun Small Meeting four hundred years ago.
An old matouqin.
As soon as the sound of the zither moves, the silk thread is like weaving, which is the general outline of the supernatural means, and it is no different from that of the past.
However, if you look closely, you can still see a difference.Back then, the method of "silk threads like swords" followed a subtle and profound style, as real as it is illusory.But today's silk sword shape, although still no more than one finger narrow, is much brighter.As long as the eyes are not blind, everyone can clearly see the trajectory of the movement of the sword.
It seems that the Zhentan sect is most famous for its faintness and mystery, but the deeper it is practiced, the supernatural powers instead appeal to reality.
Although Wu Xinling had suggested the rules before, the presentation at this time is still refreshing.
The more brilliant the supernatural fighting method, the more mysterious and elusive the style tends to be.But at this moment, both sides in the war, Du Niansha's Eighteen Dragon Elephants, and Fu Ningjin's Tangible Sword Thread, are all real things, vivid and specific, and together presenting an ingenious elegance.
In detail, it is more like the scene of "immortal fighting skills" imagined in secular dramas.
Although the style is unified, it cannot be ignored whether it is high or low.After Fu Ningjin's supernatural power was displayed, the spectators of the battle situation formed a consensus almost instantly—this technique did not seem to be Du Niansha's enemy.
There are more than enough odd changes, but not enough scale.
But in reality, it seems to be different from what the guests saw.
But I saw those few silk threads, like wearing flowers, swimming in the gap between the eighteen dragons, and they were swaying freely.
As for directly attacking Fu Ningjin's body, he jumped up, slid directly on the silk thread, and immediately escaped from the cage.That is similar to Ning Suchen's "Sensing the Heaven and Responding to People", and the restraining force between the eighteen dragons has no effect at all.
It's like grabbing catkins with your hands, the faster you go, the catkins will also go away in a fright, but the farther you will go.
Du Niansha looked calm.
Her supernatural power combines the three methods of "Huoliu Shu", "Flying Sutra", and "Northern Ming Sutra" into one, breaking the boundary of "combination of two and two" in Tibetan Xiangzong. It seems vigorous and upright, but in fact it is the most restrained The faint and subtle supernatural powers can always force the opponent to the corner, and then approach him with a righteous soldier.
But Du Niansha used this method to deal with Fu Ningjin, not out of restraint - but because this method was the first method Du Niansha created independently.
When using this method, the investment in one's own state is not comparable to other supernatural powers.
Just at the moment when she was at her best, the figure of the opponent "Fu Ningjin" in front of her seemed to change immediately.It is no longer a character who is only one step away from the perfection; it is a figure that is suddenly tall, fully elevated to a great realm, and becomes the pinnacle of the perfection, only half a step away from the existence of perfection!
For the reason, Du Niansha had a three-point understanding.
Now after facing the enemy in person, it seems to be peeling off the cocoon, gradually opening up.
……
After Ming Xuanlie, Bai Shiyou stepped out to challenge Shu Yubai.
This is Shu Yubai's fourth battle.
Bai Shiyou's eyes lit up, it seemed that he had something to say, and he couldn't restrain his flying nature; but when it came to his mouth, he seemed to hold back, he was inspired, and he shot concisely.
Shu Yubai was calm and confident.
It's not that he underestimated Bai Shiyou; it's that the other party's skills are really shallow.Although the power of the Day and Night Classics of Yingfazong is astonishing, Chenyang's side has a precise calculation of what kind of opponents with different levels can pose a threat to him.
No matter how you can break the limit and counterattack, there is a limit after all.It is impossible for a Jindan monk of Yingfazong to threaten the direct inheritance of Yuanying from other families by relying on the two scriptures of day and night.
Such as Ming Xuanlie against Shang Jianghai or Shu Yubai himself.It takes about six hours for Mingxuan Lie to initially recover his mobility, while Jiang Hai or Shu Yubai are only at the level of "vigorous blood and insensitive", at most about two quarters of an hour, they will be able to recover as before.
It's just that Ming Xuanlie's battle with Jiang Hai didn't take care of the whole body, and the trauma was only a little bit, but he didn't know why.
As for Bai Shiyou's level, he didn't even reach the perfection of the Nascent Soul Stage [-] realm in terms of merit, and the effect is at most limited to making Shu Yubai's chest suffocate for one to three breaths, which is almost equivalent to nothing.He could carry it by relying on his own strength, not to mention the divine channel technique prepared as a double guarantee.
