This director is very reliable
Chapter 161
Chapter 161 Mutual Aid (Second Update)
It's not over, Li Xiaoping still persuaded.
It's normal. Variety shows have always been the exclusive domain of TV stations. At this stage, indoor variety shows are the mainstream.
Changlin Film and Television is well-known in the film industry, and the TV series is also a little famous, and now you want to enter variety shows?
It's just not doing business.
Aren't you doing content?
"Reality shows are not a new concept. We also have outdoor variety shows in China. Sichuan Satellite TV has "Two Days and One Night". Wu Zhongxian was invited to host it. The ratings and influence are just like that..."
Zhao Shan interjected: "It's still influential. "Two Days One Night" ranks in the top three in the ratings at the same time, which is a feat that Sichuan TV rarely achieves!"
"But do you know that this show is losing money? I heard that buying ratings..."
Guo Songjiang became more and more aware that something was wrong, and hurriedly said: "Mr. Wang, Mr. Li, we are not here to invest in Guangguang. We have the money to create a reality show...We can also contact the TV station ourselves."
Zhao Shan added: "We are here to talk to you as a partner. Of course, if you are interested, we can do it together..."
Li Xiaoping was stunned for a moment, and then realized that Changlin Film and Television is not what it used to be - last year's revenue exceeded [-] million...
Wang Changtian asked: "Which TV station are you going to contact?"
"Dragon TV…"
"You have connections with SMG?"
"I haven't said anything yet, but we are responsible for the production, they are responsible for the broadcast, and the publicity is handed over to us. It's an all-star lineup, so I shouldn't refuse!"
Wang Changtian thought about it, and then said: "I agree, our Guangguang will also invest in this program... Let's talk about the details when Changlin returns from Berlin!"
"it is good!"
……
In 88, "Red Sorghum" won the Golden Bear Award at the 38th Berlin International Film Festival, which was the first top award for a Chinese film at an international A-category film festival.
The fifth generation has completely increased its ranks.
A Mou publicly said, "The international film festival that the fifth generation directors should be grateful for and miss the most is the Berlin International Film Festival." In 1988, "Red Sorghum" won the award, which changed my fate. It was also the work of the fifth generation of Chinese directors that began to attract the attention of the international film industry. start! '
The curtain of the unconscious influence of the three major European international film festivals on Chinese films has been opened since then. Even if Chinese filmmakers just create a little trouble on the red carpet of the three major European international film festivals, it will cause a commotion in the Chinese film industry .
It's normal, because in this era, in the eyes of everyone, the world influence of Chinese movies is spread through them!
However, since 02, Chinese films have continuously accelerated the pace of marketization, industrialization, and reform of the theater system in the fields of production, distribution, and screening.
And it's absurd and paradoxical that we are learning the Hollywood industry model!
——The basic goal of the marketization and industrialization reform of Chinese films is to catch up with the "international" represented by Hollywood special effects blockbusters that completed digital transformation around the mid-20s, rather than the three major international film festivals in Europe International!
This is naturally incompatible with the three major international film festivals in Europe!
So why are the three major European countries still so respected?
Simple, deceptively objective cinematic artistry!
Of course, there are still three majors, and the historical significance and status in the film industry will not change!
You are not convinced, hold back!
The status of the top three in Europe is established by generations of film masters and is recognized as a worldwide film festival.
Of course, Berlin ranks third...
After arriving in Berlin, to be honest, Shen Changlin was quite disappointed.
It’s not that there are no acquaintances, “The Thirteen Beauties of Jinling” and “Flying Armor of the Dragon Gate” are all screening unit films, including Niu Chengze’s “Love” which is also sold in Berlin...
Most of Shen Changlin knew this group of people, and they also had dinner together...
Disappointed that the Berlin Film Festival is too plain.
There wasn't even a single out-of-the-ordinary movie, and in addition to the cold weather, Shen Changlin didn't leave the hotel much at all!
Well, I was joking, but Shen Changlin really left the hotel lazily. After "Search" was released, the response was pretty good, and the reviews were pretty good...
It is probably unexpected that a Chinese director is actually discussing the human search triggered by the Internet.
After all, at the Berlin Film Festival, including Venice and Cannes, Chinese films are all poor, backward, tragic and absurd themes such as "Tuya's Marriage" and "Reunion"...
First of all, let me explain that some judges are naturally fond of such so-called realistic themes, but the reason is not entirely because they are brainwashed by Western thinking and do not see China as good, but it is true that this kind of theme is easier to shoot.
The so-called article hates fate, but the charm is gratifying.
It is inevitable to appear superficial, flimsy, and even hypocritical when filming the stories of high-ranking officials and dignitaries.
