My identity as a collector was exposed by the village flower

Chapter 245 The Biggest Cultural Relic Dealer of the [-]th Century
A stick is a stick, and people listen to what others say, completely unaware that it is not a national treasure of their country at all, but an imitation from China.

Seeing that they were blowing up, Fang Xing didn't disturb their self-confidence.

"Let's go!"

"Let's go? Stop playing?" Liu Shijun was taken aback.

Isn't it a good time to go up and slap your face?
Cui Mingzhu and Xu Qing were also a little surprised. From their point of view, Fang Xing didn't seem to like Bangzi very much!

Everyone still remembers that not long ago, the incident of pulling out a banner saying that people from the Bangzi people were not welcome into the village caused quite a stir, and it also made Fang Xing not have a good impression in the hearts of the people in Bangzi.

Fang Xing smiled: "It's already been photographed, please keep quiet, let's go out and upload it on the Internet."

At this time, going up to slap the face, besides embarrassing the people present, what's the use?Although Bangzi is recording a program, if something like this happens, he probably won't broadcast it, but re-record it, right?
Waiting outside and uploading it on the Internet, that is Fang Xing's freedom.

At that time, if this matter is presented to netizens all over the world, the museum and the people of Bangzi Country will be ashamed.

Originally, this had nothing to do with Bangziguo, but it happened that they were recording a program.During this process, the group of sticks kept bragging about the celadon plum vase.

After watching the video, everyone found that the stick didn't understand anything at all, so they just blew it.

At that time, not only will the program group be embarrassed, but the citizens of Bangziguo will also complain about these people who pretend to understand, and they will lose face of the Republic of China, right?
He even regarded a fake as a national treasure of his own country, and was watched by the whole world.

"When was this filmed?" Liu Shijun was extremely surprised.

"It was taken secretly, that's all right, let's go see our country's treasures first." Fang Xing said.

It was only then that Fang Xing realized that the system actually had the function of filming. It had clearly recorded the whole process just now, including the whispers of the program group.

Soon, they saw the National Treasure--Liao Sancai Arhat Statue in a very conspicuous exhibition location.

"Is Liao Sancai more valuable than Tang Sancai?" Xu Qing was a little puzzled.

In her opinion, Tang Sancai is the most precious, right?If you want to put it on display, you can also put Tang Sancai on display!

In fact, Liao Sancai was influenced by Tang Sancai, or to a certain extent inherited the technology of Tang Sancai.

It mostly uses yellow, green, and brown three-color glazes, and the square dishes, begonia-style long dishes, cockscomb pots, and cylindrical bottles in the vessel types are full of the style of the Khitan nationality.Among them, the Chifeng Gangwa kiln fired a relatively large amount. The three-color glazed pottery fired was soft and light red, and the glaze was bright and clean, comparable to the Tang three-color glazed pottery.

Different from Tang Sancai, there is no blue in Liao Sancai, the glaze does not blend, and the glaze surface seldom flows.

Liu Shijun explained to Xu Qing: "That's not true. Generally speaking, Liao Sancai is not as good as Tang Sancai. However, this one in front of me is quite special, and it belongs to the pinnacle of Liao Sancai."

He told Xu Qing that the three-color Arhat statues of the Liao Dynasty were originally hidden in a cave in Yi County, Hebei Province. Wings fly, stolen and sold out.

Today, 9 Liao three-color Arhat statues are collected in seven museums, and none of them remain in our country.

The quality of these nine Liao Sancai Arhat statues is no less than that of Tang Sancai. In addition, rare things are more expensive, so they have become rare treasures.

"This one was also plundered by the French?" Xu Qing was curious.

Although she didn't know much about art, she was amazed by the Liao three-color Arhat statue in front of her.

The size of a real person, the calm face, and the hands of the meditation seal all reveal the inner peace and Zen of the arhat.The texture of the cassock on Luohan's body is natural and elegant, and the exposed hands and feet seem to make people feel the elasticity of the skin. The lifelike artistic style is amazing.

Fang Xing shook his head: "That's not true, it was sold by a Chinese. Or you can't say Chinese, but Chinese, called Lu Qinzhai..."

Lu Qinzhai was originally a native of Zhejiang during the Republic of China. He lived in France and the United States successively. In the early [-]th century, he was an internationally renowned dealer in cultural relics and a large antique dealer. He sold many Chinese national treasures abroad, including the greatest art in Chinese art history One of the masterpieces, "Sa Lu Zi" and "Fist Hair" among the six horses of Zhaoling.

In the eyes of Chinese cultural relics experts, this person is no different from a traitor, and it can be said that he is gnashing his teeth.

Lu Qinzhai started as an apprentice in an antique shop, worked hard to learn all kinds of business in the antique shop, and learned fluent English and French. He was quickly appreciated by the boss, and Lu Qinzhai gradually became the manager of the shop.

Later, when the Beiyang government came into power, people's hearts were unstable, and the ancient treasures in the Forbidden City were lost overseas. With his ability to identify Chinese cultural relics, Lu successfully purchased many rare and rare treasures at low prices and sold them to the European market, earning a lot of money.Gradually, Lu Qinzhai became a prestigious connoisseur of Chinese antiques and a celebrity among European Chinese.

Since 1926, Lu Qinzhai built the famous "Paris Red House" in Paris. The Chinese cultural atmosphere created by cultural relics is extremely strong. The first, second, fifth floors and part of the basement of the "Red House" have been listed by the Paris City Government for cultural heritage.

But Fang Xing didn't have a good opinion of this person.

Although he directly led to the loss of a large number of Chinese national treasures overseas, it caused immeasurable losses to Chinese culture, archaeology, and cultural relic identification!
But Lu Qinzhai also sponsored the Modern Revolution. For a period of time, he sponsored a free lunch for Chinese students studying in the Red House every day.

Of course, such a small act of kindness cannot completely cover up his damage to China's national treasure.

If he is just an antique middleman, there is nothing to say, but he should never, never touch the idea of ​​those imperial tombs.

At that time, Lu Qinzhai smashed all the stone carvings of the six steeds of Zhaoling to be smuggled out of the country. Fortunately, four of them were seized by the Beiyang government. Although the Chinese government has asked for the university museum many times, it has not been successful. The six steeds of the Zhaoling Mausoleum of Emperor Taizong of the Tang Dynasty have each side, which makes the people of the country sigh.

Lu Qinzhai smuggled and sold countless pre-Ming statues, stone carvings, bronzes, and jades throughout his life, many of which came from the stolen tombs of successive emperors.

We can't justify him because he did something good.

From Fang Xing's point of view, Lu Qinzhai put out some money to support the revolution, just because he wanted to save his reputation after death.

Some people may say that during the Anti-Japanese War, Lu Qinzhai was actively involved in patriotic actions and was a patriotic businessman.

Good guy!That is all the wealth obtained by selling Chinese national treasures at a low price, and only donated 2000 francs, which is the same as sending beggars.

(End of this chapter)