My identity as a collector was exposed by the village flower

Chapter 62 My ancestors shed blood for the country

Chapter 62 My ancestors shed blood for the country
Seeing the discussion in the live broadcast room, Xu Qing looked at the paintings on the wall, and couldn't help asking: "Isn't "The Picture of Sending the Son of Heaven" in RB?"

Chen Guoliang said with a smile: "The RB painting, in fact, is not very sure now. Some people say it is the original work of Wu Daozi, the painting sage, and some people say it is a copy of the Song Dynasty, so it is hard to say now."

RB's "Picture of Sending the Son of the Heavenly King" is unprinted. According to the inscription of Cao Zhongxuan in the Southern Tang Dynasty and the "Ruiying Jing" excerpted by Li Gonglin in the Northern Song Dynasty, it has always been regarded as the work of Wu Daozi in the Tang Dynasty.But the academic circles still have different opinions on this.

After finishing speaking, Chen Guoliang focused his eyes on the painting again.

This group of people was faintly excited and looking forward to it.

You know, this is one of the masterpieces of the painting saint Wu Daozi!

The reason why Wu Daozi achieved such outstanding achievements in painting art is because he can innovate.

He is good at absorbing the essence from the complex shapes of objects, summarizing the concave and convex surfaces, yin and yang surfaces into irreducible "lines", and combining the internal movement of objects to form the organizational law of lines.

The requirements for this kind of thread are strict, each thread meets the requirement of expressive modeling, and each thread is full of rhythmic beauty.

Wu Daozi's painting style has been imitated and borrowed by many painters since the Tang Dynasty and the Song and Yuan Dynasties, and has far-reaching influence, so he is honored as a saint of painting by later generations.

Everyone turned their attention to the painting.

The picture is divided into two sections. In the front section, there are two gods riding auspicious beasts galloping forward. The heavenly kings put their hands on their knees and look majestic.The courtiers and maids have a peaceful attitude, while the general wants to draw his sword to prevent accidents.Although there are many characters, their expressions are different, and they are very rhythmic and ups and downs.

In the latter part, King Jingfan is holding the newborn Sakyamuni. Judging from his posture, King Jingfan is cautious.The queen followed closely behind, greeted in panic, and the identities, psychology, and forms of the characters were portrayed in detail, which well reflected the conflicts and contradictions between the characters.

There are more than 20 characters, ghosts and gods, and auspicious beasts in the painting. The characters are majestic kings, dignified ministers, kind wives, humble maids, ghosts and gods with teeth and claws, and auspicious beasts.

"This is paper, can the Tang Dynasty be kept until now?" someone questioned.

"Khan, brother, don't talk about the Tang Dynasty. As long as it is properly preserved, even the works of the Eastern Jin Dynasty can be preserved to this day, such as the "Mid-Autumn Poster" written by the sage Wang Xianzhi."

"During the Tang Dynasty, although paper was very popular, it seems that many painters still used silk to paint, which is the so-called silk book. Even in the Song Dynasty, it seems that many painters used silk to paint."

……

At this time, Mr. Zhen finally spoke.

"Judging from the chronology of the paper, this should be from the Tang and Song Dynasties. But whether it is the Tang Dynasty or the Song Dynasty needs to be further confirmed."

Mr. Zhen's research on paper is quite deep, so none of the experts present refuted it.

In this way, even if this painting is not an authentic work handed down by Wu Daozi, its value is still frighteningly high.

"I've seen the one by RB a few times. Although it's full of charm, it always feels like something is missing."

"Teacher, what about this one?" Chen Guoliang hurriedly asked.

Mr. Zhen hesitated for a moment: "From the point of view of the painter, it is indeed Wu Daozi's style. Besides, the painting is very vivid. Let me talk about my feeling! I think this one is better than RB's."

But to be specific, the good thing is, it seems that this can only be understood, not expressed in words.

After finishing speaking, he looked at Fang Xing: "Boss Fang, can you tell me about the history of this painting?"

Judging from now, Mr. Zhen is very optimistic about this painting.

On one side of the painting, there are collection seals and deposits of several collectors in Tang and Song Dynasties, indicating that this painting was once collected by these people.For example, Song Huizong's seal.

Song Huizong, many people have heard of him, was an emperor with great literary attainments, much better than Qianlong.

Song Huizong was both an emperor and a collector in the Song Dynasty. The treasures of calligraphy and painting in his collection were almost impossible to find fakes.This also proves to a large extent that this painting is very likely to be the authentic work of Wu Daozi.

Everyone immediately looked at Fang Xing.

Fang Xing shook his head, he couldn't always say that his ancestors snatched it back, could he?
"I don't know, I only found it yesterday, and there is no record of this painting in the family records. But it can be explained that this painting must have been obtained by the ancestors very early.

The history of most of my family's collections will be recorded in the family record book and passed down.But there is a part that is not recorded, that is, it was handed down a long time ago. "Fang Xing continued to chat.

The others didn't doubt it, they just sighed, the Fang family has been rich for a long time, maybe it is a descendant of a thousand-year-old family!
"Your family is really low-key." Chen Guoliang said.

Seeing that many viewers speculated in the live broadcast room that the ancestors of the Fang family might have snatched them back again, Fang Xing quickly corrected: "Ahem! Don't talk nonsense, everyone. My ancestors were not robbers, and many treasures were bought with money. When the war is in chaos, this kind of antique calligraphy and painting is actually very cheap, and it is the best time to pick up the leaks."

Don't talk about the chaos, just say that after the founding of the People's Republic of China, these cultural relics are not very valuable!Most of it is the price of cabbage.

If someone with a little money at that time bought a batch and kept it until now, he would be a local tyrant!

"Haha! Look, the boss is in a hurry."

"Boss is also a little scared!"

"If it were me, I would be afraid too."

"Some bullshit experts, no matter how you pass it down."

……

Fang Xing saw everyone's discussion, and said with a smile, "My family's collection comes from a legitimate source."

A "proper origin" made the audience in the live broadcast room laugh again.

This way of coming is indeed "justified".

During this period of time, Fang Xing was a little worried as the live broadcast revealed his family's treasures.

So, just take this opportunity to expose something and gain sympathy.

As soon as this remark came out, the live broadcast room laughed again, and even Chen Guoliang couldn't help laughing.

"Boss, tell me, there seems to be a story!"

Fang Xing said seriously: "In my great-grandfather's generation, almost half of the clansmen died in order to fight against Japan. Is this bloodshed? Moreover, at that time, my great-grandfather also donated several 10 taels of silver and countless grains to our army. Donations All the certificates and documents are still there!"

When it came to the end, Fang Xing was a little proud.

The last sentence instantly made the people in the live broadcast room gasp and shocked.

(End of this chapter)

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