Because for a story, the setting of its contradictions is very important, and to trigger conflicts, it is necessary to create pressure. There is no pressure that is more serious than the pressure of survival. The poor can easily create an atmosphere of survival pressure. .
The plight of the rich looks more like being fed and groaning, but their real plight involves either politics or economics, which is hard to pass, and the complex issues involved are beyond the scope of many film scholars in ivory towers. Their cognitive category is naturally not liked by creators.
So the only option left to people is to focus on the bottom layer.
This is true not only in China, but also in foreign countries. Many foreign award-winning films also focus on the joys, sorrows, sorrows and joys of the bottom people.
"Search" has a lot of reports, and the copyright is also sold well...
Several companies even wanted to buy the remake rights...
But this is not the purpose of Shen Changlin's coming to Berlin!
Dude, this is for a prize!
……
Regardless of whether to win an award or not, "Jinling Thirteen Beauties" premiered tonight, and Shen Changlin, Gao Yuanyuan, Zhang Yi, Wan Qian, and Jin Chen all received invitations.
Definitely have to go!
After all, I'm overseas, so I need some help...
Let's help each other, filmmakers must unite!
Well, pressing and following is not really helpful, but rather like rubbing the red carpet.
I don’t know if I don’t come to Berlin. A Mou’s popularity in Berlin is too high. Not to mention anything else, "Jinling Thirteen Hairpins" is just a screening. Berlin officials have arranged a red carpet show with the highest specifications - a 15-minute red carpet show. It is the crew that has walked the red carpet for the longest time since the opening of the film festival.
Many people came to support the scene. The crew of "Search" and "White Deer Plain" were arranged together. Shen Changlin met Duan Yihong and just exchanged pleasantries...
Then chatted with Zhang Yuqi and Wang Quanan for a while...
He didn't know exactly what he talked with Wang Quan'an, because Zhang Yuqi was all in his mind!
Zhang Yuqi impressed him very much!
He went to see the premiere of "White Deer Plain", the uncut version, three hours, at least one hour was Zhang Yuqi's Qingyu drama...
hard...
No way, Wang Quanan's "White Deer Plain" completely abandoned the historical sense of the original work, and fully displayed Zhang Yuqi's style, "In Those Years, Tian Xiao'e We Sleeped Together"~
After reading it, especially if you have read the original work, you will unconsciously complain about what this is, but at the same time, you will feel a little bit-if you don’t feel it, then you may not be able to do it.
(End of this chapter)
It's not over, Li Xiaoping still persuaded.
It's normal. Variety shows have always been the exclusive domain of TV stations. At this stage, indoor variety shows are the mainstream.
Changlin Film and Television is well-known in the film industry, and the TV series is also a little famous, and now you want to enter variety shows?
It's just not doing business.
Aren't you doing content?
"Reality shows are not a new concept. We also have outdoor variety shows in China. Sichuan Satellite TV has "Two Days and One Night". Wu Zhongxian was invited to host it. The ratings and influence are just like that..."
Zhao Shan interjected: "It's still influential. "Two Days One Night" ranks in the top three in the ratings at the same time, which is a feat that Sichuan TV rarely achieves!"
"But do you know that this show is losing money? I heard that buying ratings..."
Guo Songjiang became more and more aware that something was wrong, and hurriedly said: "Mr. Wang, Mr. Li, we are not here to invest in Guangguang. We have the money to create a reality show...We can also contact the TV station ourselves."
Zhao Shan added: "We are here to talk to you as a partner. Of course, if you are interested, we can do it together..."
Li Xiaoping was stunned for a moment, and then realized that Changlin Film and Television is not what it used to be - last year's revenue exceeded [-] million...
Wang Changtian asked: "Which TV station are you going to contact?"
"Dragon TV…"
"You have connections with SMG?"
"I haven't said anything yet, but we are responsible for the production, they are responsible for the broadcast, and the publicity is handed over to us. It's an all-star lineup, so I shouldn't refuse!"
Wang Changtian thought about it, and then said: "I agree, our Guangguang will also invest in this program... Let's talk about the details when Changlin returns from Berlin!"
"it is good!"
……
In 88, "Red Sorghum" won the Golden Bear Award at the 38th Berlin International Film Festival, which was the first top award for a Chinese film at an international A-category film festival.
The fifth generation has completely increased its ranks.
A Mou publicly said, "The international film festival that the fifth generation directors should be grateful for and miss the most is the Berlin International Film Festival." In 1988, "Red Sorghum" won the award, which changed my fate. It was also the work of the fifth generation of Chinese directors that began to attract the attention of the international film industry. start! '
The curtain of the unconscious influence of the three major European international film festivals on Chinese films has been opened since then. Even if Chinese filmmakers just create a little trouble on the red carpet of the three major European international film festivals, it will cause a commotion in the Chinese film industry .
