abnormal musician

The deduction from the leaders of the national team is really infectious.

In an art performance, the strong appeal can make the audience quickly and deeply substituted, and it is very easy to empathize.

The audience at the scene was even more excited.

But I didn't dare to applaud, because the plot connection is really tight, one wonderful work after another, I really don't want to break the rhythm of the performance, and I don't want to let myself out of this sense of substitution.

The words of praise on the barrage on the Internet have exploded.

[I already felt great when the newcomers sang, and now this performance has completely subverted my imagination. 】

【Really, the rookie is good enough, but it's a pity that he is facing a true god.】

[I'm really afraid of comparison in everything, it's so different. 】

[I still had doubts before, why the program group didn't always bring new ones, now I understand everything. 】

Netizens were amazed.

Huo Zihang's newcomer's performance also sang this section.

But the same paragraph, the effect is completely different.

Of course, netizens can understand, this is really understandable.

It's not that Huo Zihang's rookie is really rubbish, in fact, many audiences are already very satisfied with the rookie's performance.

It is really that the national team is too strong, there is no way to compare, there is no comparability.

If we say that the duet of the two rookies, Huo Zihang, let the audience know what an excellent performance of crushing fresh meat is.

Then, as soon as the teacher of the national team makes a move, the audience will know better what art is.

Therefore, the program group used the "old versus new" method, but did not use traditional variety shows to "bring the old with the new", and it completely solved the problem.

In fact, the original design of the original variety show was not the form of "confrontation" between old and new this time.

Instead, they really want to carry out the "old with new" model.

That is to let newcomers and teachers really cooperate and perform on the same stage.

participate in the same show.

The ideal situation is that the big hand leads the flight, the teacher knows everything, and the newcomer shows up.

This is very safe, guaranteeing a lower limit, but also an upper limit.

And at first glance, if there is no particularly strong contrast, the newcomers will not have so much pressure.

But it was rejected by Li Shaojie.

Because the real situation is often completely opposite to this imaginary way.

A powerful singer cannot lead a weaker one.

It can be said that it can't be moved at all, and it will directly smash the newcomer.

In terms of acting, this is the actor's "pressing drama" on Xiao Xianrou.

I can't take it, I can't take it at all.

A comparison, the gap is too obvious.

Why is that?
it's actually really easy.

The performance is a whole.

Today's performances are more and more pursuing the overall art.

No matter how good a person's strength is, if another person is much weaker in comparison, the overall perception of the work will decline.

Yes, the emphasis is mainly on a whole.

It seems that Li Shaojie designed it this time.

The strength of the newcomers is about the same. As long as they train seriously, it is actually very easy for two people to match each other. In this way, the overall quality of the work will be excellent.

in contrast.

If the teacher and the newcomer perform the same program, then in the same program, there will be a "sense of fragmentation" caused by unequal strength.

This is the "barrel effect" in the performance of the show.

How much water can be held depends on the shortest plank, not the longest one.

Especially this duet.

Ensemble, chorus, really is to coordinate and go hand in hand, harmonious and unified, everyone together?
Or do they play their own games and try to keep them as complete as possible?
Actually neither.

In any group performance, it seems to be a whole, but deep inside is always the pursuit of a "confrontation".

Confrontation is an indispensable effect in artistic performances, and it is also a factor that can further deepen the appeal of works.

For example, in a symphony, it is the progression, gradation, transition, and confrontation of treble and bass, and the cooperation and confrontation of strings and wind instruments.

It is the confrontation between the conductor and the whole orchestra.

And it's the same in the chorus.

As the leading role of Christine and Phantom, in this song, there must be confrontation.

In this way, in terms of the sense of existence of the characters, they can compete against each other, each with its own characteristics.

Otherwise, it is really a marionette.

In the plot, it is true that the Phantom is the strong side, and the weak side, Christine, is seduced to go underground.

But it doesn't mean that Christine is completely at the mercy of the Phantom. If this is the case, then Christine will have no sense of presence in this scene.

On the contrary, it would be more of a disaster movie, Phantom weak?That can basically directly declare a complete rollover.

If the strengths are not equal, the confrontation is very good, and one side is directly crushed by the other side, so what overall effect is there?
It's cold, don't think about it.

Therefore, Li Shaojie's deliberate move to separate the old and the new, on the surface it seems that the newcomers are crushed by the old group, it is very unfair, but the effect is better.

Let the newcomers come for a while.

And the newcomers are enough to satisfy the audience and feel good.

