My identity as a collector was exposed by the village flower

Chapter 313 "Admonishment of Female History" Shocked the Audience

"What do you think?" Fang Xing asked.

"How about a project on ancient paintings? The headquarters has collected a batch of precious ancient paintings." Jiang Wanyu said straight to the point.

This is also the meaning of the headquarters. They know that Fang Xing's family has several ancient paintings handed down as national treasures. As long as one or two paintings are put up for auction, then this auction will definitely be a success.

The previous few auctions could be regarded as whetting their appetites.

If the transaction volume of this auction is too bad, then for them, the gap is too big.

"Is it an ancient painting?"

Fang Xing pondered.

He does have a lot of ancient paintings. Recently, the Antique City opened, and the system also rewarded Gu Kaizhi for his famous lost paintings "The Picture of the Goddess of Luo" and "The Picture of the Female History Admonishment".

Whether it is "Luo Shen Fu Tu" or "Nv Shi Zhen Tu", they are all ancient paintings of the national treasure level. You must know that "Luo Shen Fu Tu" is one of the top ten famous paintings handed down from generation to generation in China!

It was a comic-book-like but cohesive scroll of multiple storylines, now lost.The main ones handed down now are four copies from the Song Dynasty.

The so-called top ten famous paintings handed down from generation to generation in China refer to Luoshen Fu, Qingming Riverside, Fuchun Mountain Dwelling, Han Palace Spring Dawn, Hundred Horses, Walking Chariots, Tang Palace Ladies, Five Bulls, Han Xizai Night Banquet, A Thousand Miles of Rivers and Mountains.

But in fact, some of the original works of these famous paintings have been lost, and only copies have been handed down, just like "Luo Shen Fu Tu".

However, the original work of "Admonitions for Women's History" has been lost, and there is a copy of the Tang Dynasty. There were originally 12 paragraphs.

"The Admonitions of the Female History" has epoch-making significance in the history of Chinese painting.

"Yes! Right now, I hope you can come up with a famous painting that can hold the stage as the finale." Jiang Wanyu asked.

Whether they will eat porridge or eat at the auction depends on what kind of auction items Fang Xing can bring out.

Fang Xing nodded: "Okay, you can call the appraiser from your auction house! Just in time, I have two paintings for everyone to appreciate and appreciate."

Ok?
Hearing the tone of these words, you have to make a big move!

Jiang Wanyu was overjoyed and immediately called to ask the appraisal team to come over.

Fang Xing also notified Elder Qian.With his old man doing the appraisal, the authority is much greater, and there is nothing to question.

Of Gu Kaizhi's two paintings, Fang Xing plans to auction off one and put the other in a museum.Therefore, he also notified Yuan Shaohua, the curator of the museum, to come over.

When everyone was due, Fang Xing took out two paintings from his underground treasure house.

Qian Lao and the others were looking forward to it, wondering what kind of world-shattering work Fang Xing would produce this time.In fact, everyone was curious about Fang's treasure house, but they were too embarrassed to ask.

"What kind of a masterpiece is it to call so many people here?" Qian Lao said with a smile.

"Gu Kaizhi's work, but I'm not sure if it's the original. Of course, according to my judgment, it's at least a Tang Dynasty copy." Fang Xing said.

As soon as this remark came out, everyone's spirits lifted.

They know Gu Kaizhi's name very well!

An outstanding painter, painting theorist and poet in the Eastern Jin Dynasty.Because of his high achievements in literature and painting, people called him Huajue, Wenjue and Chijue.

He is erudite and talented, good at poetry, calligraphy, especially painting.Good at portraits, Buddha statues, animals, landscapes, etc., together with Cao Buxing, Lu Tanwei, and Zhang Sengyou, they are called "Four Masters of the Six Dynasties".

Gu Kaizhi's paintings are intended to express the spirit, and his arguments such as "imagining wonderfully" and "expressing the spirit with form" have laid the foundation for the development of traditional Chinese painting.

In short, this is a painter who has had a profound influence on the Chinese painting circle, and his status will not be much worse than that of the painting saint Wu Daozi.

"Oh? Quickly open it and see, which work is it?"

Not wanting to whet everyone's appetite anymore, Fang Xing unfolded one of the scrolls.

This is a silk book, and everyone immediately understands that silk books are generally older works.In Ming and Qing Dynasties, calligraphy and painting were basically made of paper.

"Hiss! Is this... "Nv Shi Zhen Tu"?" Immediately, someone gasped.

You must know that the "Admonitions of a Female History" treasured in the British Museum is a copy of the Tang Dynasty, but it is also known as the most important Chinese national treasure in the British Museum, and it is also one of the top ten treasures of the British Museum.

In fact, three of the top ten treasures of the British Museum are from China, including the "Nv Shi Zhen Tu", the David Vase, and the Dunhuang murals.

"Nv Shi Zhen Tu" is known as the opening picture of Chinese art history, and is recognized as a Chinese super national treasure in the world art history.

In the British Museum, there are Liangzhu Jade Cong, Shuangyang Zun, Ming Dynasty Zhenwu Statue, etc., which are the top national treasures of the country.

Like the Shuangyangzun, it is difficult to get it back to the motherland even if it costs 5 million yuan. Such a heavyweight cultural relic is actually ranked after the "Nv Shi Zhen Tu", which shows the preciousness of "Nv Shi Zhen Tu" and its high cultural and artistic value.

Therefore, now that a picture of "Admonitions of Women's History" appeared, even Mr. Qian was shocked.

"Let's give way, let's give way, let Mr. Qian appraise first." Someone shouted.

After all, among those present, Mr. Qian had the highest prestige and the strongest appraisal ability, so his appraisal results were the most representative.

The others sensibly made room.

Mr. Qian solemnly put on his white gloves, picked up a professional magnifying glass, and began to appraise the painting inch by inch.

The people in the front couldn't help but watch, and let out exclamations from time to time.The painter of this painting is definitely beyond their imagination.

Some people have seen the "Admonishment of a Female History" in the British Museum, but they don't think it is as good as this one.

In addition, the one in the British Museum is actually incomplete, and there are only 9 sections left.

Due to the lack of knowledge in the UK and poor storage, it was cut into two sections, and the phenomenon of slag appeared.

But even so, it is still one of the top ten treasures of the British Museum.

The complete "Nv Shi Zhen Tu" should be like the one in front of you, divided into 12 sections.Each paragraph is a small story, a small scene.

Like the first paragraph, it is a painting of Emperor Han and Yuan leading the palace people to watch the fighting beasts in the tiger circle, and the beauties in the harem are present.There is a story about a black bear suddenly jumping out of the fence and approaching Emperor Han Yuan, Feng Jieyu stood up to protect the Lord.

In the picture scroll, Feng Jieyu has a long belted coat. Although she is slender, she is fearless in the face of the black bear running over, and her spirit of fearlessness in the face of danger is very prominent.

And although the two warriors were holding weapons, one was shouting loudly, and the other was stabbing the black bear hard, but their expressions were frightened, which was in stark contrast to Feng Jieyu's standing upright.

This more prominently shows Feng Jieyu's bravery and the panic-stricken expressions of the other court ladies.

In this passage, Gu Kaizhi fully and vividly expresses the different images and personalities of the characters.

"As far as this silk book is concerned, it's no wonder that Mr. Fang dares to guarantee that it is definitely a work of the Tang Dynasty and before."

"It's hard to tell, let's do an identification of the silk book's age first!"

……

(End of this chapter)