This director is very reliable

Chapter 259 Current Situation (Second Update)

Lao Wang actually knows the attitude of his superiors!
Cultural soft power has been raised to the level of national strategy, and film is the most important way of exporting culture to foreign countries, and the country is paying more and more attention to it.

Under such circumstances, the General Administration certainly does not want the contradiction between theater chains and distribution to destroy the current situation of Chinese film development, and must appease both parties.

From the perspective of the country, there must be a wave of theaters-millions of water workers!

What about the producers?
The troublemakers are obviously headed by private producers...

Sorry, the higher ups don't pay much attention to private producers...

Otherwise, the second-rate newspapers would not say, 'Instead of staring at each other's billing ratio, it is better to think about how to use better movies to win back the audience. ' This sentence has actually pointed the finger at the producer...

The situation is what it is, so be realistic.

Shen Changlin also had the same idea...

And let’s be honest, the Chinese film market itself is already quite high-quality. The so-called high-quality is actually not a purely good thing for the audience. The absolute price is equal and far exceeds the fare in developing countries such as India.

It means that the profit obtained from each audience is much larger, which is quite beneficial for the recovery of investment, especially the high-cost special effects necessary for large-scale productions.

This market has also received a lot of protection measures. Compared with South Korea, which was famous for its strict protection of the national film industry, its protection system originally required theaters to show domestic films for 146 days a year. In 2006, regardless of South Korea’s Over the objections of filmmakers, this limit was cut to 73 days per year, and nothing else.

In our market, when will there be no domestic films released?

……

Shen Changlin continues to be busy with the later stage of "The Thief"...

Occasionally pay attention to the dispute over account sharing. By the way, he hired screenwriter Zhong Wei to write a "Dear Child" based on the Peng Gaofeng incident...

The original time and space, script written by Mr. Zhang Ji...

Very realistically, from the perspective of human nature, no one is absolutely evil, and on the contrary, no one is absolutely kind...

But Shen Changlin will not use the original script - the advantage of the original script is that it jumps out of the routine of simply criticizing and condemning trafficking, and describes the harm caused by trafficking to adoptive families, which is a breakthrough.

The script design is very strong, the details are solid, and the back and forth are taken care of. There is almost no idle writing. For example, the sentence Tian Peng is allergic to peaches is written casually. State: anger, self-blame, numbness.

But the second half is not good, hasty and disordered, not as complete as the first half.The reason for the problem can be generally attributed to the fact that the internal logic of the plots is not strong.

The script that was supposed to revolve around Tian Peng suddenly turned into Ji Fang, the youngest daughter of Tian Peng and Li Hongxia, at the end. The focus is blurred and the sense of rupture is inevitable.

You said that the prototype has two children...

The prototype didn't go to bed either, you can make up a go to bed, why don't you delete a child?
Any work that talks about the theme of anti-trafficking is right to talk about the parents of lost children, it is right to talk about the hardships of finding and trafficking children, it is right to talk about family affection, and it is right to talk about the help of others.

However, can the end point not fall into "I also have difficulties in abducting and trafficking children, I don't know about the abducted and trafficked children, I love them very much", no matter how pretentious and excuses are used, this basic starting point cannot be washed away of.

Isn't this the high-profile version of "The Woman on the Mountain"?
Shen Changlin decided to focus on the Seeking Son Alliance...

Peng Gaofeng wasn't the only one who lost his child!

He has no interest in directing this genre, so he simply recruited Zhong Wei, gave him the theme 'The Seeking Son Alliance', and asked him to write the script...

Big group show!
As the director, Fumikino is tentatively...

This project was filed for the first time——Chen Kexin is also a chicken thief!
Peng Sanyuan, the director of "Lost Orphan", said in an interview: "Because I am a director for the first time, Hua Yi is somewhat worried. Therefore, I proposed two candidates, one is Chen Guofu, after all, he is a gold medal producer, if he is not good, the second candidate is Chen Kexin;
But at that time, Chen Guofu had already left Huayi, and then Mr. Huang sent the script project plan to Director Chen Kexin. After that, Director Chen said that he could not come.But what I didn't expect was that in the end he and us had a "theme collision", which I didn't expect at all!
And from project establishment to preparation, we did all these work earlier than "Dear", and we were also ahead of the shooting. "

You say this is a malicious hype of "Lost Orphan"?

Hehe, Peng Sanyuan has been investigating the fight against abduction since 2002!

……

At the end of November, the dispute over account sharing intensified, and then "Youth Pie" suddenly emerged!

1100 million on the first day, just over 2300 million in the first week, and it actually won [-] million at the box office on the working day!

The word-of-mouth effect is obvious.

However, "Youth Pie" is indeed worthy of praise...

The picture is beautiful and shocking, and the 3D effect is integrated such as plot development and editing.The plot is finally the original, because the story really has nothing to change...

You will feel that 3D is an integral part of a movie, as well as changing aspect ratios and alternate layers of editing, all for the story itself.

Well, Li Amine hasn't turned into a tech freak yet.

Really, the first time I watched "Youth Pi" in the cinema, when I came out, my hands were shaking!
However, Shen Changlin didn't have time to play this movie, he was busy doing post-processing...

Zhao Shan found him: ""Happy Comedian" invites you to go..."

"Me? What am I going to do?"

"It's the penultimate issue, I want you to talk about comedy..."

"Then call Xu Zheng to join us!"

"Row!"

Calling Xu Zheng, of course, is to promote "Tai囧"!
Zhao Shan nodded, and then said: "Aren't you curious about the situation of "Happy Comedian"?"

"Sister, I check Weibo every day and browse the news..."

What's going on in "Happy Comedian", would he not know?
Although it failed to become a blockbuster, after "The Voice of China", it successfully ruled the Friday file...

Happy Twist is also starting to rule the show...

Qiao Shanxiu Rui also started to show up...

However, this show has become a competition among the three teams of Happy Twist, Deyun Society, and Northeast Comedy Team.

——The high-density creation of [-] episodes of programs cannot be a masterpiece every time, but there must be one or two classic programs that we will remember, and that is enough.

"A lot of crew want to be on our show to promote!"

"Is there any comedy?"

"Hua Yi arranged for the pants to go too!"

"Hua Yi? "1942"?...With us?"

"Um…"

"Tsk tsk..."

It shows that "Happy Comedian" is really popular!
Otherwise, it would be impossible for Huayi to arrange the promotion of "1942"...

Talk about your understanding of comedy!

Very good, new and old seniors collide head-on...

(End of this chapter)