Nothing is to blame

Chapter 283
The "Capture the Dragon and Subdue the Tiger Fist" created by the four generations of the Youhuan Sect, although the name of the supernatural power is similar to ordinary martial arts, but the names of the eighteen moves in it are not in the style of "sweeping thousands of troops" or "strengthening mountains and rivers" The vulgar title, on the contrary, became elegant and quiet again.It is said that tracing back to the source is the [-] artistic conception pictures that have been comprehended in turn during the journey of the four generations of masters, dabbling in landscapes.

The movements of Gui Wugui, Mo Qing and the two are synchronized, they are observed like a mirror, there is no lack of speed or slowness.

I saw Gui Wujiu lifting and releasing his left foot, and pushing his right palm back and forth, drawing a half circle and then sending it straight out. The huge palm struck obliquely.

Mo Qinghe did the same move with his palm facing each other, immediately arousing violent changes and tremors.However, unlike the previous three battles, the disintegration of the two big yellow hands only existed in the center of the palms of the "giant hands".

As for the five fingers of the two "giant hands" and the edges of the palms, not only are all the outlines intact, but they also seem to have a somewhat round and jade-like artistic conception.Not only that, but there are two other auras that are solid, surrounding the edge of this "giant hand" for a few feet, stretching and contracting indefinitely.

In terms of the grandeur of the scene, although this fight is known as an absolute head-on fight, it is slightly softer than the previous three fights. There is only one point of tit-for-tat, and the hidden and materialized places are everywhere. Emptiness, artistic conception are mixed, wonderful.

The turbulent and heroic voice receded like a tide, Gui Wujiu, Mo Qing and the two of them were also in a dignified posture, and their sleeves did not even shake in the slightest.

have equal shares.

But Wu Jingchun's face changed slightly, and there was a hint of worry amidst the surprise.

Not good!

It turns out that this style is called "Half Round of Autumn Moon", and it is already the fourth style of Subduing Dragon and Subduing Tiger Fist.

The first three poses are "Shizhang Red Dust", "Pine Nest and Crane Wild", and "Flowing Peach Blossom". In three breaths, three head-to-head contests, Mo Qing and the artistic conception of "Pushing the Front and Absolute Sword" really won the first place and gained the upper hand.

The first formula, three steps of returning without blame;
The second formula, Gui Wugui, is to withdraw from the six steps;
In the third form, Gui Wujiu retreats nine steps in a row.

"Pushing the Front and Absolute Sword" is a kind of Taoism that accumulates more and more momentum. As long as you take the lead, the offensive will be like waves and waves, and the flow will never stop.Even if the opponent raises Dan Li to a level comparable to mine, it's still not enough to regain the disadvantage.

According to the momentum of the first three moves, Wu Jingchun and others calculated with divine will that at most when the twelfth move "Xiangxiang crossing the river" was performed, Mo Qinghe's momentum would rise to the peak, and he could not escape the defeat without blame.

However, the fourth form "half round of autumn moon" unexpectedly drew a tie, and everything returned to the original point.

Gui Wujiu's expression was flat, and he didn't seem to be pleased with the disadvantage of moving back.

Needless to say, after suffering a little loss in the first three poses, I have borrowed a little more of the dandanli from the "Yuanyu Jingdhu".

In fact, after the first form "Shizhang Hongchen" fell slightly, Gui Wujiu estimated the gap between the two sides, and in the second and third forms, he slightly boosted his strength.But the strange thing is that the shape of good and bad, not only has not been reduced, but has been further enlarged.

When it came to the fourth formula, Gui Wujiu doubled the number in one breath, and finally moved back to a draw.

But at this time, Gui Wujiu was excited: he has gained a lot!
When fighting Chu Danqing and Lu Jianyuan before, he benefited a lot from the artistic conception of swordsmanship and empirical experience; but the combination of the two, the inspiration to Gui Wugui is almost not half as good as Mo Qinghe's swordsmanship method.

The reason is, of course, that the technique of "Pushing the Front and Absolute Sword" is the ultimate purpose of pressing the bottom of the box in Chenyang Jianshan Bamai Sword Biography during the stage of Qi training; another reason is that the meaning and harmony of this kendo The supernatural foundation honed by Gui Wugui --- "Kongyun Nianjian" has a lot of similarities in Taoism and law, which can be used for reference.

