My identity as a collector was exposed by the village flower

Chapter 362 Really... the real work?
"It is indeed a feeder from the Qianlong period." Mr. Zhao said after looking at it for a while.

"A feeding vessel? Isn't it a glass vessel?" Yuanyuan and Xu Qing were puzzled.

Xia Yu immediately laughed and said, "The feeder is a glass container, people in the antique shop like to call it a feeder."

"There are so many opinions." Xu Qing muttered.

"Master Zhao, please look at this picture." Fang Xing handed over the "Duck Head Pill Post".

Mr. Zhao unfolded it and found that it was "Yatou Wan Tie". He also subconsciously believed that it was a copy of a certain dynasty.After all, in everyone's consciousness, the original work has been lost.

"Yo! This "Duck Head Pill Post" really looks like that. The person who copied it must be a master of calligraphy. Huh? Not quite right..." Looking at it, Old Zhao frowned.

"Why not?" Xia Yu asked quickly.

"This piece of paper..." Mr. Zhao didn't say what happened next, he took out his magnifying glass and began to examine it carefully, without caring about others.

"It can't be the original work, right?" Yuanyuan joked.

Xia Yu shook her head: "It's definitely not, it's made of paper. Generally speaking, most of the precious calligraphy and paintings before the Tang Dynasty are on silk."

As soon as the words fell, Fang Xing corrected: "You can't say that, most of the original works are paper versions. Posts like this are actually the current note. It is a relatively casual communication, and it is impossible to take out a piece of silk , and write on it."

Xia Yu was a little embarrassed, but Brother Fang had a point.

If you think about it carefully, this is really the truth.

"On the contrary, some copies are often copied on silk in order to preserve them better." Fang Xing added.

Of course, if calligraphers and painters think that their works will be handed down from the beginning of creation, they will also choose silk that is easier to preserve for creation.

After a long while, Mr. Zhao raised his head, with a serious expression on his face: "Which shop did you buy it?"

Xia Yu replied: "Yes! They also said that it is the treasure of their store. They are talking nonsense that domestic experts have gone to see it. There is a lot of nonsense."

"This is not just the treasure of the town store!" Elder Zhao looked at Fang Xing: "Have you seen it, kid?"

Fang Xing smiled and said, "It might be the real thing."

As soon as these words came out, except for Mr. Zhao, everyone else almost stared out their eyes, and the audience in the live broadcast room was no exception. It was simply too outrageous.

If that store knew, everyone was crying and passed out in the toilet, and the boss probably wanted to kill the fat man.

"Really... the real work?" Xia Yu was terrified.

In any case, he never thought that this could be the real work!

I thought to myself, probably it was copied by a famous artist of a certain dynasty.

"This is dyed paper from the Wei and Jin Dynasties. It was not only used by scholars to write and write books, but also by the government to write documents. Many of the Wei, Jin, Southern and Northern Dynasties scripture papers collected in museums and libraries are dyed. Yellow paper." Zhao Lao said.

In the Jin Dynasty, people's use of Jiandu changed fundamentally.People in the Jin Dynasty were able to produce a large amount of white, smooth and square paper, and people no longer used expensive silk and cumbersome bamboo slips to write.

In addition, the processing and dyeing of paper in the Jin Dynasty was called Huang. Phellodendron was used as a dye, and the dyed paper was yellow, so it was also called yellow paper.

During the Wei, Jin, Southern and Northern Dynasties, people liked to use yellow paper for several reasons:
One is that Phellodendron contains alkaloids, which are both dyes and insecticides and moth-proofing agents.It can prolong the life of the paper, and it also has a delicate fragrance.

Second, according to the ancient theory of the five elements, the five elements of gold, wood, water, fire, and earth correspond to the center of the five directions and the yellow of the five colors. Yellow is the positive color of the five colors. Therefore, all sacred and solemn objects in ancient times were often decorated with yellow. Documents are also yellow.

The third is that the yellow color is not dazzling, and it can be read for a long time without hurting the eyes.If there is a clerical error, it can be painted with orpiment before writing, which is convenient for collation.This situation can be proved by actual objects in the scriptures written in the Dunhuang Stone Chamber.

"Before, I was a little unsure. Jin Dynasty calligraphers and painters usually used hemp paper." Fang Xing said.

Most of the calligraphy and painting works handed down from the Han Dynasty to the Tang Dynasty in the past thousand years are made of hemp paper.Famous calligraphers Wang Xizhi, Lu Ji and others all used hemp paper. Lu Ji's authentic calligraphy "Ping Fu Tie" was written on white hemp paper and has been handed down to this day.

Mr. Zhao shook his head: "That's not necessarily true. Judging from the performance of this paper, it is at least before the Sui and Tang Dynasties. Combined with this calligraphy, I think it should be authentic.

Of course, it doesn't count if I say it alone, and I have to ask other cultural relics experts and appraisers to do the appraisal.At the same time, the paper is also taken to measure.

Forget it, I'm still here for this kind of thing! "

After finishing speaking, Mr. Zhao thought for a while, and added: "There is also this collection seal, which belongs to Gu Kuang in the Tang Dynasty, which also increases the degree of authenticity."

You know, Gu Kuang was a minister, poet, painter, connoisseur, and collector of the Tang Dynasty.

There is his collection seal, which shows that this "Yatou Wan Tie" is definitely not from after the Tang Dynasty.And with Gu Kuang's identification ability, he should also be able to see that this is an authentic work, so he stamped it on it.

In addition, there are several seals on it, all of which are celebrities before the Song Dynasty.

This shows that after the Song Dynasty, this painting was rarely circulated in the world.Otherwise, if you encounter a stamping madman like Qianlong, you can't stamp it crazy?

"My God! This is almost mine." Xia Yu half-jokingly said.

He really regretted it in his heart, after all, the fat man introduced this painting to him in the first place.He didn't want it, so Fang Xing took over.If I hadn't thought about it that much then, now...

It can only be said that sometimes cleverness is mistaken by cleverness.

You can never calculate life and destiny.

"Sometimes you must have something in your life, but don't force it when you are in your life!" Yuanyuan comforted him.

It was just this consolation that made Xia Yu roll her eyes.

"After all, there is still no strength."

If you have the strength to see that this is a genuine work, or doubt that it is a genuine work, you will not reject it so simply.

The question now is, how much is this painting worth?
Even if the result of the final appraisal is not authentic, it is foreseeable that this work will be more precious than the ones stored in the Shanghai Museum.If it is auctioned, it is likely to be tens of millions, or even hundreds of millions of dollars!

If such an opportunity to make a fortune just passed me by, anyone would be extremely annoyed!

Not to mention Xia Yu, even Mr. Zhao regretted not following him.This is a rare treasure!

Mr. Zhao took pictures of it in detail, every word was taken from different angles, and the photos he took were immediately sent back to Mr. Qian's mobile phone in China.

This is a big event. There are really too few surviving works of Wang Xianzhi's authentic works.

He believes that when the news is heard in the country, there must be a flurry of panic. I am afraid that some people can't wait and fly over directly for identification.

At this time, other experts from the hotel also came over, especially the people from the Palace Museum, who were smiling, not like a good person.

(End of this chapter)