Bai Shiyou pushed his palms, and the circle formed, the silence in the circle, is exactly the same as Ming Xuanlie's, but the scale of the "circle" is two points smaller than Ming Xuanlie's.
Shu Yubai's back was covered with blue flames, and immediately one part turned into seven colors, and with a sudden push forward, they merged into another one.
The key to resisting the "two classics of day and night" is to condense one's energy and spirit into one without leaving any gaps.Jiang Hai's swordsmanship is perfect, and Shu Yubai's seven methods are true. They are all similar profound meanings.
Two majestic mana intersect.
Bai Shiyou flew out backwards.
The swiftness of this battle is not only faster than Caiming Xuanlie and Jiang Hai, it is almost comparable to the one where Lu Xuan challenged Xuanyuan Huai.
Shu Yubai looked down.
On the center of his right palm, a black spot the size of a soybean appeared, which was eye-catching.
It is somewhat similar to the previous vision after the Jianghai war; not the whole, just a little bit.
It seems that there is no serious problem in running the mana, but there is a slight numbness, and the flow of Qi and blood is not smooth afterward.If this is a method of "ambush", it is far worse than the half-foot Tianchui and the like.
Even if he fights against this slight ailment, it seems to be no problem to face Yun Qianjue, the strongest in the enemy camp.
But Shu Yubai hesitated for a moment, and decided to use the means he had prepared.
After a short breath, Shu Yubai's complexion changed.
ps: There are still a few chapters left in the first stage to see the outcome.Is it an unchanged or kicked down a seed?
(End of this chapter)
Jiang Hai's phantom body gathered together a little, it was obviously some kind of healing method.
And this method should be the follow-up to the unique strategy of defeating Shen Xiangqin. It is only one attack and one defense, and it has no magical effect.
When this method blooms, Jiang Hai's body suddenly looks like a bright jade, a body of colored glaze.
At the same time, one could clearly see a black mass the size of a chicken on his right shoulder.After the phantom body essence was poured into it, it was immediately washed away, leaving only a speck like dust that was almost invisible to the eyes.
Wu Xinling, Yin Jiuchou, Yu Dezhen and other descendants of the Chenyang faction felt stunned for a moment.
The profound meaning of the Two Classics of Day and Night is to go beyond the limit. It is the most authentic, most powerful and most impeccable method in the method of breaking the limit.The effect of its spellcasting is to make every bone in the meridian of the opponent's body injured due to the force beyond the limit, so that he loses the power of action.
Even for opponents who are more than one chip above themselves, they are quite threatening.
In the end, whoever stands up first wins.
But Ming Xuanlie's method seems to have improved this "only" blow.The trauma Jiang Hai suffered was actually limited to one point.If so, the injury does not reach the whole body, but it does not hinder free movement.But the disciples of Yingfa Sect couldn't move, so there was no suspense about the outcome?
Everyone recalled Ming Xuanlie's supernatural power just now, and immediately noticed the abnormality.
The scale of Ming Xuanlie's style just now seems to have not improved much compared to when he was in the Golden Core state.
Firstly, the disciples of Yingfa Sect seldom took action, and the most recent battle was hundreds of years ago; secondly, they just showed their supernatural powers, and the disgusting strange feeling attracted attention, but they didn't see through the gap in time.
No one believes that Ying Fazong's profit and loss innovation only reduces the power of his sect's supernatural power.Originally, the magical powers of the Yingfa sect had the fewest variables. I didn't expect that in this world of great controversy, it would eventually move with the trend.
Du Niansha and Fu Ningjin chatted in a few words, and quickly entered the game.
As soon as Du Niansha's aura rose, her supernatural powers were reversed from the precise restraint in the previous two battles, and she actually used extremely powerful methods.
Eighteen giant dragons hundreds of feet long and short leaped out of his sleeves, half black and half red, majestic and majestic, twisting or curling towards Fu Ningjin, flexibly and repeatedly.
The places where the nine seeds are descended from each other seem to be about ten feet apart, but in fact they are as deep as several miles.
But at this moment, Li Xu's land is obviously cramped.However, with Du Niansha as the center, there seemed to be an invisible disc rising with the trend, until the battlefield expanded to eighty-one li in length and width, and then stopped.