This establishes a psychological expectation for the audience and allows the audience to see the level of newcomers more intuitively.

After the national team teacher came on the field, the performance effect completely shattered this psychological expectation.

But because they already felt that the newcomers performed very well before, under the huge contrast, the audience would not turn around to question and ridicule the newcomers, but would only praise the old people more.

In this aspect of the design, once there is a problem with the order, it is obvious that whether Huo Zihang and the two newcomers will be raped by the Internet is really a matter of thought.

It is necessary to throw bricks to attract jade, not gold and jade.

Huo Zihang's newcomer's performance is this brick.

But this brick is hard enough and beautiful enough to stun the audience, so when the audience appreciates jade, they won't have too much to say about the brick.

Moreover, the musical "Phantom of the Opera" is indeed very special.

Although "The Phantom of the Opera" is a musical.

Very popular.

It seems that the performance threshold is not high.

But in fact, the best choice is still to find an opera singer, not a pop singer or a pop singer.

From pop to serious music, that is from the field of 30 points to the field of 100 points.

This is not an exaggeration.

Assuming that you have a certain foundation in music theory and can compose your own music, then your score will probably be below 3 points.

When you have a certain amount of experience and start to get involved in deeper arrangements, the score can probably reach 10 points.

One tops three novices.

And if you can do a good job in the pop music industry, have a few hit songs, and make good-quality saliva songs, then your score may be in the 20s, but not more than [-].

That's the limit of pop music.

It is not that simple to break the limits of popular music and allow pop music to be called a work of art.

This requires you to have a solid foundation in serious music, at least you need to have an ability of 30 to [-] points to be able to create pop music works with a score of more than [-] points.

Such people are actually not rare, and there are many well-known creators.

But not much, just a little bit.

How to design a score limit for "Phantom of the Opera"?

This score line is likely to be around 60 to 70 points.

It seems to be popular, but the score has far surpassed that of popular music in the ordinary sense.

It really doesn't work if you don't have strength.

It is difficult for ordinary pop singers to control this work so perfectly.

This is actually not an exaggeration, the gap is so obvious.

It is difficult for the vast majority of popular works to exceed the range of 30 points.

And what about these national team leaders with opera backgrounds?

They are definitely 100+ in the 90-point serious music range, and it is indeed a bit of a dimensionality reduction blow to perform a musical.

So, the contrast is obvious.

The full score required for such a musical is 60 points, and the vast majority of pop singers may be within 30 points, which is a bit better, beyond this range, reaching the level of 60 or 70 is rare.

Most of the popular songs that the audience listens to may only score 20 points, and even a lot of rubbish singing skills can't even score 10 points if they only rely on technology.

The rookie duo of Huo Zihang has a score of almost 27, barely reaching 30 points.

This is good enough to impress the audience.

It's far from something that can be touched by small fresh meat. Even in the pop music circle, it can be called "very good".

It's just that there may still be a lot of vacancies in expressing the perfection of this musical.

It can be good, even excellent, but certainly not perfect.

And as a 90+ fairy boss, he perfectly interprets a 60-point musical of yours.
It's really easy, and it can create a sense of gap that is so large that it is doubtful about life.

Yes.

This is also the reason why, after this battle, Huo Zihang felt that the gap between humans and humans was greater than the gap between humans and dogs.

And Li Shaojie himself
That's already 100 points.

Even Huo Zihang felt that this "Phantom of the Opera" musical, Jie Ge probably created it according to the level of 30 points, but unknowingly and inexplicably wrote it into a work of 60 points
Although the show didn't adopt the old-inspired approach, Huo Zihang still felt that he had grown up.

It has grown violently.

A bronze player, if he has played against the king for a month, no matter how stupid he is, at least his laning strength, laning details, and hero understanding will have improved a lot.

translate.

After being abused by the big boss, enough blows are enough, and there is always progress.

This kind of "confrontation" growth method, although the blow is stronger, but the progress is also greater.

On the contrary, if the big boss leads the flight, it is easy to make yourself more and more good.

The show went on.

The conflicts and contradictions in the story gradually unfolded.

Who is Phantom?

original.

Decades ago, there was a circus in Paris.

In addition to juggling, they will also show some freaks for everyone to laugh at and entertain.

There is a strange-faced man locked in a cage, who is a knowledgeable architect and musician.

Later, he was rescued by Mrs. Geary and hid in the depths of the theater. He knew the theater well and was elusive.

It turned out that the reason why the Phantom of the Opera was wearing a mask was because he had a distorted face.