Recklessly fighting the four styles, Gui Wugui Although I don't know the name of "Pushing the Front and Absolute Sword", but I can already get a glimpse of the general idea of ​​this method.

The so-called "Pushing Front and Absolute Sword" is originally a point of sharpness that goes straight to the middle palace, advances but never retreats, and condenses the infinite decisive and killing intent at one point, which is like breaking through bamboo.If the opponent wants to resist, it can be said to be a big test for the pure concentration of his skills.If there are few deficiencies in the subtleties, even if there is not much difference in the performance of the two parties, it will inevitably be like a cone piercing the silk, piercing the screen window, and they will not be able to escape the end of a catastrophic defeat.

And fighting head-on, abandoning changes, is the magic way to maximize the power of this Taoism.

But if the technique stops here, even if this Taoism is brilliant, it cannot be called the supreme method of the realm under the shape of Chenyang Sword Mountain.

There is another mystery in this Taoist technique. Outside the center of the sword intent, the surrounding area is empty; and farther from the edge, there is an invisible "big trend" oppressing it, layer upon layer, seemingly inconspicuous, but also It cannot cause any direct damage to the opponent, but it can be secretly connected with the sharp point at the center, and they are horns of each other.

If you encounter a well-matched opponent, you can catch the "Pushing Front" sharp head-on, but even if the fight is evenly matched on the scene, the aftermath of this head-on collision has another magical effect. At the edge, with the help of new life, the power of this "big trend" is secretly superimposed.

However, it is extremely difficult to directly defend against the invisible "potential", and there is no trace to be found.

The so-called "pushing the front" does not only mean going forward indomitably; the little sharpness in the center gets the word "front"; and the "general trend" buried around and exerting invisible pressure just now takes up the word "pushing".

The combination of the two is the ultimate purpose of "pushing the front".

Such a move-by-style fight continues, and the opponent will inevitably gradually become frustrated. Obviously, the two sides have equal combat power, but the initiative on the scene is seen to be controlled by the opponent, and his own alchemy is as difficult to flow as if he is suffocated.

This method of intangible transformation that does not pass through any medium is similar to the cursed method of the "Kongyun Nianjian".

Four, five, six, seven, eight, five consecutive fights, both sides are evenly divided.

Gui Wujiu was calculating in his mind, the way to use troops is that there are victories and there are defeats.Although Mo Qinghe has tried his best to make a move now, he has also benefited a lot.But since the opponent's fighting skills are so brilliant, there must be other changes that have not yet appeared.

Victory is complete, defeat is not chaotic, this is the general's method.See the former, but can not miss the latter.

So the ninth move, on the basis of the first eight lifts, rises and closes, Gui Wujiu secretly runs the fine dendrobium, adding two or three points of strength.

He is clear in his heart that this pose is a turning point, not only fighting against Mo Qinghe, but also fighting against Ming Xuanlie, Yin Jiuchou and others for the first time since five consecutive fights.

Sure enough, under the attack of the ninth form "Suzaku Soaring", the situation suddenly changed.

However, after the two giant yellow hands were spun apart, Mo Qinghe's face turned blue suddenly, his toes suddenly rose three feet out of thin air, his back bowed like a bow and changed three times, and then his whole upper body was shaking slightly except for the toes which remained motionless.

At this time, his left arm was hanging down, and his right hand was turned over like a well fence, protecting his chest.If a book was placed between his five fingers, then Mo Qinghe's image at this moment is very much like a storyteller shaking his head.

However, from the point of view of Taoism, it is actually similar to Yin Jiuchou's "body fits the way of the instrument, and the voice of the instrument masters the heart" when Yin Jiuchou finally entered the state.

Wu Jingchun, Chu Danqing, and Lu Jianyuan were shocked again. It turns out that Mo Qinghe's posture is indeed the same as Yin Jiuchou's realm of entering the Tao. With a sword hanging from the sky, the universe floats day and night."

ps: The original chapter was interspersed with other content, and now the entire plot has been taken away as a backup, and the main flow is followed again.

(End of this chapter)