For example, Xun Shen, Ma Yuan, Master Li, Xi Zhenzi and others all cast their eyes on Yu Jiaolong for a while.
The supernatural images used by Du Niansha are mainly dragon images, which are clearly similar to Yu Jiaolong's "take everything, take everything" image.The two had fought against each other back then, and from this a fate of learning and fusion was born.
Yu Jiaolong has watched the battle so far, and has not talked with others.At this time, he suddenly said: "It is not the talent of the Nine Sects that can do it by learning from the profit and loss and fueling the flames."
Li Yunlong frowned.
This remark seems to reveal the meaning of admiration for Jiu Zong unintentionally.
But to discern Du Niansha's supernatural power at the moment, she couldn't refute it for a while.
Yu Jiaolong's emotion is not aimed at the similarity between Du Niansha's supernatural powers and "Take Ten Thousand Takes One Take"; in fact, the two are just similar in shape, and the connection is far smaller than imagined.What the words refer to is the connection between Du Niansha's method and Ning Suchen and Han Taikang.
These [-] giant dragons change their positions in pairs as they swim, hiding gravitational repulsion and killing power, the principle is similar to Ning Suchen's Stardust in the Rain and Han Taikang's Eighty-one Crystals.
It's just that the emphasis is completely opposite to Ning Suchen's.
Ning Suchen's "Sensing Heaven and Responding to People" is to maximize the power of pulling and pulling, which cannot be done without profound computing power; while Du Niansha's "Eighteen Flying Dragons" is relatively simple, and every two dragons The faint power in the room is only to contain, to create opportunities for frontal attacks.
The elephant of the giant dragon is definitely not just for show, it is a top and a twist, and its strength is unimaginable.Being hit head-on by it may not be much better than being hit by means such as "destroying the body and breaking the limit".Du Niansha's intention to promote her strong mana is also evident from this.
It is absolutely impossible to say that Du Niansha, Ning Suchen, and Han Taikang did not have any exchange of ideas.
After the scale changes are infinitely rich, it will inspire more and more future generations, and the effect will become more and more effective.
This is incomparable to the Yaozu with at most one or two top figures in each generation.
When Du Niansha resorted to such a method, the spectators couldn't help being curious, and let's see how Fu Ningjin responded.
When Fu Ningjin resorted to means, everyone was surprised.
Just now, Mu Mu challenged Gui Wugui's supernatural power, which is an old method from a hundred years ago, and it has already attracted many people's surprise.But at this moment, Fu Ningjin showed her method, which was the old method that had been presented at the Hongyun Small Meeting four hundred years ago.
An old matouqin.
As soon as the sound of the zither moves, the silk thread is like weaving, which is the general outline of the supernatural means, and it is no different from that of the past.
However, if you look closely, you can still see a difference.Back then, the method of "silk threads like swords" followed a subtle and profound style, as real as it is illusory.But today's silk sword shape, although still no more than one finger narrow, is much brighter.As long as the eyes are not blind, everyone can clearly see the trajectory of the movement of the sword.
It seems that the Zhentan sect is most famous for its faintness and mystery, but the deeper it is practiced, the supernatural powers instead appeal to reality.
Although Wu Xinling had suggested the rules before, the presentation at this time is still refreshing.
The more brilliant the supernatural fighting method, the more mysterious and elusive the style tends to be.But at this moment, both sides in the war, Du Niansha's Eighteen Dragon Elephants, and Fu Ningjin's Tangible Sword Thread, are all real things, vivid and specific, and together presenting an ingenious elegance.
In detail, it is more like the scene of "immortal fighting skills" imagined in secular dramas.
Although the style is unified, it cannot be ignored whether it is high or low.After Fu Ningjin's supernatural power was displayed, the spectators of the battle situation formed a consensus almost instantly—this technique did not seem to be Du Niansha's enemy.
There are more than enough odd changes, but not enough scale.
But in reality, it seems to be different from what the guests saw.
But I saw those few silk threads, like wearing flowers, swimming in the gap between the eighteen dragons, and they were swaying freely.
As for directly attacking Fu Ningjin's body, he jumped up, slid directly on the silk thread, and immediately escaped from the cage.That is similar to Ning Suchen's "Sensing the Heaven and Responding to People", and the restraining force between the eighteen dragons has no effect at all.