Extremely low self-esteem made him dare not show his face.

Until Phantom fell in love with Christine and admired her endlessly.

Only when he puts on his personality mask, can he become strong, domineering, and full of charm.

But because of this, it became extreme and gloomy.

The love between Christine and the Viscount turned the flame of Phantom's jealousy into a powerful possessive desire.

The hysteria of the Phantom, the recklessness of the Viscount, and the kindness of Christine.

Everyone's thoughts change and the plot of the story develops, blooming under the extremely stunning interpretation.

The collaboration between Li Shaojie and the national team once again presented such a "work of art" to the audience.

An easy-to-understand, yet highly aesthetic "work of art".

The Viscount, who was somewhat domineering at the beginning, also understood what dedication is, and Christine finally saw what he loved in his heart.

Phantom, such a strong person wearing a personality mask, also realized that the fanatical power bred in her heart turned out to be a domineering possessive desire.

Although Phantom left the scene sadly, Phantom, who understood the true love, finally let go of the deformed possessive desire in her heart.

Love is not letting go, love is fighting bravely.

But strive, but absolutely not extreme, let alone sick and deformed.

What is love made of?
Nature is sex, common ideals, like-minded pursuits, and dedication.

Phantom and Christine share a common ideal and like-minded pursuit --- music.

Both of them are pursuing pure music.

But Phantom doesn't know that in love, there is also giving and dedication. On the contrary, Phantom chooses to be tough and possessive.

The Viscount, however, has something that the Phantom does not have.

In order to protect Christine, the Viscount is willing to give his life.

At that moment, the Phantom found out that the fucking loser was actually myself.

The moment the Viscount was willing to sacrifice himself for Christine, and Christine was willing to survive for the Viscount, and agreed to marry the Phantom, the Phantom had already suffered a crushing defeat.

finally.

Phantom finally understood love, and chose to let go, fulfilling Christine and the Viscount.

Suppressing the sadness, he watched Christine's departure.

Later, when the officers found the basement, they found nothing.

Only the bleak mask left behind by the phantom.

Using a persona to hide his phantom, it seems that he has decided not to rely on the mask anymore.
Time flies.

The gears of time turn, and 49 years have passed in a blink of an eye, and we have returned to 1919 again.

The old viscount reappeared.

Christine passed away two years ago.

At the auction, the viscount, who was reminded of the object, came to Christine's tomb and prepared to pay homage.

But during the worship, the viscount found that there was a rose tied with a black ribbon on Christine's tombstone.

When the stage went dark and there was only such a conspicuous light hitting the black ribbon roses, the audience seemed to realize that the phantom had been there.

After the performance, the audience was filled with emotion.

Sad?In fact, it is not particularly sad, but I feel a little regretful.

This is not the suffering of some heroic figure, nor is it some intense sorrow.

More like the romance of melancholic music, a glass of mellow and long-lasting fine wine.

Drink it down, taste it, sigh softly, and digest the deliciousness of black and white, mask and true face, beauty and ugliness, light and gloom, life and death in fine wine.

Intriguing, long aftertaste.

There is no need to compare the strengths of popular and classical singers. First, the styles are indeed different, and second, they are not in the same industry.

But if we look at the technical difficulty and interpretation difficulty of the music itself, there are indeed some strong and some weak, some simple and some difficult.

There are indeed gaps in artistic achievement, artistic height, knowledge, and the things accumulated in the stomach. After all, fashion is more commercialized, and the pursuit is often not height but breadth.

We can't abandon the breadth and only talk about the height, let alone talk about the breadth without talking about the height.

But compared to classical music, it pursues height, and pop music pursues breadth, which is more popular, commercialized, and entertaining. The polishing of singing skills is definitely not so strict, and the requirements for strength are not so strong.

So there is a gap, it is for sure, and if you look at it from the perspective of the whole music, it is really big.

This is not to step on one another.

It's not that I look down on anything.

If Beethoven lived in modern times, he would not look down on popular music, but would find it very interesting, and would innovate and try by himself, because he was an artist and a musician.

But Beethoven must have thought that pop music was really simple.

That's probably what it means, don't get it wrong.

ps, it's my birthday, and I'm going to have dinner with a book friend in the afternoon.

Coincidentally, this book friend lives in the same neighborhood as me, and lives behind my building.

Had two meals before.

What's even more coincidental is that my birthday was yesterday in the lunar calendar, and his birthday is tomorrow in the lunar calendar, which is only two days away, so I went to have a meal today.

Sure enough, the end of the universe may be Panjin.