From the dream-chasing showbiz to remake bad films

Chapter 38 Soundtrack (1)

Since the three girls all said that version one is better, then Pei Yang must follow their opinions.

This is not Pei Yang's own idea of ​​using the first edition, but the general opinion of the masses.

Pei Yang still believes in the eyes of the masses, after all, the eyes of the masses are discerning.

Moreover, Pei Yang believes that the vision of the broad masses of the people is the same as that of the three women, and they are constantly making progress.

So even if Pei Yang uses the first edition, he can rest assured that there will be many people with the ability to appreciate art.

The history of watching dog blood farce will gradually become a thing of the past, and people will be able to appreciate good stories that have correct values, are true, have a sense of moral beauty, and can see people's hearts. (By the way, the corpse of "Little Times" 1, 2, 3.)
So Pei Yang "drives away" the three tool men, and he has to do the final fine-cutting and finishing work.

Afterwards, for the color correction, dubbing, subtitles, opening and closing credits, it is necessary to find someone to cooperate.

I have done so much late-stage work by myself, not to mention the rapid consumption of inspiration and mental energy, the physical fatigue alone makes Pei Yang a little overwhelmed.

Fortunately, he is still young and can still fight awake.

Pei Yang spent a whole day fine-tuning, and finally handed over the sample that he was most satisfied with.

This sample film can be said to have carried out all the advantages of the first edition, but also added some details, perfected the integrity of the story, and enriched the characters.

He invited a senior industry worker, Hu Ge's good friend, Xu Tong Xu to be in charge of the color grading work.

In fact, he has already confirmed the basic tone of the film, and the task of the invited master is to adjust the color of the film to be more realistic and natural, with a more hazy and youthful beauty.

Although Pei Yang is very confident in himself, in the professional field, he still has to trust professional people. They are always better than him.

Well, although Pei Yang didn't want to admit it, he was actually not good enough. He could describe what he wanted, but he couldn't adjust it at all. After all, he really wasn't a professional colorist.

Although Pei Yang has recruited a big hand, but Pei Yang himself is not idle, he still has to work on the soundtrack of the movie.

Film soundtrack generally refers to the theme music that appears in film works, and also includes natural sounds such as wind and synthetic sounds such as mechanical rotation, which generally play a role in matching the development of the plot and the emotion of the scene.

Production methods usually include musical instruments, vocal music, orchestra or electronic music.

It has many functions for the presentation of a movie-for example, the soundtrack before the movie can form a sense of ritual and create the overall atmosphere, some can suggest the environment, class, racial group or inner emotions of the characters, and some can represent the character's personality or Form a direct connection with a person.

The film soundtrack is a relatively large concept, so it can be divided into two types according to the way it cooperates with the film itself.

One is to try to integrate into the structure of the film, and to assist the film to express more smoothly and richly. The other is to make people feel strongly and stand out as much as possible. The purpose is to strengthen.

In layman's terms, one is a support and the other is a jungler. [ADC dogs don't play]
But in fact, as long as it can complement and cooperate with the movie itself, it is a good soundtrack.

Generally speaking, there are only two ways of expression in movies, 1. Situational expression (realistic or non-realistic), 2. Narrative expression.In many cases, these two expressions can be carried out at the same time.

The role of music is to render a relatively concrete image in an abstract way, so most commercial films have soundtracks, and the existence of soundtracks is also very important for ordinary audiences to understand image expression and storytelling. s help.

Music is usually very subjective, sad or happy or elegant or vulgar, or a variety of regional customs and cultural backgrounds.Sometimes you can clearly feel the content expressed by the movie through the music without even looking at the picture.

The image is relatively objective. When there is no dialogue, the audience often does not necessarily understand the emotion that the movie wants to express. For example, when there are a lot of empty scenes in many movies, the emotion that the director wants to express usually requires a piece of subjective music to express. The picture is qualitative, the same picture, if it is accompanied by happy music, it will be happy, and if it is accompanied by a sad soundtrack, it can be sad.

In many scenes with dialogue, through the foreshadowing and rendering of music, the audience can also feel another layer of meaning behind the lines, and give hints to some important words, and even provide future plots with music alone. Development lays the groundwork.

When we watch Disney cartoons, we only need to listen to the soundtrack when the character appears on the stage to know the character of the character, and the direction of the character's fate can often be given to the audience through the development of the soundtrack.

For the soundtrack of his own movie, he must choose the best within his ability.

"Sunny Day", "So I Never Forgot You", "Us", "The Unspeakable Secret", "A Shooting Star Crashed into My Pocket", "Little Lucky", "Those Years", "To Youth", "The Year in a Hurry", "All You Can See" ""Little Lucky""A Little Sweet"

(Qq music search "Remake of Bad Movies from Chasing Dream Showbiz", listening to music and reading books, more sense of substitution.)
These twelve songs are the twelve songs that Pei Yang chose more suitable after making memories.Most of them are familiar to you.

Although there are no songs that are particularly famous, each one can be regarded as a boutique, even a classic.

But Pei Yang didn't intend to sing by himself, he still knew how much he weighed, which was the level of a KTV Maiba.The gap between amateurs and professionals is still huge.

So if he came to sing these songs, then these songs are basically ruined, no matter how classic the lyrics and music are, and your singing is fragmentary, wouldn't you put it in the movie every minute?
This is Pei Yang's own film, how could he harm himself.

Therefore, he intended to find two cheap and capable ones, a man and a woman, to sing his twelve songs.But how did he know such a person?

Therefore, Pei Yang resolutely went to Luo Sisi when he was undecided.

"Sister Sisi, do you understand who I want?" Pei Yang sat crookedly across from Luo Sisi in an "arrogant" way, pouring his own fruit orange into a disposable cup to drink.

"Brother, who do you think I am? Entertainment godmother? I can get you anyone you want?" Luo Sisi wanted to bite Pei Yang to death.

But Luo Sisi's voice changed: "However, I can really help you."

Then, he fiddled with the computer for a while, and then turned the computer to Pei Yang.

Pei Yang looked at the two videos on the computer, his eyes lit up, it was really outrageous that he could find these two.

　I'm sorry, brother Meng, this chapter was blocked because of writing, which caused a very bad influence on everyone's reading.

　　So, I just don't want the chapter I sealed, and gave Yanzu another chapter.

　　Still ask for tickets, ask for follow-up, follow-up is really too important.

　　
　
(End of this chapter)