It's like grabbing catkins with your hands, the faster you go, the catkins will also go away in a fright, but the farther you will go.
Du Niansha looked calm.
Her supernatural power combines the three methods of "Huoliu Shu", "Flying Sutra", and "Northern Ming Sutra" into one, breaking the boundary of "combination of two and two" in Tibetan Xiangzong. It seems vigorous and upright, but in fact it is the most restrained The faint and subtle supernatural powers can always force the opponent to the corner, and then approach him with a righteous soldier.
But Du Niansha used this method to deal with Fu Ningjin, not out of restraint - but because this method was the first method Du Niansha created independently.
When using this method, the investment in one's own state is not comparable to other supernatural powers.
Just at the moment when she was at her best, the figure of the opponent "Fu Ningjin" in front of her seemed to change immediately.It is no longer a character who is only one step away from the perfection; it is a figure that is suddenly tall, fully elevated to a great realm, and becomes the pinnacle of the perfection, only half a step away from the existence of perfection!
For the reason, Du Niansha had a three-point understanding.
Now after facing the enemy in person, it seems to be peeling off the cocoon, gradually opening up.
……
After Ming Xuanlie, Bai Shiyou stepped out to challenge Shu Yubai.
This is Shu Yubai's fourth battle.
Bai Shiyou's eyes lit up, it seemed that he had something to say, and he couldn't restrain his flying nature; but when it came to his mouth, he seemed to hold back, he was inspired, and he shot concisely.
Shu Yubai was calm and confident.
It's not that he underestimated Bai Shiyou; it's that the other party's skills are really shallow.Although the power of the Day and Night Classics of Yingfazong is astonishing, Chenyang's side has a precise calculation of what kind of opponents with different levels can pose a threat to him.
No matter how you can break the limit and counterattack, there is a limit after all.It is impossible for a Jindan monk of Yingfazong to threaten the direct inheritance of Yuanying from other families by relying on the two scriptures of day and night.
Such as Ming Xuanlie against Shang Jianghai or Shu Yubai himself.It takes about six hours for Mingxuan Lie to initially recover his mobility, while Jiang Hai or Shu Yubai are only at the level of "vigorous blood and insensitive", at most about two quarters of an hour, they will be able to recover as before.
It's just that Ming Xuanlie's battle with Jiang Hai didn't take care of the whole body, and the trauma was only a little bit, but he didn't know why.
As for Bai Shiyou's level, he didn't even reach the perfection of the Nascent Soul Stage [-] realm in terms of merit, and the effect is at most limited to making Shu Yubai's chest suffocate for one to three breaths, which is almost equivalent to nothing.He could carry it by relying on his own strength, not to mention the divine channel technique prepared as a double guarantee.
Bai Shiyou pushed his palms, and the circle formed, the silence in the circle, is exactly the same as Ming Xuanlie's, but the scale of the "circle" is two points smaller than Ming Xuanlie's.
Shu Yubai's back was covered with blue flames, and immediately one part turned into seven colors, and with a sudden push forward, they merged into another one.
The key to resisting the "two classics of day and night" is to condense one's energy and spirit into one without leaving any gaps.Jiang Hai's swordsmanship is perfect, and Shu Yubai's seven methods are true. They are all similar profound meanings.
Two majestic mana intersect.
Bai Shiyou flew out backwards.
The swiftness of this battle is not only faster than Caiming Xuanlie and Jiang Hai, it is almost comparable to the one where Lu Xuan challenged Xuanyuan Huai.
Shu Yubai looked down.
On the center of his right palm, a black spot the size of a soybean appeared, which was eye-catching.
It is somewhat similar to the previous vision after the Jianghai war; not the whole, just a little bit.
It seems that there is no serious problem in running the mana, but there is a slight numbness, and the flow of Qi and blood is not smooth afterward.If this is a method of "ambush", it is far worse than the half-foot Tianchui and the like.
Even if he fights against this slight ailment, it seems to be no problem to face Yun Qianjue, the strongest in the enemy camp.
But Shu Yubai hesitated for a moment, and decided to use the means he had prepared.
After a short breath, Shu Yubai's complexion changed.
ps: There are still a few chapters left in the first stage to see the outcome.Is it an unchanged or kicked down a seed?
(End of this chapter)
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