From the dream-chasing showbiz to remake bad films

Chapter 16 Silhouettes and private goods

"Crack!" Pei Yang looked at the monitor in front of him with complicated emotions.

"This one is over, keep another one."

"Attention all departments, 3, 2, 1, action."

In fact, Pei Yang's work in the crew is far from as easy as the many entertainment works written, and Pei Yang is a person whose interests change relatively quickly.

After Pei Yang designed and conceived all the clips, the work of filming has lost almost the usual fun for him.

But as his debut work, coupled with his meticulous personality towards work, Pei Yang still has a certain sense of expectation for this task, so he kept his task progress.

During the filming for nearly a month, Pei Yang has completed 70.00% of the tasks required in the school, and for the remaining 20.00% of the five, Pei Yang had to take the crew to shoot the location.

His first stop was the student activity center next door to the Film Academy, to shoot Ke Jingteng's practice clips about the art test.

"Okay, no problem. Well, I get it, I get it, thank you very much."

Pei Yang hung up the phone with the management director of the activity center, and asked the field staff to carry the equipment into the activity center.

After entering the activity center, the whole floor is full of different music students. You don't need to look to know that there are many beautiful young ladies dancing to their heart's content.

Part of the purpose of coming here for ground shooting is that there is no need to go outside to pay rent, and another part of the reason is that many extras with good images can be found here.

In other words, Pei Yang came to whoring for nothing, after all, it was for making movies, so it's not shabby to go whoring for nothing.

After notifying the assistant director to prepare for casting, Pei Yang continued to shoot with his crew.

As an art student who can choose to take the acting path, Ke Jingteng's biggest feature is actually that he dances very well. In other words, he has a good figure, and a good figure makes him look handsome.

As Ke Jingteng's greatest strength and strength, dancing has naturally become his greatest spiritual sustenance.

So in the movie, Pei Yang arranged a one-man show similar to the lighting effect of "Farewell My Concubine" to exaggerate Ke Jingteng's inner helplessness.

And the most important point of this clip is actually the clever lighting, that is, light.

Vittorio Storaro once said: "Photography really means "'writing with light'".

Light is a shooting method with a high priority when the level and conditions are sufficient.

In fact, Pei Yang had a hard time thinking about the three methods of using light to directly process people against the light, using light to create silhouettes, and adding flashback processing to silhouettes.

But after a long time of consideration and pondering, Pei Yang chose to simply use lights to create silhouettes. The reason is actually very simple.

First, actor Ke Jingteng's own strength is very limited, and his expressive power is also relatively limited. It is difficult to give the kind of confused loneliness that Pei Yang wants, which makes it difficult to empathize with young people who are good at emo in the new era.

Second, the dramatic effect of the backlight treatment is greater than the aesthetic effect. This is also reflected in "Farewell My Concubine". Although the empathy brought by the backlight is stronger, Pei Yang still shoots commercial films, and the main purpose is to attract the audience.

Third, I talked about the effect of backlighting for a long time, but with the current conditions of the crew and the plot, I really couldn’t find a suitable environment for backlighting treatment. It can shoot the kind of lonely world where I am the only one dancing alone, so the conditions are limited. can silhouette.

However, the degree of rendering of the silhouette is also particular. A slight change in the brightness of your light will cause a huge difference to the shadow and its screen (the display space of the silhouette).

It is the first time that Pei Yang has fully devoted himself to the shooting of the silhouette effect. It has to be said that although it is more difficult to shoot such a more artistic plot, it is indeed more enjoyable for the director. the process.

So maybe this is why every director more or less has a dream of a literary film. It is really cool to make a literary film with his own private goods.

And what this silhouette wants to show is the only place where Pei Yang has a little bit of private goods mixed in, probably to express the feeling of confusion that everyone will have in adolescence.

"Hope she understands.

I don't want to bury all this in my heart, but I can do nothing about it.

I want to end the torment every night, and I also want to end myself.

Let's stop here, I'm out of the game, and so are you.

Are you afraid, if you miss it, you really can't go back.

If you figure it out today, you won’t be able to do it tomorrow.

I have been saving myself, and I have been falling.

People really want to move forward generously, but which side is the front and which side is the back.

How long will it take to be the cure

Every day I struggle between being able to figure it out and not being able to figure it out, why bother.

You become me, so you understand my sadness and helplessness.

Not a valley, so no echo.

I thought she was salvation, but I didn't expect it to be another abyss.

I'm slowly forgetting you, so don't bother me, I don't want to be sad.

My love of sewing, that's all.

I don't want you to be unhappy and jealous that you are too happy with others.

Everyone will live a good life, right?

It's really my problem that I can't go far with anyone.

Maybe she'll come to me and I'll stay.

I hope that the wind in winter can blow away all the regrets left in the year.

Can't we just apologize to each other and go back to the old days, it doesn't seem possible.

It would be nice to have some things, but I never knew if I had them. "

This wave is very simple. Part of it is to satisfy my obsession with art films, and the other part is to pay tribute to Guo Xiaosi and copy the success factors of her youth pain literature. Whose youth is not confused.

After the crazy export of private goods, Pei Yang was satisfied and announced the end of the filming.

Pei Yang wanted to emo sadly by himself again, but unfortunately, little friend Xia Yike blocked his way.

Although it's not obvious.

Xia Yike didn't speak alone, just hung in front of Pei Yang silently.

Pei Yang was at a loss, smiled helplessly, and said to Xia Yike: "Beautiful Ms. Coco, I would like to treat you to a cup of coffee, would you like to show me your face?"

Xia Yike just pretended to see Pei Yang just now, didn't speak, and nodded reservedly.

Pei Yang pretended not to know, and went up to pinch Xia Yike's little face. Pei Yang felt in his heart, how soft and rua, so he couldn't help pinching Xia Yike again.

"Last time I drank Baidao tea, this time I'll drink ancient tea." Pei Yang said while pinching Xia Yike's small face.

Xia Yi didn't expect Pei Yang to come up and pinch his face directly, and he froze in place for a moment.

After Xia Yike realized it, she hurriedly shook her head, freed Pei Yang's big hand, and lowered her head again.

From Pei Yang's angle, one could only see that Xia Yike's soft face was quickly stained with a blush, but he couldn't see that Xia Yike's eyes were already moist.

　Asking for votes, asking for follow-up reading, now the policy of Dianniang has changed, you must follow-up reading to recommend, everyone, even if you want to keep a book, you have to move your little hands every day to click on the latest chapter, otherwise it will be easy to keep it to death. .

　　


(End of this chapter)