It's normal, because in this era, in the eyes of everyone, the world influence of Chinese movies is spread through them!
However, since 02, Chinese films have continuously accelerated the pace of marketization, industrialization, and reform of the theater system in the fields of production, distribution, and screening.
And it's absurd and paradoxical that we are learning the Hollywood industry model!
——The basic goal of the marketization and industrialization reform of Chinese films is to catch up with the "international" represented by Hollywood special effects blockbusters that completed digital transformation around the mid-20s, rather than the three major international film festivals in Europe International!
This is naturally incompatible with the three major international film festivals in Europe!
So why are the three major European countries still so respected?
Simple, deceptively objective cinematic artistry!
Of course, there are still three majors, and the historical significance and status in the film industry will not change!
You are not convinced, hold back!
The status of the top three in Europe is established by generations of film masters and is recognized as a worldwide film festival.
Of course, Berlin ranks third...
After arriving in Berlin, to be honest, Shen Changlin was quite disappointed.
It’s not that there are no acquaintances, “The Thirteen Beauties of Jinling” and “Flying Armor of the Dragon Gate” are all screening unit films, including Niu Chengze’s “Love” which is also sold in Berlin...
Most of Shen Changlin knew this group of people, and they also had dinner together...
Disappointed that the Berlin Film Festival is too plain.
There wasn't even a single out-of-the-ordinary movie, and in addition to the cold weather, Shen Changlin didn't leave the hotel much at all!
Well, I was joking, but Shen Changlin really left the hotel lazily. After "Search" was released, the response was pretty good, and the reviews were pretty good...
It is probably unexpected that a Chinese director is actually discussing the human search triggered by the Internet.
After all, at the Berlin Film Festival, including Venice and Cannes, Chinese films are all poor, backward, tragic and absurd themes such as "Tuya's Marriage" and "Reunion"...
First of all, let me explain that some judges are naturally fond of such so-called realistic themes, but the reason is not entirely because they are brainwashed by Western thinking and do not see China as good, but it is true that this kind of theme is easier to shoot.
The so-called article hates fate, but the charm is gratifying.
It is inevitable to appear superficial, flimsy, and even hypocritical when filming the stories of high-ranking officials and dignitaries.
Because for a story, the setting of its contradictions is very important, and to trigger conflicts, it is necessary to create pressure. There is no pressure that is more serious than the pressure of survival. The poor can easily create an atmosphere of survival pressure. .
The plight of the rich looks more like being fed and groaning, but their real plight involves either politics or economics, which is hard to pass, and the complex issues involved are beyond the scope of many film scholars in ivory towers. Their cognitive category is naturally not liked by creators.
So the only option left to people is to focus on the bottom layer.
This is true not only in China, but also in foreign countries. Many foreign award-winning films also focus on the joys, sorrows, sorrows and joys of the bottom people.
"Search" has a lot of reports, and the copyright is also sold well...
Several companies even wanted to buy the remake rights...
But this is not the purpose of Shen Changlin's coming to Berlin!
Dude, this is for a prize!
……
Regardless of whether to win an award or not, "Jinling Thirteen Beauties" premiered tonight, and Shen Changlin, Gao Yuanyuan, Zhang Yi, Wan Qian, and Jin Chen all received invitations.
Definitely have to go!
After all, I'm overseas, so I need some help...
Let's help each other, filmmakers must unite!
Well, pressing and following is not really helpful, but rather like rubbing the red carpet.
I don’t know if I don’t come to Berlin. A Mou’s popularity in Berlin is too high. Not to mention anything else, "Jinling Thirteen Hairpins" is just a screening. Berlin officials have arranged a red carpet show with the highest specifications - a 15-minute red carpet show. It is the crew that has walked the red carpet for the longest time since the opening of the film festival.
Many people came to support the scene. The crew of "Search" and "White Deer Plain" were arranged together. Shen Changlin met Duan Yihong and just exchanged pleasantries...
Then chatted with Zhang Yuqi and Wang Quanan for a while...
He didn't know exactly what he talked with Wang Quan'an, because Zhang Yuqi was all in his mind!
Zhang Yuqi impressed him very much!
He went to see the premiere of "White Deer Plain", the uncut version, three hours, at least one hour was Zhang Yuqi's Qingyu drama...
hard...
No way, Wang Quanan's "White Deer Plain" completely abandoned the historical sense of the original work, and fully displayed Zhang Yuqi's style, "In Those Years, Tian Xiao'e We Sleeped Together"~
After reading it, especially if you have read the original work, you will unconsciously complain about what this is, but at the same time, you will feel a little bit-if you don’t feel it, then you may not be able to do it.
(End of this chapter)
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