Chapter 58 Sketch of "Forty Scenes"

Director Liang looks very young, maybe under 30 years old.

The audience in the live broadcast room watched it and were very surprised!
Sitting on the throne of deputy curator at such a young age is unavoidable.Some people even think: did they go through the back door?

Moreover, wearing a Tang suit, he is quite handsome, and the female audience praised him greatly.

"I didn't expect Director Liang to be so young." Fang Xing laughed.

Curator Liang was a little helpless, and explained: "I'm already 48 years old."

Fang Xing suddenly saw a ghost-like expression: "Huh?"

I thought he was a "brother-level" character, but I didn't expect him to become a "grandfather" soon.

The live broadcast room is also full of "question marks" in an instant, all kinds of 666.

"Haha! Boss Fang's expression is exactly the same as mine."

"Same expression +1"

"You told me 48?"

"A man has 41 flowers, I finally believe this."

"Laughing to death, what about the one who just said that people go through the back door? Come out and say something, are you dumb?"

……

Those who followed Director Liang couldn't help laughing when they saw Fang Xing's expression.Even old colleagues like them find it amazing that Director Liang has such a heaven-defying appearance.

"It seems that I'm a little anxious about my appearance." Fang Xing laughed at himself.

After the two parties drank tea and exchanged polite words, they finally came to the topic.

"Actually, our exhibition doesn't care whether the cultural relics are valuable or not, but pays more attention to its representativeness. The best ones are the special works of art in Yuanmingyuan. I also looked at the ones that Boss Fang brought out last time. There are more than ten pieces. I think It is very suitable for our theme exhibition, for example..." Director Liang said.

In fact, he hoped that Fang Xing would take out those two so-called treasures.

But it is also very clear that people must wait for their own museum to open to help attract visitors.

"In my collection, there is also a set of very special things."

"Oh? I don't know what it is?" Director Liang was a little surprised and curious.

"Wait a minute, I'll take it out for everyone to watch."

After speaking, Fang woke up and went to the underground treasure room.

When he returned to the living room again, there was a big wooden box in his hand.Under everyone's expectant eyes, the box was opened, and there was a stack of blueprints inside.

drawing?

Everyone is a little confused.

Is this what you mean by something special?Can it represent the Old Summer Palace?

"What came from?" Xu Qing couldn't help asking.

Fang Xing looked at Director Liang: "Director Liang, you must have heard of "Forty Scenes" in the Old Summer Palace, right?"

"It can't be "Forty Scenes"." Curator Liang said almost reflexively.

The others didn't speak, but that meant that, like curator Liang, they didn't think it was "Forty Scenes".

"What is "Forty Scenes"?" Xu Qing felt that she didn't understand anything, and had no idea what these people were talking about.

""Forty Scenes" is one of the most accomplished fine brushwork paintings in my country. It reproduces the magnificent scenery of the Yuanmingyuan in its heyday.

To put it bluntly, it is like a photo of the forty most important scenic spots in Yuanmingyuan at that time, understand? "Yuan Shaohua explained to everyone.

"Forty Scenes" was drawn according to the will of Emperor Qianlong of the Qing Dynasty, around 1744, by the famous court painters Tang Dai, Shen Yuan and others after 11 years of painting.

After the painting was completed, Qianlong wrote 40 poems for it, which were written by Wang Youdun, Shangshu of the Ministry of Industry. "Forty Scenes" was originally stored in the Old Summer Palace. When the British and French allied forces burned the Old Summer Palace in 1860, this set of colored paintings was looted by the invaders and is now in the National Library of France.

"The real "Forty Scenes" is now collected in the National Library of France. In [-], the National Museum spent a lot of money to reprint the original color plate in France and make this scroll.

So, should this be "Forty Scenes". said another.

Only then did the viewers in the live broadcast room know that this painting turned out to be true. If it is real, it is indeed one of the representative cultural relics of Yuanmingyuan, which is of great exhibition value, and even has very important reference and research value for the restoration of Yuanmingyuan.

It is said that the buildings, springs and rocks and other landscapes painted in "Forty Scenes" are all in a realistic style. The poems have a profound artistic conception, and the calligraphy is meaningful and elegant.

Fang Xing rolled his eyes: "I didn't say it was "Forty Scenes", you should take a look first!"

Curator Liang picked up a blueprint, which should be considered a painting, but Shi Cai hadn't finished it yet.In other words, this is an incomplete painting.

Moreover, he is very familiar with the content of this painting.

It is "Fair and Upright" in "Forty Scenes".

The Zhengda Guangming Hall is the main hall of the Old Summer Palace, where the emperor holds birthday celebrations, new Zhengqu banquets, small banquets for court officials, Zhongyuan banquets, dragon dances for viewing celebrations, Hanzhan examinations for the Grand Examination, rural examinations and re-examinations.There are 7 halls with a large platform in front, and 5 halls in the east and [-] in the west.

It's just that this painting doesn't have Qianlong's imperial pen inscribing a poem.

Instead, in the lower right corner are the words "First Amendment".

Then, Fang Xing also picked up one from inside and handed it over.

Everyone found that this is a similar picture scroll, but the degree of completion is higher, and the picture is all painted, but there is also no poem written by Qianlong's imperial pen.

In the lower right corner, there are the words "Second Amendment".

This time, everyone realized what it was.

"It's the draft of "Forty Scenes", which is too precious." Director Liang trembled a little while speaking.

In fact, everyone should have guessed that "Forty Scenes", which took 11 years to complete, could not have been completed in one go, and must have undergone many revisions.

The drawings in front of me are the best proof.

Although these are not the real "Forty Views", they represent the creation process of "Forty Views".

For experts who study the Old Summer Palace, these sketches are even more important than the real "Forty Scenes".

"Some people have speculated before that there are drawings, but some people think that after the real "Forty Scenes" is completed, all these semi-finished products may have been destroyed."

Curator Liang stared at Fang Xing: "Boss Fang, please take these drawings to participate in this exhibition, and we can discuss everything else.

When your museum opens, how about I personally bring people to support it? "

Fang Xing nodded: "Okay, then thank Director Liang!"

Seeing that Fang Xing agreed, curator Liang immediately took out his mobile phone, made a call, and ordered the person who arranged the exhibition area to vacate a separate area.

(End of this chapter)

Tap the screen to use advanced tools Tip: You can use left and right keyboard keys to browse between chapters.

You'll Also Like