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Chapter 214 The Art of Pulling Hatred (Please Subscribe!)
Floating life is like a dream: "Ye Shen, I understand. After you said this, it suddenly became clear that Shuangwen can write like this! Ye Shen Niubi!"

Yunjuan Yunshu: "Ye Shen, I also want to ask a question, how can I keep the work from falling apart in the middle and late stages?"

Lin Chen replied: "The question raised by the author believes that many authors have encountered the situation that the more they write the work, the more they can't control it. If the control is not good, the novel may collapse, and once the novel collapses, it will be difficult for the author. It is very hurtful, basically this novel is useless.

No matter how good the writing is, those readers who have abandoned the pit will not be able to pull back, so controlling the plot and keeping it from collapsing is a test of an author's basic skills.Here I will teach a few small methods developed by myself to keep the plot from collapsing.

The first thing is to keep the goal not missing, that is to say, there is no blank period, the protagonist always has a goal, and the goal of the next stage needs to be started immediately after the goal of one stage is over.

The selling point of the second work cannot be reduced. The selling point is the most critical thing in your work. The number of selling points will affect whether readers continue to read or choose to abandon the pit.

If a work has only one selling point, it is not enough to support readers to read it completely.Unless you're writing short stories, a good novel has many selling points.

The third is to keep the protagonist's social relationship unbroken. Relatives, friends and enemies cannot disappear quickly at the same time. The protagonist can only develop the plot in the social relationship, so if there is no social relationship, the plot will collapse directly! "

Yunjuan Yunshu: "Thank you Ye Shen, listening to your words is better than reading ten years of books!"

Lin Chen: "Everyone, please ask any questions you have, and I will pick the most important answers."

Feng Guo Wuhen: "Ye Shen, I would like to ask you a question, how can the villain attract hatred better?"

Lin Chen selected Feng Guo Wuhen's question, and replied: "@风都无康, you asked this question well, I believe that many authors are relatively rigid in their hatred.

That is to say, a villain suddenly appears, and then this villain suddenly appears in front of the protagonist, and then suddenly seeks to trouble the protagonist. This method of attracting hatred is the most common and most brainless way of attracting hatred for many novice authors.

When ordinary readers see this way of drawing hatred, they will subconsciously think that the villain is demented.Wondering what are the tricks to properly pull aggro without offending your readers?

I have summarized four methods here. The first is to take the legitimate rights and interests of the protagonist as a matter of course (including reneging on promises, being greedy, etc.), because the reader is brought into the protagonist.

Therefore, encroaching on the protagonist's legitimate rights and interests is the easiest way to attract hatred, and it is also the most used hatred-inducing technique among current web writers.

The second is to deny the value of the protagonist (past achievements, current strength, future development). This is the same as the first article, and readers are brought into the identity of the protagonist.

Denying the value of the protagonist is denying the value of the readers. This hatred must be full, but it should be noted that the person who denies the value of the protagonist must be a character with a higher personality than the protagonist.

The strength and status of the opponent is stronger than that of the protagonist on the surface, so that the readers who pull the hatred will have a sense of substitution. Otherwise, if you write a low-level war scum to deny your value, the hatred will be meaningless, and it will appear very villainous. Reduce intelligence.

And I want to mention one point, when denying the value of the protagonist, there must be people present who the protagonist does not want to see this matter, such as the protagonist's fiancée, such as the woman you like, such as your relatives and friends.

When your fiancée, someone you love, or someone you value sees you being denied value by others, at this time, readers who are brought into the role of the protagonist,

The person who denies the protagonist will naturally be regarded as the big villain who must be eliminated and quickly. At this time, the hatred of that villain is blown out of the table.

The third is moral slander (I think it can also be understood as violating the protagonist's non-substantial rights and interests), and the third way of pulling hatred is what I summarize as slapstick.

The villain will not directly infringe the protagonist's physical rights and interests, but will continue to suppress it through language. When talking about it, it is still necessary to fight when there are many people.

The point is that the villain needs to slander the protagonist's reputation into a bad side in the public. The more slandered, the more hatred readers will be drawn to.

The fourth is to destroy the beauty (the emphasis is on the efforts to shape the beauty). When the villain wants to destroy the beauty that the protagonist has been working hard to protect, then the hatred value can be directly filled.

The more difficult it is to create a beautiful image, the higher the hatred of the villain will be.The above is my point of view on how to pull hatred. "

At this time, the elk said: "Ye Shen explained thoroughly enough, he is worthy of being the supreme god of male frequency, he explained how to draw hatred in a simple and easy-to-understand manner."

Next, after answering the question of hatred, Lin Chen chose a more representative question among the many high-quality authors.

Time is quiet and good: "Ye Shen, hello, I would like to ask what emotional creation skills need to be used when writing web articles?"

Lin Chen replied: "In fact, I have been researching this issue constantly. At present, I will share some of the most important emotional creation skills with you."

"The first one is pretending to be B. The core emotion is a sense of superiority, which is mainly achieved by [comparison]. Front contrast, contrast, and double contrast. Highlight a person who has nothing but what he has, what others have and what he has, and what he has and what he has.

The second is suspense, the core emotion is curiosity, which is mainly achieved by [paradox].Initial setting——events that violate the setting——the new setting overrides the initial setting.

Highlight a pit. In the early stage, you are not afraid of too many pits, but you are afraid that if there are no pits, you will lose the essence of suspense.

The third is horror, the core emotion is fear, which is mainly achieved by [paradox] and [reversal], which destroys the reader's sense of security.Calm - Dangerous - Safe - Dangerous.

Remember that the most dangerous place is the safest place. On the contrary, the safest place may also be the most dangerous place. Destroying the safe atmosphere when the protagonist is safest is the time when readers feel the scariest.

The fourth is despair, which is mainly achieved by [reversal], emphasizing that all attempts have failed.

Desperate situation—hope—desperate situation, give hope in a desperate situation, and then reverse it again when the reader thinks it is going to turn around. The emotions at this time are the most desperate.

The fifth is warmth, which is mainly achieved by [contrast] and [reversal]. The contrast highlights the badness - the reversal of the truth is beautiful.

Emphasize that the incident is not as bad as imagined, but very good, and can be reversed twice.Here is a word to remember, flowers should be set off by green leaves, no cruel scene can not set off a warm picture, and vice versa.

The sixth is sensationalism, the core emotion is sadness, which is mainly achieved by [contrast].First determine the tragic ending, and then write the previous good or tragic in reverse, usually starting with death.

Multiple comparisons are used here, the comparison between good and bad, the comparison between rich and poor, the comparison between strength, the comparison must be two extremes.

For example, a heaven and a hell, a heinous villain, and a good person who does not expect anything in return.Only in this way can maximum sensational effect be achieved.

The seventh is to pull hatred, and the core emotion is anger.Mainly rely on [comparison] to achieve.

1. Just the opposite of sensationalism, first write about beauty or misery, and then make it fall into an even more miserable situation.At this time, the specific executor (villain) will bear the anger of the readers.

2. Deprive the protagonist of his legitimate rights and interests.This has been answered in the previous question, so I won't repeat it here. "

(End of this chapter)