The road of the main god of cannon fodder female supporting role

Chapter 175 The Vicious Female Supporting Woman Went to Start a Career 23
Zhuo Shuilai was a little excited: "There are so many fresh lives, they gave their lives and were willing to sacrifice for us Chinese descendants not to be oppressed or enslaved.

This is in exchange for the rise and continuation of Huaxia. Only with the continuation of Huaxia can we be where we are today. They should not be forgotten! "

Wushuang looked at Zhuo Shuilai with some surprise, applauded for her, and said with a smile: "Zhuo Shuilai, I now believe that you will be able to play this heroine well."

At the same time, Wu Shuang couldn't help sighing in his heart, fortunately, this heroine has a very upright view, not only don't have to worry about her causing trouble, but also can join forces with her.

Speaking of which, every time she goes on a mission, it seems that the original owner is to dispel her grievances. The original owner is not a thing, and the heroine is basically good.

Every world is not a monster, even if you can't get along with her, you can live in peace.

Wushuang remembered what her mother Li Qing said about the missions she set out. The male and female protagonists were more vicious than the other, and each had more crooked views than the other.

Thinking about it this way, her mother seems to be a bit miserable, but her mother is in the scumbag group, and to deal with scumbags, it's normal to meet a lot of male and female protagonists with bad views.

Wushuang played an educational film for three consecutive days to ensure that everyone's emotions were stimulated enough, and only then began the script reading.

When the script is being read, the director, screenwriter, and starring actors, lighting engineers, stylists, and all other personnel related to filming must be together.

First, the actors read their respective scripts, and then everyone discussed how to shoot, how to use lighting, how to arrange the scene, whether the scene is reasonable or not, how to do the modeling, etc.

After reading the script, Wushuang did not start filming immediately, but trained all the actors.

Zhuo Shuilai is the most worry-free, her acting skills are good enough, Wushuang mainly tells plays for her.

Help her understand who the female number one is and what she is thinking at what time. Once these understandings are thorough, Zhuo Shuilai will know how to act.

Zhuo Shuilai not only saves herself from worrying about acting, but she is also very good at teaching others to act, and can help Wushuang teach these jerky actors how to act.

In order to make this film well, Wushuang even found good people in advance for the extras who were just background boards and had no lines.

So early on, I started to spend money to support them, and trained them to be familiar with how to act as street vendors, newsboys selling newspapers, and rickshaw drivers. Even if they are walking, they must walk like people of that era.

With Zhuo Shuilai sharing the acting training, Wushuang has been staring at Hong Manying's posture training recently.

The character played by Hong Manying is a courtesan on the surface, but is actually an underground party.

A courtesan is definitely different from an ordinary person. First of all, when walking, she needs to have a slender waist, and her buttocks twist naturally, looking sexy and enchanting.

This walking posture violates the normal posture of human beings, and it is full of the feeling of male gaze. In reality, normal girls rarely like to walk like this.

But it is undeniable that this way of walking is very beautiful, especially liked by men.

As a popular courtesan, Man Yao naturally wants to attract men's attention with every move.

Although Hong Manying looks gorgeous, she is a fast-paced person, walking fast, striding fast, and doing things neatly.

So Hong Manying couldn't practice Wushuang's way of letting her walk, and felt uncomfortable.

Wushuang could only hold her waist and teach her how to walk bit by bit.

After spending two full months in this way, Wushuang finally trained everyone's acting skills, and after seeing it pleasing to the eye, he announced the start of filming.

When Wushuang was filming, Jiang Chengyin often came to help Wushuang, because many of Wushuang's scenes had to be shot on location, and it was very tiring to shoot.

There is a drama in the morning, a drama at noon, a drama in the evening, and a drama in the middle of the night. Wushuang pulls everyone together.

Jiang Chengyin, who came to help out from the intensity of the shooting, clicked her tongue. This was too desperate. As a native of Interstellar, she said she couldn't understand it, but she admired it very much.

In order to become famous, to stand out, and to pay too much salary for Wushuang, everyone gritted their teeth and worked hard together.

When other directors are filming, the actors will inevitably have some small problems, tit for tat and secretly calculating.

When it comes to Wushuang, a group of little transparent people have nothing to calculate, the work intensity is so heavy, and the director's requirements are so strict.

Apart from filming, the big guys are just thinking about the characters in the script, and they spend all their rare rest time sleeping. It's the most harmonious crew.

Jiang Chengyin's own family runs an entertainment company. She has been with the production team since she was a child. This is the first time she has seen such a harmonious production team.

Jiang Chengyin couldn't hold back and said to the people around her: "I guess I know why the crew I saw before was so messed up. If they're idle, let them all be exhausted and see if they still have the energy to fight."

While talking, Jiang Chengyin was pushed aside by Wushuang, the director of the play: "Don't get in the way, take it with you in an open space, it won't get in the way."

Wushuang didn't look at Jiang Chengyin the whole time, but only looked at the actors in front of him, his mind was full of how to make this scene look good and the undercurrents were surging.

This section is a rivalry scene between Zhuo Shuilai and Hong Manying. Ruan Meng, the heroine played by Zhuo Shuilai, suspects that the Man Yao played by Hong Manying is an underground party.

Ruan Mengmeng wanted to help Man Yao, but he was afraid that he might guess the identity of Man Yao wrongly, so he had to be cautious.

The height gap between Hong Manying and Zhuo Shuilai is a bit big, and it is not easy to be in the same frame. Wushuang called out casually: "Come on, get a stepping stone for the Man Yao to step on."

In order to avoid acting out, Wushuang asked everyone to call the actors by their character names instead of their real names when they were on the set.

After Wushuang finished yelling, the prop master turned around and yelled: "I have a booster, who took it for me!"

Wushuang held up his small horn and said angrily: "Props master, you just made one of the booster pads and lost it and can't find it. Didn't I tell you to make more props to have backups!"

Wushuang knows why many well-known directors are studio tyrants. In fact, directors have too many things to take care of.

Especially when there are frequent accidents during filming, and when the actors' acting skills are still not up to the standard, people will be irritable like a powder keg, and anyone who lights a fire wants to blow it up.

Wushuang rubbed his temples desperately, wishing to let these people have a brain with him, why can't they do things that are obviously easy to understand.

Just when Wushuang was on fire, a slender hand held a small stool-like booster pad, and said to Wushuang, "Director, are you looking for this?"

Wushuang looked down and said, "That's all, quickly let it go and let Man Yao step on it."

After Wushuang ordered the person who took the booster pad, he ordered the person to arrange the camera, and then returned to his monitor.

Holographic monitoring is much easier to use than screen monitoring. Wushuang sits here and has an overview of the whole situation, and can adjust the actor's posture at any time.

Wushuang shouted: "Background actors pay attention, get ready to dance, enter the stage, and start dancing."

The song "Night Shanghai" sounded. In the background, the dancers with sore feet wore cheongsam dresses, maintained their elegant postures again, and danced on the dance floor in pairs.

The group performers had chattering and laughing expressions on their faces, but what they said was actually complaining.

"I've been dancing for too long, and I feel like my feet are going to break. Let's get over this part soon."

"I will never wear high heels again, and I will never dance ballroom dancing again. I am too tired."

(End of this chapter)